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Neal Karlen - Babes in Toyland: The Making and Selling of a Rock and Roll Band

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Babes in Toyland: The Making and Selling of a Rock and Roll Band: summary, description and annotation

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Babes in Toyland is a rare peek into the glamorous and tough world of rock and rollan exclusive backstage pass for anyone who has ever fantasized about starting a band, being discovered by a major label, recording an album, and touring the country to play music in front of thousands. Also, with its revealing look at the record businessan industry that makes the rest of show business seem positively tamethis book is as immediate as a new issue of Rolling Stone, as colorful as a good mystery, and as tart and explosive as a top-ten hit.
Told with the gritty, up-close feel of a behind-the-scenes documentary film, this is the story of three young women who wanted to play rock and roll like the boys. It follows their coming together in the underground grunge-rock scene in Minneapolis, their early club days, and their discovery by Warner Bros. Records. It tracks their dramatic breakup (and reconfiguration), goes through the often funny, sometimes inspiring, and always emotional recording sessions for their album Fontanelle, and goes stage-side as they film their all-important video for MTV. Veteran journalist Neal Karlen was given unprecedented access to Warners marketing and strategy meetings, where he observed firsthand the star-making machinery that runs the pop music business. From punk rockers in the mosh pit to rock stars in mansions, Babes in Toyland contains revealing snapshots of Kurt Cobain and Courtney Love, Soul Asylums Dave Pirner, Pearl Jams Eddie Vedder, and R.E.M.s Michael Stipe, as well as Beavis and Butt-head, todays most powerful rock critics.
Center-stage in this story are the members of Babes in Toyland: Kat Bjelland, the punk-rock poetess whod dreamed of being a star since she was five years old; Lori Barbero, the dreadlocked drummer and band mother who was best friend to everybody in the alternative music scene; and Maureen Herman, the brainy bassist who struggled to fit in with the group. Theres also Tim Carr, the Warner Bros. A & R man who saw in the Babes the talent and drive to make it to the top of the grunge scene. Finally, theres Babes in Toylands triumphant spot on the 1993 Lollapalooza, the most prestigious tour in rock and roll. In this real-life version of The Commitments, readers will also see how success can do more to damage a band of best friends than failure.

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Copyright 1994 by Neal Karlen Photographs 1994 by Neal Karlen All rights - photo 1
Copyright 1994 by Neal Karlen Photographs 1994 by Neal Karlen All rights - photo 2

Copyright 1994 by Neal Karlen

Photographs 1994 by Neal Karlen

All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Times Books, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.

Grateful acknowledgment is made to the following for permission to reprint previously published material:

ESTATE OF LESTER BANGS : Epigraph is reprinted by permission of the Estate of Lester Bangs.

ROBERT CHRISTGAU : Various journal entries by Robert Christgau. Copyright 1994 by Robert Christgau. Reprinted by permission.

CITY PAGES : Excerpt from Bad News Babes by Jim Walsh (February 26, 1992). Reprinted by permission of City Pages, Inc., Minneapolis, Minnesota.

ENTERTAINMENT WEEKLY : Excerpt from an article by Tim Appelo and an article by David Browne. Copyright 1994 by Entertainment Weekly, Inc. Reprinted by permission.

EDWARD B . MARKS MUSIC COMPANY : Excerpt from Fine and Mellow by Billie Holiday. Copyright 1939, 1940 by Edward B. Marks Music Company. Copyright renewed. All rights reserved. Reprinted by permission.

EMI MUSIC PUBLISHING : Excerpt from Stephanie Says by Lou Reed. Copyright 1987 by Metal Machine Music. All rights controlled and administered by Screen GemsEMI Music Inc. (BMI). All rights reserved. International copyright secured. Reprinted by permission.

HIT IT OR QUIT IT : Excerpt from an editorial. Copyright 1994 by Hit It or Quit It. Reprinted by permission.

THE NEW YORK TIMES : Excerpts from Belting Out That Most Unfeminine Emotion by Simon Reynolds (2/9/92) and from L7s Answers to Rockers by Jon Pareles (4/6/92). Copyright 1992 by The New York Times Company. Reprinted by permission.

