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Marshall Jon Fisher - A Terrible Splendor: Three Extraordinary Men, a World Poised for War, and the Greatest Tennis Match Ever Played

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A Terrible Splendor: Three Extraordinary Men, a World Poised for War, and the Greatest Tennis Match Ever Played: summary, description and annotation

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Before Federer versus Nadal, before Borg versus McEnroe, the greatest tennis match ever played pitted the dominant Don Budge against the seductively handsome Baron Gottfried von Cramm. This deciding 1937 Davis Cup match, played on the hallowed grounds of Wimbledon, was a battle of titans: the worlds number one tennis player against the number two; America against Germany; democracy against fascism. For five superhuman sets, the duos brilliant shotmaking kept the Centre Court crowdand the worldspellbound.
But the matchs significance extended well beyond the immaculate grass courts of Wimbledon. Against the backdrop of the Great Depression and the brink of World War II, one man played for the pride of his country while the other played for his life. Budge, the humble hard-working American who would soon become the first man to win all four Grand Slam titles in the same year, vied to keep the Davis Cup out of the hands of the Nazi regime. On the other side of the net, the immensely popular and elegant von Cramm fought Budge point for point knowing that a loss might precipitate his descent into the living hell being constructed behind barbed wire back home.
Born into an aristocratic family, von Cramm was admired for his devastating good looks as well as his unparalleled sportsmanship. But he harbored a dark secret, one that put him under increasing Gestapo surveillance. And his situation was made even more perilous by his refusal to join the Nazi Party or defend Hitler. Desperately relying on his athletic achievements and the global spotlight to keep him out of the Gestapos clutches, his strategy was to keep traveling and keep winning. A Davis Cup victory would make him the toast of Germany. A loss might be catastrophic.
Watching the mesmerizingly intense match from the stands was von Cramms mentor and all-time tennis superstar Bill Tildena consummate showman whose double life would run in ironic counterpoint to that of his German pupil.
Set at a time when sports and politics were inextricably linked, A Terrible Splendor gives readers a courtside seat on that fateful day, moving gracefully between the tennis match for the ages and the dramatic events leading Germany, Britain, and America into global war. A book like no other in its weaving of social significance and athletic spectacle, this soul-stirring account is ultimately a tribute to the strength of the human spirit.

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M ORE P RAISE FOR A TERRIBLE SPLENDOR A Terrible Splendor is not only one of - photo 1
M ORE P RAISE FOR A TERRIBLE SPLENDOR

A Terrible Splendor is not only one of the best-ever books on tennis but is sure to be one of the best nonfiction books of the year. Marshall Jon Fisher delivers a smashing account of the game's first international superstars as they compete against each other, the impending violence of Nazism, and their own inner demons. The experience is like watching Chariots of Firebut this time in an arena of grass courts, white balls, and wooden racquets.

R ROBERT A TWAN , series editor, The Best American Essays

Fascinating With graceful prose, a flair for detail, and a novelist's eye for character, Marshall Fisher lures us into this unexpectedly layered tale of the greatest tennis match ever played. More than just a seat on the sidelines, A Terrible Splendor offers a compelling, page-turning portrait of a man literally playing for his life. Never in the sport of tennis have the stakes been so high.

L ARS A NDERSON , staff writer for Sports Illustrated and author of Carlisle vs. Army and The All Americans

You've seen the claim beforethe greatest game ever playedabout contests on the gridiron, the diamond, the links. Now forget those other claimants and pick up Marshall Jon Fisher's account of the 1937 tennis battle between the American Don Budge and the German baron Gottfried von Cramm. The setting may be Wimbledon, but the match is played out against a dark backdrop of impending war, with occasional flashes of Hollywood glitz. Fisher tells the story with dramatic flair and acute sensitivity to the players and their personal lives. You'll be casting the movie before you're done.

C ULLEN M URPHY , editor-at-large, Vanity Fair

The 1937 Davis Cup battle between Don Budge and Baron Gottfried von Cramm, played with the world on the brink of World War II, has often been called the greatest tennis match ever played. In this richly detailed and meticulously researched book, Marshall Jon Fisher shows us why it deserves that honor. It's taken almost seventy-five years for a sufficiently gifted writer to re-create the magnificence of that event, but it's been worth every moment of the wait.

P PETER B ODO , senior editor and chief columnist, Tennis magazine

For those of us who believe that tennis is a metaphor for life, here at last in this marvelous narrative is proof, served up on the rackets of Budge and von Cramm. A Terrible Splendor is a wonderful account of a time of great historical drama, with the world on the brink of war, and everything resting, or so it would seem, on getting the ball back over the net just one more time.

