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James Robert Parish - Whitney Houston: Return of the Diva

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James Robert Parish Whitney Houston: Return of the Diva
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Whitney Houston: Return of the Diva: summary, description and annotation

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Whitney Houston burst onto the international music scene in 1985 with her debut album which was awarded a Grammy Award for the single Saving All My Love For You. Since then, the acclaimed artist has released only a limited amount of new material, yet her pre-eminence in the industry and her enormous popularity with music fans has been unwavering.In this comprehensive biography, James Robert Parish reflects on the extraordinary journey which has taken the controversial personality from a problematic childhood in a broken New Jersey home, to becoming the talented protge of powerful Arista producer Clive Davis, to the height of her diva days mired with peculiar behaviour and drug abuse. Parish explains how the shy, pretty young girl from a devoutly religious background turned into the subject of lurid tabloid gossip, much of it concerning her turbulent relationship with Bobby Brown.

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For everyone who finds joy in singing

Contents

With appreciation to the following for their kind assistance:

Academy of Motion Picture Arts and Sciences: Margaret Herrick Library, Michael Gene Ankerich, Robert Bentley, Larry Billman (Academy of Dance on Film), Billy Rose Theater Collection of the New York Public Library at Lincoln Center, Lee Borsai, Peter Bowes, Alan Chapman, L. Dannie Chukes, John Cocchi, Stephen Cole, Bobby Cramer, Ernest Cunningham, Bruce Gold, Pierre Guinle, Lynn Kear, Nick Jones (Channel 4 Television), Richard Tyler Jordan, Jane Klain (Museum of Television and Radio New York), Ann Labbate, Michael Levine, Frederick Levy, Alvin H. Marill, Jim Meyer, Mendham Borough Library (Susan Calantone), Eric Monder, Jay Ogletree, Kathrin Pantzer, Barry Rivadue, David S. Rode, Jonathan Rosenthal, Barry Saltzman, Frank Sanello, Michael Schau, Brad Schreiber, Arleen Schwartz, Nat Segaloff, Tim Sika, Tammie Smalls, Andr Soares, Les Spindle, Patrick Spreng, J. Randy Taraborrelli, Allan Taylor (copy editor and research associate), and Tom Waldman.

With gratitude to those helpful sources who wish to remain anonymous.

Special thanks to my literary agent, Stuart Bernstein, and to my editor, Karen Ings.

For this 2009 updated edition, my appreciation to the following for their kind assistance:

David Bailey, Alvin H. Marill, Allan Taylor, Tom Waldman and to those sources who wish to remain anonymous.

Special thanks are due again to my literary agent Stuart Bernstein, and to John Blake and John Wordsworth.

Few individuals are given the opportunity for a second chance in life. Even fewer take that option to make matters better the new time around.

Superstar Whitney Houston, after years of personal and professional chaos that made headlines around the globe, is today embarked on a strong professional comeback. Now in her mid-forties, she follows in the path of other great vocalists such as Judy Garland, Tina Turner, and Cher who each powered their way through one or more resurgence in their own amazing and lengthy singing careers. Whitney certainly has the talent and the stamina to succeed again. For one thing, she has shed several negative aspects in her personal life, including her troubled marriage to entertainer Bobby Brown. These changes have given the veteran diva renewed strength to pursue her career. For another thing, she is a determined survivor who has demonstrated repeatedly that she can overcome obstacles, including those self-induced distractions that, in the past, deterred her professional and personal growth.

In assessing the success potential of Whitney Houstons muchtouted return to the limelight, several factors are at play. For example, the music industry and the technology available today for listening to music has changed greatly since Whitney first burst into singing mega-stardom in the mid-1980s. In this new era of expanded multimedia, especially on the Internet, major record labels no longer control, promote, and foster to the same degree those who become major attractions for music lovers. Neither does MTVs airing of music videos nor radio stations broadcast of songs impact as heavily on the publics tastes as they once did. These days, with the vast array of web sites, blogs, and the Twitter phenomenon, the public itself has many alternative pathways to discovering singers and, in turn, to spread the word about their musical likes and dislikes. Then too, todays teens and twenty-somethings who make up a key portion of the music listening/buying audience have developed an allegiance to popular young performers such as Leona Lewis, Beyonc, Kelly Clarkson, Rhianna, Miley Cyrus, Vanessa Hudgens and Britney Spears. It is with this current crop of music stars that Whitney must now compete.

