Kate Hodges - Warriors, Witches, Women
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witches
women
MYTHOLOGYS FIERCEST FEMALES
Kate Hodges
ILLUSTRATED BY HARRIET LEE-MERRION
Sometimes, the past can help us make sense of the now. Reading through the stories of the goddesses, witches and mythological creatures featured in Warriors, Witches, Women, I was struck by how present these women still are today. Sometimes their names are used as weapons women in politics are called Medusa, women who speak their mind harpies or women who wear make-up become Jezebels. Entire groups are demonised. Women who have the power to heal, to care for others, who have skills in astronomy and herbalism or live on the fringes of society, have all been derided as witches by those who would like to see their power and knowledge neutralised.
Women associated with strength Artemis, Innana, Kl, Morrgan and Mami Wata are fierce influences, whose characters are so strong they endure down the years. So much so, these women are still referenced across popular culture featuring in plays, TV shows, films, comic books and music videos. Reading about the origins of some of our most familiar characters is quite the eye-opener.
Then there are the less familiar tales stories Id never heard before. A quick dip into the book will throw up diverse narratives, from the volcanic rage of Hawaiian goddess Pele to the cheeky striptease of Ame-No-Uzume, while a deeper dive reveals arcs and connections across cultures, religions and continents. I also loved Harriet Lee-Merrions illustrations, which bring the stories to life in cool, modern, intelligent style capturing the imagination of every woman who has ever found herself in need of a powerful role model.
Maxine Peake
We are the granddaughters of the witches you werent able to burn.
Goddesses, ghosts, witches, creatures. The mythological and fantastical have always fascinated me, but it was the female players who became an obsession. While my friends were mooning over Michael J. Fox and Tom Cruise, I was transfixed by Clash of The Titans (the 1981 version), where Perseus takes on various creatures to save Princess Andromeda. It wasnt hunky Harry Hamlin who seduced me, but the rickety figure of Medusa stop motion artist Ray Harryhausens snake-haired creature dragging herself around a fire-lit underground temple, eyes beaming green light. This sinister creature was far more fascinating than the vacuous stack of muscles which vanquished her. I was mesmerised. What was her story? What drove her? Why, even after death, did she retain her terrifying ability to turn all who gazed at her into stone? Most importantly, why did people have a problem with her?
Later came the witches. I was giddy over Helen Mirren as Morgana in the Arthurian epic Excalibur (1981), the chanting villagers from The Children of the Stones (1977), the White Witch from the Narnia tales, Fairuza Balk in The Craft (1996), the Wicked Witch of the West in The Wizard of Oz (1939), even the dodderingly sweet-but-evil Minnie Castevet in the cult Rosemarys Baby (1968). All these depictions were reductive and cartoonish in their different ways, but Id still find myself rooting for these women. I loved their sense of self-possession, their knowledge, their power; they looked like they were having a lot more fun than the heroes and heroines who eventually defeated them.
Id hoover up folk tales, from the Welsh Mabinogion with its tales of shimmering faerie princess Rhiannon to the Irish mythological cycles with the screaming warrior Morrgan. Id spot seductively fascinating women in classical literature: the witches and sages Circe, Hecate, Cassandra and the bounding, athletic Artemis. I also devoured characters from further afield the whirlwind fury of Kl from Hindu tales, Anath from Semitic stories and the raging Pele from Hawaii. These are women who go beyond long-haired, smiling stereotypes, whose stories are so powerful, so entrancing that they have survived for millennia.
To a ten-year-old me, whose only female superhero was Wonder Woman, these mythological creatures resonated hard. They fought, took revenge, were wild some of them were even worshipped for it. And its their quirks, their power, their fallibility that makes them fascinatingly relevant to women today.
Warriors, Witches, Women retells and reframes the incredible stories of some of these women. For space limitations, Ive chosen to focus on fifty global entities, based purely on those whose stories resonate most deeply and reflect multiple experiences, from the mighty to the mundane. These are the mythological beings who have skills and character traits we can all aspire to, who are positive and strong and who, despite having a few millennia behind them, still feel modern and fresh. Ive tried to tell the stories behind the blockbuster reworkings, to find the true origin tales and uncover how, and most importantly why, they have been retold again and again. To have these incredible creatures gathered together in one place is like a dream party, one where you might laugh with Freyja in her finery, snaffle crisps from the buffet with Futakuchi-onna, lift up your skirts and dance with Ame-no-Uzume and finish your night skinny-dipping with a selkie.
Ive grouped the stories into sections. First we find the Witches, wise women, soothsayers and healers. These are empowered women, many of whom deviated from the norm and were cast as evil. Here we find Hecate, Baba Yaga and the icy Berchta making corporeal the fears of men, suspicious of knowledgeable women who might threaten the gender status quo.
Next come the Warriors, fighters, strategists and bringers of justice women who dont just crush enemies, but battle expectations. Women like Yennenga, who are not just mens equals on the battlefield, but their betters. But they are not one trick ponies; they are nuanced, fallible.
In Bringers of Misfortune the focus is on the destructors, the havoc-wreakers and the harbingers of doom. These are the vengeful, the foreboding, the malignant women the Harpies and Medusa among them whose names are being reclaimed. They may be monsters, but they are our monsters.
Elemental Spirits hails the wild women the lightning bolt throwers, commanders of the planet and those at one with the elements. The selkies, the Rainbow Serpent and Mari these are the women who run free, cutting loose from the expectations and raised eyebrows of society. They lead the charge when our existence as a species is so horrifically under threat.
And finally there are the Munificent Spirits, the women its easy to love. The bountiful deities, generous spirits and domestic goddesses. Maman Brigitte, the Moirae, Bona Deathese are the women who put all others before themselves. Yet, all have a darker side, those fragments of reality we can identify with, which reflect back aspects of our humanity, and more specifically, female humanity.
There are many versions of each tale in this sphere facts are fluid so Ive cherry-picked the most show-stopping. And Ive tried my best to use language and names closest to those used by originators, but if Ive muffed up, do let me know. This is a collaboration.
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