A BRAHAM V ERGHESE , author of My Own Country and Cutting for Stone

Through the prism of one of the greatest tennis matches ever played, Marshall Jon Fisher throws open a window on the terrifying world of the thirties in Europe, illuminating in vivid detail the persecution of Baron Gottfried von Cramm, the pitiful kowtowing to Hitler by the tennis authorities, and, rising above it all, the innate sportsmanship of the two friends and rivals, von Cramm and Donald Budge. Between every Budge backhand and von Cramm volley, history rears up in all its terrible splendor.

R ICHARD E VANS , correspondent, The Observer (London)

For Mom and Dad Fate envelops and overshadows the whole and under its - photo 2

For Mom and Dad

Fate envelops and overshadows the whole; and under its lowering influence, the fiercest efforts of human will appear but like flashes that illuminate the wild scene with a brief and terrible splendor, and are lost forever in the darkness.

T HOMAS C ARLYLE , on the work of Friedrich Schiller

C ONTENTS

F IRST S ET

S ECOND S ET

T HIRD S ET

F OURTH S ET

F IFTH S ET

A FTERMATCH

A uthor's N ote

R EADERS MAY WONDER how I came up with actual dialogue and internal thoughts. Speech that is in quotation marks, and thoughts that are italicized, in conventional fashion, are directly from primary sources and are credited as such. At other times, however, I felt a need to dramatize a moment, without knowing for certain exactly what was said or thought. At these times I drew inspiration from Rachel Cohen's A Chance Meeting, stories of relationships between writers and artists from the nineteenth and twentieth centuries, in which she often imagines conversations that might have taken place. (She in turn acknowledges an indebtedness for this method of biographical nonfiction to writers such as Leon Edel, Justin Kaplan, Louis Menand, and a number of others.) To make evident where I have deduced or pieced together dialogue, interior and exterior, from other sources, these lines have no italics or quotation marks. Also, like Cohen, I have tried to make things even more clear by using words like perhaps, must have, or likely. However, it is important to note that none of these passages is fanciful: each is based firmly on my research (as referenced in the notes).

J ULY THE TWENTIETH 1937 AND Baron Gottfried von Cramm tosses a new white - photo 3

J ULY THE TWENTIETH, 1937, AND Baron Gottfried von Cramm tosses a new white Slazenger tennis ball three feet above his head. It seems to hang there suspended for the slightest of moments, a distant frozen moon, before his wooden racket plucks it out of the electrified air of Wimbledon's Centre Court, rocketing a service winner past J. Donald Budge. The deciding match of the Davis Cup competition between the United States and Germany has begun, a contest that will long be called the greatest tennis match ever. Fourteen thousand onlookersaristocrats out to be seen, sportswriters, any tennis fans who could take off work on a Tuesday; Queen Mary, her entourage, several members of Parliament, and foreign diplomats in the Royal Boxshift in their seats as von Cramm's serve finally splits the fine membrane between anticipation and fulfillment. The thud of tight catgut strings against ball marks the moment: it is 4:57 P.M.

I T WAS ANOTHER UNUSUALLY GLORIOUS SUMMER DAY FOR L ONDON . In fact, hardly a drop of rain had fallen all month, and today was cloudless again, the midsummer sun still high, the mercury steadfast in the mid-seventies, just as The Times had promised. The weather report, however, was the most uplifting part of the newspaper that morningand even the weather had to share its page with the obituary of Amelia Earhart. She had been missing for a fortnight, ever since taking off from Lae, Papua New Guinea, for Howland Island, some 2,500 miles off in the Pacific. She'd made it three-quarters of the way through what was to be the first around-the-world flight at the earth's full circumference. Encountering unexpected headwinds, however, Earhart and her navigator Fred Noonan flew for over twenty hours, exhausting their fuel supply, without quite reaching the island. President Roosevelt had authorized a $4 million search effort by nine naval ships and sixty-six aircraft, but on July 18 the search was finally abandoned.

The front page was no more heartening. Londoners propping their morning Times up against their teacups were presented with a palette of ominous headlines: BITTER FIGHTING NEAR MADRID . Almost exactly a year ago, the fascist General Francisco Franco had led a makeshift rebel army of Moors and foreign legionnaires from Morocco across the Strait of Gibraltar to revolt against the five-year-old Republican Spanish government. A gruesome civil war had ensued, and a year later there seemed no end in sight.

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