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Tjanara Goreng Goreng - A Long Way from No Go

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A Long Way from No Go: summary, description and annotation

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This is a memoir of an Aboriginal woman, Tjanara Goreng Goreng, who began life without any of the advantages of her fellow non-Indigenous Australians except for grit, humour and diverse talent in spades.

Life was tough and poor as an Aboriginal kid in No Go, in remote Queensland. Tjanara navigates the treacherous waters of her childhood, immersed in the legacy of 200 years of brutal treatment of her mothers people that has left its suppurating scars deep in their psyche. Tjanaras parents believed that education was the only way to break through systemic poverty, and found ways to send all five children to school that were at once desperate and fraught. A disempowered people are vulnerable to exploitation and abusein her case, by the Catholic clergy. A strong-willed, successful student and athlete, after graduating from university, the times were ripe. She found her place in the new era of federal policymaking: land rights and self-determination, initiatives on health, education, and social justice that were spearheaded by Charlie Perkins and his bright young people. Tjanara was at the nerve centre of Australias political life, shaping policy during the most exciting and innovative period in Australian politics. But she struggles to escape the dark side that leads straight back to her heritageher experiences as an Indigenous Australian: the abuse, the daily acts of cruel racism, the despairing plight of her people, the addictions to numb the pain. Rising to a management position in Social Policy within the Prime Ministers Department, the ideological landscape has taken a tectonic turn under the Howard government. When fraudulent claims are cooked up to give the government an excuse to send the military into Aboriginal communities in the Northern Territory, she courageously blows the whistle, and is sacked, charged and convicted for breaches of the Crimes Act relating to disclosure of confidential information; and is bankrupted for her actions. Always the professional, engaged in numerous ways to help her people, her own damage leads her on a search for healing: from psychotherapy to Aboriginal knowledge to Indian meditation and spirituality.

Szego is captivated and captivates us with this extraordinary Australian whose irrepressible, playful wicked humour leaps off the pages, even as we glimpse the personal and communal pain and despair at times in a life that sweeps across the breadth of the land and its history. Through one womans story, this book shines a light on the shameful treatment and betrayal of first Australians by individuals and social institutions over generations since Europeans took over this country. Not least in her sights is the Catholic Church: her shocking claims about systemic sexual abuse of Aboriginal children, including herself, have never been aired publicly until now. This is a story of resilience, courage and Tjanaras remarkable capacity to overcome every possible barrier that can be thrown up in Australian society. She is an inspiration to all fellow Australians and more specifically to the disenfranchised, marginalised and voiceless Indigenous communities.

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Tjanara Goreng Goreng is a Wakka Wakka Wulli Wulli tradit - photo 1

Tjanara Goreng Goreng is a Wakka Wakka Wulli Wulli traditional owner from - photo 2

Tjanara Goreng Goreng is a Wakka Wakka Wulli Wulli traditional owner from - photo 3

Tjanara Goreng Goreng is a Wakka Wakka Wulli Wulli traditional owner from Central Queensland who was born in Longreach. She has spent a total of 40 years as a public servant and an academic, and was one of the bright young people taken on by Charlie Perkins, the first Indigenous person to head up the Department of Aboriginal Affairs. In 2006, she was suspended and later, resigned, from her position in the Office of Indigenous Policy Coordination in the Prime Ministers Department after she turned whistleblower and helped expose the Howard governments fraudulent claims leading up to the intervention into Northern Territory Aboriginal communities. Tjanara is currently an Adjunct Assistant Professor in Indigenous Studies at the University of Canberra while completing her PhD at the Australian National University. She is the founder of The Foundation for Indigenous Recovery and Development Australia, and is also a member of the National Indigenous Research Knowledges Network based at Queensland University of Technology. She is a mother of one daughter, and has a granddaughter. In her spare time she meditates, paints; and plays, sings and composes music with her brothers. http://www.linkedin.com/in/tjanaragorenggoreng

Julie Szego began her career as a lawyer before switching to journalism - photo 4

Julie Szego began her career as a lawyer before switching to journalism, spending over 12 years at The Age newspaper. She is a freelance journalist and Fairfax columnist, writing on a wide range of social, cultural and gender issues. Her first book, The Tainted Trial of Farah Jama , was shortlisted for the 2015 Victorian Premiers Literary Award for Non-fiction, the 2015 Davitt Crime Writing Award for Non-fiction and the 2015 NSW Premiers Literary Award in the Multicultural category .

