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Jenevieve Chang - The Good Girl of Chinatown

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Jenevieve Chang The Good Girl of Chinatown
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    The Good Girl of Chinatown
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Jenevieve Chang is a natural storyteller, and her absorbing memoir spanning China, Britain and Australia is told with grace, precision and unmatched elegance. Benjamin Law
From Sydney suburbia to the grey clouds of London, Jenevieve Chang has been running away for as long as she can remember. Now along with other Westerners trying to escape the 2008 GFC she has arrived in Shanghai, a city from her familys past. But this glittering metropolis once known as the Whore of the Orient throws up more hurdles than she bargains for.
As her marriage collapses and she struggles to fit in with this over-the-top new world, Jenevieve searches for a place to call home. And then she finds it: Chinatown, Shanghais first Vaudeville, Variety and Burlesque Club. She will remake herself as one of the Chinatown Dolls, the most sought-after showgirls in town.
When the club begins to spectacularly derail, though, and with memories of the past pressing in, Jenevieve finds herself more lost than ever. Struggling with her identity amid the hedonism and history of Shanghai, she realises that shes following in the footsteps of her parents and her grandparents in unexpected ways she hadnt realised. Now she must decide between the pleasure of propping up illusions or the possible redemption of facing up to her past.
Vibrant, bold and raw, The Good Girl of Chinatown is a memoir weaving multiple narratives across three generations and continents. It is a story about the boundaries we choose to cross and the roles we choose to play. And it is a story about family and the ways we try but sometimes fail to be good for them.
Jenevieve weaves together a story of intergenerational trauma, loss and culture into an unexpectedly wild journey across the world. You will find her vulnerability and spirit hard to put down. Deng Adut, author of Songs of a War Boy
I was blown away by Jenevieve Changs beautiful, ballsy memoir. Gorgeously written and fascinating . . . shes a natural storyteller. Leanne Hall, author of This is Shyness
Gripping, honest and brave, Jenevieves memoir gives a uniquely personal insight into the hidden hedonism of modern day China and a life lived between cultures. Clare Atkins, author of Nona and Me

Jenevieve Chang: author's other books


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About the Book

From Sydney suburbia to the grey clouds of London, Jenevieve Chang has been running away for as long as she can remember. Now along with other Westerners trying to escape the 2008 GFC she has arrived in Shanghai, a city from her familys past. But this glittering metropolis once known as the Whore of the Orient throws up more hurdles than she bargains for.

As her marriage collapses and she struggles to fit in with this over-the-top new world, Jenevieve searches for a place to call home. And then she finds it: Chinatown, Shanghais first Vaudeville, Variety and Burlesque Club. She will remake herself as one of the Chinatown Dolls, the most sought-after showgirls in town.

When the club begins to spectacularly derail, though, and with memories of the past pressing in, Jenevieve finds herself more lost than ever. Struggling with her identity amid the hedonism and history of Shanghai, she realises that shes following in the footsteps of her parents and her grandparents in unexpected ways she hadnt realised. Now she must decide between the pleasure of propping up illusions or the possible redemption of facing up to her past.

Vibrant, bold and raw, The Good Girl of Chinatown is a memoir weaving multiple narratives across three generations and continents. It is a story about the boundaries we choose to cross and the roles we choose to play. And it is a story about family and the ways we try but sometimes fail to be good for them.

Acknowledgements

There would never have been a book without the vision of my agent Benython Oldfield and the support of the ZMG team. Benython, your faith that I could be a writer gave me the confidence to embark upon a remarkable journey.

My gratitude goes to Annette Shun Wah, William Yang, the storytellers from Stories Then and Now and the audiences who came to see us. Without you, parts of my history might have remained unexamined.

Thank you to Nikki Anderson, May-Lea Ling, Jen Mason and the wonderful Australian Embassy staff in Beijing who invited me to take part in Australian Writers Week in 2014. Your faith in me as an unpublished author at the time was invaluable. Thank you also to Jackson Davis, Liz Ashforth and Peter Goff from the Bookworm Literary Festival.

Thank you to Beth Yahp for coaching, insight and bringing me into her tight-knit community of memoirists. Clare Mackey and Chrissy Hammond read early drafts, and remained unfailingly enthusiastic in both friendship and review. A special mention goes out to Bettina Richter for planting the seed that my crazy travel anecdotes could become something more.

Thank you to Amy Jo, Joey and Nick for that week in LA. For jogging my memory, encouragement and the blessing to share the stories we lived. On the subject of blessing, I must acknowledge Mario, Charlie and Fela. Especially Fela.

