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Tim McPhate - Odyssey: The definitive examination of Music From The Elder, KISS cult-classic concept album

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Tim McPhate Odyssey: The definitive examination of Music From The Elder, KISS cult-classic concept album
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Odyssey: The definitive examination of Music From The Elder, KISS cult-classic concept album: summary, description and annotation

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Shock people and throw them for a loop, Music From The Elder did. Upon its release in November 1981, the album was confusingly received by both KISS fans and the general public. By the time the calendar turned to 1982, the album was essentially a commercial failure. And KISS were already ready to move on. More than 30 years later, Music From The Elder has attained a cult-classic status among a segment of diehard KISS fans. A great part of the albums appeal lies in the mysterious conditions under which it was created. While Music From The Elder has been discussed in various music publications and KISS-related books, there has never been a concentrated effort to put this album under a historical microscope. Until now.Through a series of brand-new interviews, original features and related special content, KissFAQ will shine a spotlight on Music From The Elder like never before. More than 30 interviews were conducted with various individuals who either worked on the project or have a connection of sorts, including professionals who have never told their Elder story. These interviews will provide interesting insights and unique perspectives regarding the albums creative process and this fascinating period in KISStory, in addition to fun anecdotes and personal recollections. A series of topical features will shed more light on KISS activity in 1981 and early 1982 and dissect the album further with in-depth musical analysis, biographical information on the albums participants, a revised KissFAQ Album Focus, and much more...

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By Tim McPhate Julian Gill Copyright 2016 2017 by Tim McPhate Julian - photo 1


By Tim McPhate Julian Gill Copyright 2016 2017 by Tim McPhate Julian - photo 2By Tim McPhate Julian Gill Copyright 2016 2017 by Tim McPhate Julian - photo 3

By Tim McPhate

& Julian Gill


Copyright 2016, 2017 by Tim McPhate & Julian Gill

Cover artwork & interior title elements 2016 by Nils Brekke Svensson

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without explicit permission in writing from the copyright owner. Scans/photographs of artwork and/or items of collector's interest are provided for illustrative purposes only under U.S. code TITLE 17, CHAPTER 1, 107, "Limitations on exclusive rights: Fair use." No claim over the copyright of any of the original artwork or designs, or any quoted works and lyric excerpts, is made.


"The elder is an ideal... They are the wisdom of the ages and the power of goodness and knowledge... Since the dawn of time, they have watched silently over a virgin world and all its creatures... Now they have assumed the form of man that they might walk amongst him and guide him" ("Elder" script treatment, 1981)


Editor's note: The editing of the interviews comprising this work has been approached with a desire to leave the original intent and "voice" of the interviewee as intact as possible even at the cost of correct grammar. Except in the most egregious cases, a minimum of correction has been done, and in some cases the ubiquitous [sic] has been inserted, out of respect to what are in essence transcriptions of conversations converted into a more readable form. Hopefully, the unique character of each interviewee's "voice" is preserved, and won't cause too much reader discomfort!

Table of Contents


Introduction

Nineteen hundred and eighty-one.

It has to be one of the most intriguing, fascinating, yet misunderstood years in KISStory.

KISS were fresh from their hugely successful 1980 tour of Australia and New Zealand the zenith of the Super KISS era. Building off this high, the band Paul Stanley, Gene Simmons, Ace Frehley, and new drummer Eric Carr went back to work with the focus of recording a traditional hard-rocking KISS album.

By the time the calendar turned to November, KISS and producer Bob Ezrin had completed work on "Music From The Elder," a sophisticated concept album, ripe with elaborate musical arrangements, choirs, orchestras, falsetto vocals, chanting, and peculiar pieces featuring instruments such as the crumhorn (a Renaissance-period woodwind instrument).

What exactly happened?

The book you hold in your hands is your opportunity to find out. "Odyssey" is the most expansive examination of this cult-classic KISS album to date.

But, in the spirit of full disclosure, this book started as something more modest.

What merely began as the latest interview for KissFAQ's Interview Series spiralled into another interview, and then another. Suddenly an idea materialized: Let's conduct a series of "Elder" specific interviews and mix in some new feature content and document this obscure KISS album like never before.

