• Complain

Brian Mills - 101 Forgotten Films

Here you can read online Brian Mills - 101 Forgotten Films full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2010, publisher: Oldcastle Books, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Brian Mills 101 Forgotten Films
  • Book:
    101 Forgotten Films
  • Author:
  • Publisher:
    Oldcastle Books
  • Genre:
  • Year:
    2010
  • Rating:
    4 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 80
    • 1
    • 2
    • 3
    • 4
    • 5

101 Forgotten Films: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "101 Forgotten Films" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Somewhere in the labyrinth of our memories are films that we have seen and cannot forget but frustratingly may never see again because they have mysteriously vanished from the public domain. They may be hidden away in a film studios vault, buried beneath the floorboards of a filmmakers home, imprisoned by some ancient legality, refused release at a directors whim or simply not optioned by a distributor. This book brings back to life 101 films that are entombed in a cinema cemetery and in so doing unearths a film noir masterpiece, a French classic, a Mastroianni feature comparable to Cinema Paradiso, a pioneering Independent film of the fifties, a Joan Crawford headliner, an amazing Nicholas Ray experimental feature, Italian comedies by Nichetti and lost gems by Widerberg, Hitchcock, Lang, Ford, Lubitsch, Litvak, Dmytryk, Kazan, Cacoyannis, Boetticher, Zinnemann, Ray, Huston and many more luminaries of the silver screen. No film is guaranteed a general release whether screened at Sundance or Cannes and though critics may acclaim them, audiences applaud them, too many disappear into oblivion. This book pays homage to those lost films that deserve to be exhibited beyond the screen of our mind.

Brian Mills: author's other books


Who wrote 101 Forgotten Films? Find out the surname, the name of the author of the book and a list of all author's works by series.

101 Forgotten Films — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "101 Forgotten Films" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
CONTENTS

Somewhere in the labyrinth of our memories are films that we have seen and cannot forget but frustratingly may never see again because they have mysteriously vanished from the public domain. They may be hidden away in a film studios vault, buried beneath the floorboards of a filmmakers home, imprisoned by some ancient legality, refused release at a directors whim, or simply not optioned by a distributor. This book attempts to exhume some of the films that are entombed in a cinema cemetery and in so doing unearth a film noir masterpiece, a French classic, a Mastroianni feature comparable to Cinema Paradiso, a Joan Crawford headliner, and an Edward G Robinson comedy. There are lost films of Ernst Lubitsch, John Ford, Alfred Hitchcock, Elia Kazan, Sergio Leone, Nicholas Ray, Bo Widerberg, Roberto Benigni and Robert Altman.

In researching these films, I was saddened to see how many there were from the 1950s, a period when I was a cinema projectionist working at the Gaumont cinema in the East End of London. The mid-50s were Hollywoods halcyon days and I was a star-struck kid who had fallen head-over-heels in love with the movies. As I re-run these screen gems in my head I have tried to project to you the passion that I felt when I saw them: Six Bridges To Cross, The Great Man, A Hatful of Rain, A Man is Ten Feet Tall, Wind Across the Everglades and Middle of the Night.

It is my sincere wish that the 101 films in this book will some day be re-released and while compiling this list it was comforting to know that I had to remove a few titles because they have since been distributed on DVD: Mon Ange, A Woman in Winter, Illusion and The Other Side of the Wind, the latter named being the unfinished last film of Orson Welles that will be completed by Peter Bogdanovich and theatrically distributed worldwide in 2008.

Among films that have disappeared are some that have defied conventional cinema and become cult classics, pushing the boundaries beyond normality. It may be that they have shown an actor in a different light, used narration in a new way, employed a way of storytelling that makes one question what one is being presented with, celebrated the magical visionary art of cinema through film, or examined the dictates of the star system and its effect upon us.

Letty Lynton 1932

Directedby: Clarence Brown

Writtenby: John Meehan. Marie Belloc Lowndes (novel).

Cast: Joan Crawford (Letty Lynton), Robert Montgomery (Hale Darrow), Nils Asther (Emile Renaul), Lewis Stone (District Attorney Haney), May Robson (Mrs Lynton), Louise Closser Hale (Miranda), Emma Dunn (Mrs Darrow), Walter Walker (Mr Darrow), William Pawley (Hennessey).