However, even taking all these factors into account, Houston has a devoted fan base who can bring her back onto the high road of mainstream success if she successfully delivers for them. Whitneys enthusiasts want her to succeed, and just as they have often forgiven her past mis-steps, they are ready to support her re-launch. They respond to the vulnerability that lies beneath Houstons seemingly tough veneer. They empathize with her various falls from grace, and champion her potential to once again become an important music world presence. They appreciate her survivor qualities and her enunciation of such gritty, I-aint-down-for-the-count comments as, Tell em that Whitney Houston still loves entertaining as much as she did when she was nineteen. And she probably still will when shes ninety-nine. They admire the spunk the star has displayed over the years by marching to her own beat. As Whitney said once, Listen, I always move. Nothing can stop me from movin. What didnt kill me made me stronger, sweetie.

Whitneys new album I Look to You and the painstaking choice of material it - photo 1

Whitneys new album, I Look to You, and the painstaking choice of material it contains, reflects strongly the traumatic life and professional transitions the singing star has undergone in recent years. As she says, That makes it real, the changes that we go through, the transitions that we go through, the tears that we go through, being a mother, becoming a single mother. It all has its ups and its downs, but for the most part, I kept my faith and I kept my head up I took my time Hopefully not only does it inspire me, but inspires a whole lot of other people.

Clearly, for an artist whose albums, singles, and music videos to date have sold over 170 million copies and who has won well over 400 music awards, anything seems possible for her. That makes studying the life, times and achievements of this outstanding artist so very fascinating. She could, conceivably, become a role model for a whole new generation.

I married the person I was in love with, the person I was having fun with, the person I could be real with. It wasnt a game. It wasnt based on, I need a R&B base, and he needs some pop appeal. People are so stupid.

WHITNEY HOUSTON, 1999

I n 1992, George H. W. Bush was president of the United States. That year, on February 1, Bush and Russian president Boris Yeltsin issued joint statements officially concluding the Cold War. Two months later, in Los Angeles, an all-white jury acquitted four policemen alleged to have savagely beaten African-American Rodney King. The courts decision led to a riot in the City of Angels in which more than fifty people were killed, 2,000 wounded, and over 7,000 arrested.

It was also the year Al Pacino (Scent of a Woman) and Emma Thompson (Howards End) won Oscars for their acting. Shiloh by Phyllis Reynolds Naylor was a best-selling novel, and some of the most popular recordings of that year included Baby-Baby-Baby sung by TLC, Under the Bridge by the Red Hot Chili Peppers, and Save the Best for Last performed by Vanessa Williams.

In mid-1992, on Saturday, July 18, twenty-five-year-old Sharon Belden of Florida would be crowned Miss World U.S.A., Helen Windsor (offspring of the British Duke of Kent) would wed Timothy Taylor, and veteran film critic Roger Ebert would walk down the aisle with Chaz Hammel-Smith.

On that same weekend afternoon, in Morris County, north central New Jersey, another celebrity wedding was about to take place. The location was scenic Mendham Township, west of Morristown, located forty miles and a hours drive from midtown Manhattan. First settled in the early eighteenth century, the town had a population of under 5,000 and boasted such historic sites as the First Presbyterian Church (built in 1860) on Hilltop Road and the Iron Horse Inn (in continuous operation since 1742) on Main Street. While some people in the U.S. might be seriously affected by the countrys $4.25 per hour minimum wage, the cost of a gallon of milk ($2.14), a loaf of bread ($0.75), a dozen eggs ($1.22), or a gallon of gas ($1.19), such was not the case in semi-rural Mendham, where multi-million-dollar homes on large lots were commonplace.

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