More than 30 interviews were conducted, all with the intent of putting this album and era of KISStory back into the spotlight. Through the accounts of various individuals who either worked on the project or have some sort of tie to it many of whom have never gone on record about their "Elder experience" before this book presents credible insight into the creative and recording processes and the challenges unique to this chapter in the band's history, as well as some candid viewpoints, fun stories and maybe even a surprise or two.

The book's special features examine cool topics such as the bloodline of rock concept albums, KISS' activity from late 1980 to early 1982, cover versions of "Elder" songs, biographical information on the album's participants, details about "The Elder" companion film script, and much more.

Why bother with "The Elder," KISS fans might ask? It's a fair question, and one that is perhaps best answered with another question: Why not?

In truth, KISS fans would be hard-pressed to find an album shrouded in more mystery than "The Elder." And it's arguably the most polarizing album in KISS' catalogue some love it, others (including some band members themselves) probably would just as well erase it from KISStory.

No matter where you stand, if you're reading this, chances are you're a diehard member of the KISS Army. I hope this book proves to be an entertaining read and a valuable addition to your KISS library as you read through it, I invite you to dig out the album and give it a fresh spin.

The odyssey continues.

Tim McPhate

The Album

Music From "The Elder" Detailed


"The Elder" Album Overview

US Release Details Casablanca NBL58P-7261 US 11161981 - photo 4

U.S. Release Details :

Casablanca NBL5/8/P-7261 (U.S., 11/16/1981)

Casablanca/PolyGram 824-153-2/4 (U.S. reissue, 1985)

Casablanca/PolyGram 824-153-1/2 (U.S. reissue, 1989)

Mercury 532-390-2/4 (International remaster, 10/7/1997)

Casablanca/UMe 06025377856-9 (LP/digital reissue, 6/29/2014)

Tracks* :

A1. fanfare

(1:22) Bob Ezrin / Paul Stanley

A2. Just A Boy

(2:30) Paul Stanley / Bob Ezrin

A3. Odyssey

(5:36) Tony Powers

A4. Only You

(4:19) Gene Simmons

A5. Under The Rose

(4:49) Eric Carr / Gene Simmons

B1. Dark Light

(4:12) Ace Frehley / Anton Fig / Lou Reed / Gene Simmons

B2. A World Without Heroes

(2:40) Paul Stanley / Bob Ezrin / Lou Reed / Gene Simmons

[ USA #56; UK #55]

B3. The Oath

(4:32) Paul Stanley / Bob Ezrin / Tony Powers

[ JPN, did not chart ]

B4. Mr. Blackwell

(4:53) Gene Simmons / Lou Reed

B5. Escape From The Island

(2:50) Ace Frehley / Bob Ezrin / Eric Carr

B6. I

(3:52) Gene Simmons / Bob Ezrin

[ AUZ #24; GER #62; HOL #48; JPN, did not chart ]

Album Details :

Produced by Bob Ezrin. Associate Producer Brian Christian. Recorded at Ace In The Hole Studio, Wilton, CT, January August 1981; A & R Studios, New York City, NY, May 1981; Record Plant, New York City, New York City, May, July September 1981, Ezrin Farm Studio & Sounds Interchange, Toronto, ON, Canada, Phase One Studios, Scarborough, ON, Canada, March September 1981; by Brian Christian, Rick Hart, Robert Hrycyna and David Brown. Additional engineering by Rob Freeman, Corky Stasiak, and Kevin Doyle. Mixed at Manta Sound Studios, Toronto, ON, Canada. Spoken-word dialogue, between Morpheus and one of the Elder, follows the final track on the album and is known as "The Summoning" or "Dialogue."

* The 1997 remaster sequence is referenced rather than the various other versions that have been available over the years.

Players :

Paul Stanley Rhythm guitar/lead guitar on B2/bass/lead vocals on A2, A3, B3 & B6.

Eric Carr Drums on all tracks except A1, A3 & B6/backing vocals.

Gene Simmons Bass/rhythm guitar on A4/lead vocals on A4, A5, B2, B4, & B6.

Ace Frehley Lead guitar/rhythm guitar/bass on B1/lead vocals on B1.

Bob Ezrin Bass on B5/keyboards/percussion.

Tony Powers Piano on A3.

Allan Schwartzberg Drums on A3 & B6.

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