Disclaimer

Every care has been taken to verify names, dates and details throughout this book. But, as much is reliant on memory, some unintentional errors may have occurred. The Publisher assumes no legal liability or responsibility for inaccuracies; they do, however, welcome any information that will redress them.

Published by Wild Dingo Press Melbourne Australia wwwwilddingopresscomau - photo 5

Published by Wild Dingo Press

Melbourne, Australia

www.wilddingopress.com.au

First published by Wild Dingo Press 2018

Text copyright Tjanara Goreng Goreng & Julie Szego 2018

The moral right of the authors has been asserted.

Except as permitted under the Australian Copyright Act 1968,

no part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise without prior permission of the copyright owners and the publisher of this book.

Designer: Debra Billson

Design concept: Mandy Braddick from Womanjin Design

Original painting for book cover: Tjanara Goreng Goreng

Editor: Catherine Lewis

Goreng Goreng, Tjanara, 1958-.

A long way from no go / Tjanara Goreng Goreng (author); Julie Szego (author).

ISBN 9780648215974 paperback ISBN 9780995378209 ebook pdf ISBN - photo 6

ISBN: 9780648215974 (paperback)

ISBN: 9780995378209 (ebook: pdf)

ISBN: 9780648215912 (eBook: ePub)

For Arika and Willa.

A CKNOWLEDGEMENTS

Its important to acknowledge the people who inspired and brought this book to fruition. To Brian James, firstly for giving the Red Earth to Wild Dingo Press, and Catherine Lewis for choosing to publish it as a memoir, supporting it from beginning to end with great enthusiasm and finding a fabulous writer/collaborator for me in Julie Szego. Julie, your writing of my story from hours of tapes is wonderous and brilliant, just as you are. Diamond, for always having a bed for me in Melbourne and being the best friendour times in the desert were always the best.

To the special girlfriends in my life who loved me unconditionally and were always there for me, there are no words: Lenny, Carmen, Christie, Laura and Cousin Tanya, you are all wonderful women who gave me a reason to love myself. To Barbara Tjikatu, for being the inspiration for everything and for the cultural knowledge and unconditional love. And to Kummunarra, now in the other world, who always cared: thank you for watching over me. To My Ancestors: thank you for always being with me to face the difficulties.

I especially want to thank Dr Warwick Middleton for helping me survive, thrive and live; showing me the way to recovery and the way to manage putting priests in jail. Your knowledge, wisdom and ability as a therapist often kept me alive as you well know.

Along the roads of my life I have met some amazing souls, both women and men; to all of you I say thank you for sharing and caring, uplifting and giving to me. Special thanks to Brian Bacon for seeing who I really was and always being a good friend. To Marc for the unconditional love, and Michael for always caring. To my Tiddas in my extended community: you have always been so honest, caring and forgiving, and Im blessed to have you all in my lifeyou know who you are.

I want to thank all those people in my life who gave me reasons to face adversity, who bullied me and made it hard to liveyou in fact gave me the greatest gift: the desire to overcome your judgement, your cruelty and your misguided sense of who I was. Im glad I didnt listen to you and instead chose to rise above it all; thank you for the adversity, it made me stronger. To the members of my family who never cared, I hope you read this and feel ashamed.

Most of all I want to thank the little girl who survived and chose to be a wonderful human being : Pamela Mary Williams, you are my hero.

Table of Contents

P ROLOGUE

Few people, I suspect, can attribute a life-changing epiphany to a double-page spread in Who magazine. But its thanks to that pop-culture oracle that I was jolted awake one cheerful morning in February 1995, seated at a desk by the window in the spare room of my friends place in Glebe, the magazine flipped casually open.

Ironically, I had recently returned from India, where I spent the summer on a spiritual retreatsomething I did so often youd assume that if a blinding truth was going to strike me somewhere that would be the place. Instead I was back in Sydney, adrift, in between jobs, with no-fixed-address, crashing at my friends while I looked for an apartment and plotted a new course, or tried to.

The double-page spread was a story about Ballarat priest Gerald Ridsdale, one of Australias most notorious paedophiles. He indecently assaulted an altar boy during confession. He abused a boy and girl after presiding over their fathers funeral. The previous year a Melbourne court sentenced Ridsdale to 18 years in prison.

Mind racing, I looked up from the page, gazed out the window. Im pretty sure the sunlight was streaming inbut maybe thats just an affectation of memory, embroidering the moment with clich.

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