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Pierre Laszlo - A Life and Career in Chemistry: Autobiography from the 1960s to the 1990s

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Pierre Laszlo A Life and Career in Chemistry: Autobiography from the 1960s to the 1990s
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This book is an enthusiastic account of Pierre Laszlos life and pioneering work on catalysis of organic reactions by modified clays, and his reflections on doing science from the 1960s to 1990s. In this autobiography, readers will discover a first-hand testimony of the chemical revolution in the second half of the 20th century, and the authors perspective on finding a calling in science and chemistry, as well as his own experience on doing science, teaching science and managing a scientific career.

During this period, Pierre Laszlo led an academic laboratory and worked also in three different countries: the US, Belgium and France, where he had the opportunity to meet remarkable colleagues. In this book, he recalls his encounters and collaborations with important scientists, who shaped the nature of chemistry at times of increased pace of change, and collates a portrait of the worldwide scientific community at that time. In addition, the author tells us about the turns and twists of his own life, and how he ended up focusing his research on clay based chemistry, where clay minerals were turned in his lab to catalysis of key chemical transformations. Given its breath, the book offers a genuine information on the life and career of a chemist, and it will appeal not only to scientists and students, but also to historians of science and to the general reader.

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Book cover of A Life and Career in Chemistry Pierre Laszlo A Life and - photo 1
Book cover of A Life and Career in Chemistry
Pierre Laszlo
A Life and Career in Chemistry
Autobiography from the 1960s to the 1990s
1st ed. 2021
Logo of the publisher Pierre Laszlo Snergues France ISBN - photo 2
Logo of the publisher
Pierre Laszlo
Snergues, France
ISBN 978-3-030-82392-4 e-ISBN 978-3-030-82393-1
https://doi.org/10.1007/978-3-030-82393-1
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

This Springer imprint is published by the registered company Springer Nature Switzerland AG

The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland

Introduction

Amateurs of baroque music keenly hear the difference between an ancient harpsichord and a modern instrument, even when the latter is a reconstitution. Richness of tone makes the difference between the old and the new. Why are we, the self-labeled sophisticate moderns, unable to match the prowess of yesteryear? In short, because the tone of an instrument is a multiparameter feat. Harpsichords are based on plucking strings. A plectrum activates each individual string. The plucking submits to a wealth of parameters: in addition to strong or weak, the plectrum can hold on to the string, roll, twist and turn, bite, scratch, whip it, all variants that contribute to the tone.

The analogy is to the historian, whose position is akin to that of the modern instrument builder. He or she is unable to recapture the rich tone of the past, in its many-stranded fabric. The task resembles hauling water with a basket, to use a cruder metaphor.

Far from an ego-boosting adventure, this book is meant primarily for future historians of twentieth-century chemistry. They will be able to peruse it, not necessarily for the ostensible information about my times, more efficiently for implicit and revealing tidbits. And that is the value of this unjustly decried genre, the autobiography.

I submit mine in a spirit of modesty, not self-deprecation. I wrote it because the reading of autobiographies of scientists was an important part of my education and of espousing scientific research as my career, instead of other endeavors that were equally tempting, literature foremost. Which autobiographies?

I will cite only these: Benjamin Franklins, Pierre-Gilles de Genness, Benot Mandelbrots, Laurent Schwartzs, and Jacques Friedels. From each, I learned the virtue of being different and forging ahead.

In addition, prior to engaging in this exercise in frankness and memorization, I worked on portrait-drawing in words. At the time of writing, the early summer of 2020, I have penned and published the portraits of nearly 70 alumni of the French cole polytechnique, all of whom had their training in the sciences and some of whom became scientists themselves.

How then can a single person help to preserve bits and pieces of the past? By contributing a tone of voice, maybe. Not shying away from ones singularity. Describing ones sights, encounters, and experiences.

Thus, I submit that personal histories may guide science history. By heeding such an axiomatic precept, I feel very much a product of my time, of the sixties when I became a member of the scientific communitya notion also from that time and worth reexamining. An injunction from that period was to make a contribution. Which is exactly what this book will strive for.

A feature of the sixties appealed to me and thus may feature predominantly in this memoir. An epistemology of combinatorials, which applied to both linguistics and chemistryI will only mention at this point my published suggestion to teach chemistry as a language, which would help to tackle the exponential accumulation of chemical knowledge during the last century.

Why bother writing an autobiography? Assuredly not for self-glorification: science has lavished on me all kinds of rewards; I do not have a need to add to them. A more lasting note is to pass on the experience of rising to a variety of challenges. My take on the autobiographical foray is to stress the personal, in my case the permanent tension between science and the humanities, between chemistry and literary studies, between Hephaistos and Athenato put it under the aegis of Greek gods. Let me note in passing, a point I probably will not have the time and space to elaborate further, the absurdity of keeping separate histories of art and of science. Regarding the latter, I witnessed the changing of the guard: a switch rather than a mere shift. In the past, historians of science had a dual training in science and in history. Double doctorates were not unusual. Such an exacting training has now been jettisoned. History of science has undergone a takeover by sociologists, some of whom are dropouts from scientific studies, even sometimes scientiphobes who blame science on the fallout from technologythe term technoscience is revealingthus putting in the same disposable bag two developments characteristic of the past century, advancement of knowledge and consumerism. Which is axiologically wrong, akin to blaming philosophy for the political ills of todays world.

Why do we need history of science? What is good about it? The advancement of knowledge, far from being linear (Whig historiography), is replete with twists and turns. New departures are the norm. They originate from ideas, hence from people: yes, I am an idealist; Plato had it right. To chronicle these abrupt changes is the task of the science historian. The reward is archival work, very tedious as a rule but relieved by occasional bursts of life, which suddenly spring at you from yellowed documents.

Contents
The Author(s), under exclusive license to Springer Nature Switzerland AG 2021
P. Laszlo A Life and Career in Chemistry https://doi.org/10.1007/978-3-030-82393-1_1
1. Family and Upbringing
Pierre Laszlo
(1)
Snergues, France

I am the son of immigrants. I was born in Algiers in August 1938. Both my parents were Hungarian.

My father, Franois Laszlo (19071976) (in Hungarian, Lszl Ferenc; in like manner to many among his contemporaries thus named in honor of Franz-Josef, then the beloved Emperor of Austria and Hungary) attended a secondary school run by the Piarist Fathers. He received top grades in every subject. He could even speak Latin! After graduation, he attended the Technical University in Budapestthe uppermost in the countryand obtained a degree in mechanical engineering (Fig. ).
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