Story: Letty Lynton (Crawford) is a New York socialite who is disgusted with her philandering ways and in particular with her Latin lover Emile Renaul (Asther). She sails for New York and onboard meets a wealthy businessman Hale Darrow (Montgomery). They fall in love. Id black your boots for the rest of my life! she tells him, but he doesnt know of her past and she doesnt know that Emile is following her. There is a poignant scene, which captures Lettys loneliness: all passengers receive Christmas telegrams from loved ones at home, except Letty. Jerry, seeing her sadness, pretends that he didnt get one either. Arriving in New York they are swamped by the press, eager to report their engagement, but Emile is among the crowd, hoping to rekindle Lettys love for him and take her back to South America. She manages to avoid any confrontation with Emile, but he turns up at her mothers house and threatens to show her love letters to him to the press and to Jerry if she doesnt agree to see him at his hotel that evening. An argument ensues at the hotel resulting in Emile accidentally drinking a poisoned drink intended for Letty.

What the millions who have not seen this film are sadly missing is the remarkable performance by Joan Crawford. The scene where she betrays her true feelings of hatred toward Emile are seen first in close up as she listens to him singing in the next room: guilt, anger, loathing, fear and confusion are all expressed in that one moment. Lettys verbal outburst follows like a volcanic eruption as she stares at her dying lover, each uttered word falling on her victim like molten lava. Yes, I did it! I meant it for myself Im glad I did it! You dirty, filthy, greedy mongrel! Im glad I did it! If I hang for it, Im glad I did it!

RARITYVALUE: 5/5

Theatrically released in 1932, LettyLynton caused a nationwide fashion craze for the ruffled-shoulder organdie dress worn by Crawford, which sold 50,000 copies at Macys New York store alone. The film is a showcase for designer Adrians dresses. In January 1936 a court decision ruled that MGM violated copyright laws by too closely following the script of Edward Sheldons play DishonouredLady, which was based on a girl named Madeleine Smith who lived in Glasgow and was brought to trial upon an indictment for twice attempting to poison her lover, and then for actually poisoning him. She was acquitted. MGM claimed unsuccessfully that they had based their screenplay on the novel LettyLynton by Marie Belloc Lowndes.

The film was banned in England on grounds that it justified homicide without penalty. In the film, Letty is saved from execution by an alibi from a man who claims she spent the night in question with him. Due to the 1936 court ruling against MGM, public exhibition or showing of the film on television is strictly prohibited. Only poor bootleg copies remain that do nothing to enhance the film.

Joan Crawford: Born Lucille LeSueur in San Antonio, Texas, in 1908. Debuted in MissMGM in 1925. Won an Oscar for MildredPierce. Wanting to be a dancer since she was a child, despite an accident that severely injured her foot, she persisted in pursuing her dream and eventually entered a dance contest and won. She said: I knew I was born with talent, though I didnt know exactly what it was. She learned every dance step she could. She went to Chicago and got a job doing a song and dance act in an out-of-town caf. Two weeks later and Joan was in the chorus line at a club in Detroit. She subsequently appeared in the revue InnocentEyes in New York and then in The Passing Show of 1924. Eight months later and she was spotted by a talent scout and asked to do a screen test for MGM. She started working for MGM thinking that they had employed her for her dancing, but they wanted her as an actress. Her first screen part was as a chorus girl covered in snow in Pretty Ladies. MGM wanted to change her name and held a competition in the magazine Photoplay to get the name that was, of course, Joan Crawford, a name which she always hated, saying that it sounded like Crowfish. But it was important to Joan to make a name for herself as a film star to prove to her friends and family back home, who didnt believe in her, that she had talent. In 1928 she played in Our Dancing Daughters and had a lucky break when she was seen coming out of a cake and dancing on a table. Suddenly she was a star and was given a raise of 500 dollars a week. Joan wanted to be a real actress and would hang around the set watching Greta Garbo work whenever she could. She finally pestered Louis B Mayer for more dramatic roles. She was with MGM for 17 years. During those years she became one of the ten top movie stars. But it was at Warner Brothers that she gained the dramatic role that would win her an Academy Award. The film was MildredPierce and it told of a housewife who becomes a successful businesswoman only to find herself suspected of murdering her second husband. Joan was also Oscar nominated for Best Actress for her roles in

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «101 Forgotten Films»

Look at similar books to 101 Forgotten Films. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «101 Forgotten Films»

Discussion, reviews of the book 101 Forgotten Films and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.