Thank you to my colleagues at NIDA and Monkey Baa for moral support. In particular Polly Brett and Tim McGarry for saying Yes at a crucial time.

My immense appreciation goes to the team at Penguin, especially Cate Blake, who has played story whisperer and champion for years. Your insight galvanised me; your intuition inspired me. Thanks also to Melanie Ostell and Sonja Heijn for tightening the screws, Amanda Martin for bringing it home and Samantha Mills for spreading the word.

I wouldve remained lost had it not been for the generations before, leaving breadcrumbs from the beginning. Ye Ye, Nai Nai who nourished me with love and Sam and Rose who sacrificed too much. And Judy and Eric who always willed me to be stronger than I felt.

Teik-Kim Poks kindness, wisdom and love has been an illuminating force throughout the process.

And finally, I will always be indebted to the people and characters in my story. Together, we made a complete and unforgettable moral universe.

EPILOGUE
LEIYANG CITY, HUNAN, 2014

Stir-fried leek with five spice tofu, lamb with celery soup, crunchy radish salad, fried mantou with spiced mince, dumplings in hot and sour soup and the dishes continue to pile up. It is difficult to fathom that the Great Chinese Famine could have occurred when you sit down to a Hunan meal. My cousin Shuang Liang sits across from me with his wife and son, my aunt is beside me.

Good? they want to know.

Mmm. It is a burn-and-melt in your mouth kind of delicious.

Considering our great-grandparents fate in the famine, Shuang Liangs ability to feed me so spectacularly now is a source of great pride, and its own particular piece of theatre starring Wen-Hans overseas and oldest grandchild, who has finally returned home to her grandfathers lao jia.

I had arrived the day before, my fathers introduction paving the way. Sams instructions came via email:

From Changsha, take a transit train to Leiyang where Shuang Liang will meet you at the station. Hell then take you to his home where your aunt will be waiting for you.

But Shuang Liang himself had called me a few days earlier. At first, I couldnt place the crackly voice of the middle-aged Chinese man on the line. And then I heard Wen-Hans nickname for me, Da Bao meaning one who is greatly treasured.

Shuang Liang insisted on sending his chauffeur to pick me up from the airport.

The three-hour drive to Leiyang was one long, drizzly highway chugging with utility vehicles and scattered with sprawling, snack-laden pit stops. Whenever I had played out the scene in my mind, the reunion with my lost China family took place outside the mud hut where Wen-Han grew up, where his first wife had died, where my great-grandparents were buried, where my aunt had waited her entire childhood for her father to return. Improbably, I had imagined this was a place they would want to return to.

Shuang Liang was now the chairman of a mining company and lived in a comfortable, modern residential building several hours away from where our ancestors story took place. The funds that Wen-Han had sent over the years had catapulted Shuang Liang ahead of his peers in accessing Chinas top schools and the stocky, forty-something man who greeted me as we pulled up to the building was dressed in an expensive-looking dark suit. I couldnt see my grandfather in him straight away, but the likeness of Sams solemnity was evident.

My aunt was a different story. The woman who emerged from the shadows as I stepped into the vast living room upstairs bore my grandfathers same proud, upright posture. The same determined eyes. The slightly protruding teeth. She was seventy-two now, almost the same age Wen-Han had been when I was born. A slow, hesitant smile mapped a gossamer of lines across her face. She was a stranger at the same time as being a tightly held, blood-bonded connection.

Impulsively, I clasped both her hands. Da Gu Gu. That was what she had always been known as, our first aunt.

She wore a thickly embroidered crimson and navy jacket, and her hands were warm and rough.

Im sorry its taken me this long to visit.

Saying nothing, my aunt simply squeezed both of my hands tighter.

Behind us, I heard Shuang Liang place my bags down. Da Bao has come back. The words sounded so natural, so right even though I had never been there before. I turned to look at him. His formal demeanour cracked ever so slightly as tears formed in his eyes.

Since then, we have been fortifying our hearts with food.

How far is Australia? my aunt asks again, as a waiter places more dishes down.

Not far, I say. About a twelve-hour flight.

She nods gravely. Far.

But I flew in from Shanghai. I used to live there.

Where your Nai Nai once lived.

Yes.

She looks at me thoughtfully. You look more like my father.

I smile. He was a wonderful grandfather. The kindest man I ever knew. I used to wish he was my actual father. I flush a little at the admission. He used to talk about you all the time.

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