Keith Relf on Ready, Steady, Go ! in June 1965 (photograph by Tony Gale, Pictorial Press Ltd./Alamy Stock Photo).
Heart Full of Soul
Keith Relf of the Yardbirds
David French
Foreword by Alice Cooper
McFarland & Company, Inc., Publishers
Jefferson, North Carolina
Library of Congress Cataloguing-in-Publication Data
Names: French, David, 1966 author. | Cooper, Alice, 1948 writer of foreword.
Title: Heart full of soul : Keith Relf of the Yardbirds / David French ; foreword by Alice Cooper.
Description: Jefferson : McFarland & Company, Inc., Publishers, 2020. |
Includes bibliographical references and index.
Identifiers: LCCN 2020019595 | ISBN 9781476680118 (paperback) ISBN 9781476640464 (ebook)
Subjects: LCSH: Relf, Keith. | SingersEnglandBiography. | Rock musiciansEnglandBiography. | Yardbirds (Musical group)
Classification: LCC ML420.R344 F74 2020 | DDC 782.42166092 [B]dc23
LC record available at https://lccn.loc.gov/2020019595
British Library cataloguing data are available
ISBN (print) 978-1-4766-8011-8
ISBN (ebook) 978-1-4766-4046-4
2020 David French. All rights reserved
No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher.
On the cover: Keith Relf, 1968 (Photofest)
Printed in the United States of America
McFarland & Company, Inc., Publishers
Box 611, Jefferson, North Carolina 28640
www.mcfarlandpub.com
To Chanin, Oliver and Hazel
Table of Contents
Acknowledgments
I must first thank Jim McCarty, April Mannino and Louis Cennamo, who knew Keith the best and who generously spent hours speaking to me and providing me with a foundational understanding of Keith as a person. Jim has been a hero of mine for 40 years, but all three of these individuals have become heroes to me for their wisdom, heart and humor.
Enormous thanks to Alice Cooperwonderful words from a true rock god and a huge Yardbirds and Keith Relf fan. Thanks, as well, to Toby Mamis from Alive Enterprises for his own obvious enthusiasm for this project and generous assistance to make this happen, and to Timothy Smith at Legacy Recordings for making the initial connection.
Many others generously gave of their time and memories to help me tell Keiths story, including the members of almost every musical group Keith worked withthe Metropolis Blues Quartet, the Yardbirds, Renaissance, Medicine Head and Armageddon. Roughly in order of appearance, Id like to thank: Laurie Gane, Anthony Top Topham, Paul Samwell-Smith , Keith Trumbo, Pat Dreja, Simon Napier-Bell , Shelly Heber, Cheryl Noone, David Aguilar, Don Baskin, John Hawken, John Fiddler, Richard Houghton, Roger Trevitt and Hunter Muskett, Bobby Caldwell, Martin Pugh and Zac Taubman.
I am grateful to Jane and Danny Relf for the morning we spent together in Richmond during which they helped me to better know their brother and father. Though they did not wish to be interviewed for the book, they have remained in my thoughts throughout this project, giving me an intense desire to get it right and to create a portrait of Keith that is true to their memories.
Big thanks to Mike Stax, writer and editor of Ugly Things magazine, who volunteered to do an early read of my manuscript and provided much-needed edits and fact-checking . Mike also made important connections, shared resources and was always available when I reached out for help or advice.
Ben Silverberg and Coskun Josh Cicek are two Yardbirds super fans to whom I am deeply indebted for photos, memorabilia, rare recordings and interviews. The amazing Val Wilmer sent me copies of her interviews with the Yardbirds and provided contacts and encouragement. Rick Barnes provided me with the text of a rare interview with Keith. My thanks also to David Aguilar, Glenn Bergstrom, Justin Berwick, Louis Cennamo, Chris Cooper, John Fiddler, Ulrich Handl, Sam Knee, Alec Palao, Tapani Talo, Roger Trevitt, Keith Trumbo and the Odense City Archive for assistance with and use of photos, many quite rare. Thanks, as well, to the staff at Reelin in the Years, Alamy, and Getty Images for their assistance securing additional images.
Director Jennie Thomas at the Rock and Roll Hall of Fame Archives and her teamLaura Maidens, Jona Whipple and Justin Seidlerwere incredibly knowledgeable and helpful with my research.
My cousin Heather Wright revealed Scotland Yard-level detective skills I did not know she possessed, performing invaluable research to search the public records and nail down important events and locations in Keiths life. Additional thanks to her and to the rest of my UK family, Christine Wright (and Jessie) and Jeroen Kluit, for the love and assistance.
Many others helped to pull this thing off. Mike Novak, Sam Erickson and the rest of my rock n roll brothers in the Sonic Power Pops get a big shout out for their individual contributions and/or all-around swellness. No less clutch (or swell) are my colleagues and Queens cool kids Seema Pai and Chris Gerolimatos, who both contributed.
Finally, of course, thank you to my family, Hazel, Oliver and Chanin, for the amazing love and support and good times.
Foreword
by Alice Cooper
Our band the Spiders opened for the Yardbirds in 1965. We were in high school and played a place called the VIP Club in Phoenix. The VIP Club held a thousand kids and we used to fill that place every weekend. Everybody would come and they would dance but we were also a show bandwe were the Spiders, we all dressed in black and played behind a big spider web at the front of the stage. Wed started off playing Beatles and Stones covers but by 1965 the Yardbirds were our favorite band and we played every single Yardbirds song. We would do Train Kept A-Rollin and all those songs and we were good at them.
Were 17 years old and one week were opening for Them with Van Morrison, the next week were opening for the Byrds, the next week weve got the Hollies. Then one week the promoter said, Hey, Ive got the Yardbirds next week. And we all went, What!?! Because we were the Yardbirds band!
We thought about it and we said, Look, were paying tribute to themlets just do our set. And so, we opened for the Yardbirds and did all of their songs. We could see them in the back and they were smiling and giving us the thumbs up. And then they got up and just blew us off the stagebecause they were the Yardbirds! And we just stood there going, Oh. Thats how its done. The Yardbirds were one of the best live bands I ever heard and we learned a lot that night.
Keith Relf is maybe the most underrated frontman ever. He had a voice that was unlike anybody elses, so he could take a song like Over Under Sideways Down or Mister Youre a Better Man Than I and you immediately knew it was the Yardbirds because of Keith Relfs voice. That is something that is so unique and hard to do. And he played harp like nobody. When I learned how to play harmonica, I didnt learn how to play from the Beatles or the Rolling StonesI listened to Keith Relf and learned his style. He kind of played the way that Jeff Beck didhe really found the right notes and stayed with those notes without trying to get too complicated.