THE VILLAGE VOICE : Excerpt from an article by James Wolcott about CBGB from August 18, 1975. Reprinted by permission of The Village Voice.

ZOMBA MUSIC PUBLISHING : Excerpts from Blue Bell, Real Eyes, Handsome and Gretel, and Mother, all written by Kat Bjelland. Copyright 1992 by Zomba Enterprises, Inc./No Dukey Music (administered by Zomba Enterprises, Inc.). Excerpts from Spun, written by Kat Bjelland and Lori Barbero. Copyright 1992 by Zomba Enterprises, Inc./No Dukey Music (administered by Zomba Enterprises, Inc.). All rights reserved. All lyrics reprinted by permission.

Library of Congress Cataloging-in-Publication Data

Karlen, Neal.

Babes in Toyland: the making and selling of a rock and roll band
Neal Karlen.1st ed.
p. cm.
eISBN: 978-0-307-83072-2
1. Babes in Toyland (Musical group) 2. Women rock musicians

United StatesBiography. I. Title.
ML421.B23K37 1994
782.421660922dc20 94-10111
[B]

v3.1

For my parents, Charlotte and Dr. Markle Karlen, my brother, Bruce, and my sister, Bonnie

Anybody can do it. Learn three chords on a guitar and youve got it. Dont worry whether you can sing or not. Can Neil Young sing? Lou Reed, Bob Dylan? For performing rock & roll, or punk rock, or call it any damn thing you please, theres only one thing you need: NERVE. Rock & roll is an attitude, and if youve got the attitude you can do it, no matter what anybody says.

Lester Bangs

(19481982)

Contents
Picture 3 The Players Picture 4
Babes in Toyland
Everybodys Best FriendLori Barbero, drums, 1988present
The DoppelgngerKat Bjelland, guitar, 1988present
The WriterMaureen Herman, bass, 1992present
The Nice Jewish PunkerMichelle Leon, bass, 19881992
The Other DoppelgngerCourtney Love, bass, 1988
The Talent ScoutTim Carr, associate director, Artists and Repertoire, Warner Bros. Records
The Reluctant Rock StarKurt Cobain of Nirvana; voice of his generation and Mr. Courtney Love
The FeudKat and Courtney, over the baby-doll dress look (what Courtney termed The War of the Shmatte)
The Overnight Sensation Ten Years in the MakingDave Pirner and Soul Asylum
The SelloutEddie Vedder, Pearl Jam
The Late, Beloved RoadieJoe Cole, Michelle Leons boyfriend, Jaclyn Smiths step-son, and Henry Rollinss Sancho Panza
The Powerful Critics Who Love Babes in ToylandBeavis and Butt-head, MTV; Greil Marcus, Esquire
The Powerful Critic Who Loathes Babes in ToylandRobert Christgau, The Village Voice
Babess Too-Cool Record ProducerLee Ranaldo, Sonic Youth
Babess #1 FanDr. Timothy Leary
The Next GenerationStefanie Sargent, 7 Year Bitch
Chairman MoMo Ostin, chairman of Warner Records; once Frank Sinatras accountant
The Music ManLenny Waronker, president of Warner Records
Annie Leibovitz, Sr.Cindy Sherman, high-art photographer who lent Babes their album cover shot
The Long-Suffering EngineerBrian Paulson
Babes Punk-Rock ConscienceTim Mac
Lori Barberos PalMichael Stipe, R.E.M.
The Riot GrrrlJessica Hopper, editor of fanzine Hit It or Quit It.
Psychic to the StarsMelissa Townsend, palm reader for Madonna, Courtney Love, and Babes
The Skinhead GeniusNick Samettich
Warner Bros. Records
Babess Highest-Ranking BoosterJeff Gold, senior vice president, Marketing
The Kamikaze Product ManagerGeoffrey Weiss
The Self-Described Head Motherfucker in ChargeJohn Beug, senior vice president, Video
The Warhorse FlacksBill Bentley and Deb Bernardini, staff publicists
MTV
Mr. Yes or NoJohn Cannelli
The WankerDave Kendall, host, 120 Minutes
The Veejays Who Like BabesLewis Largent, Ricki Rachtman
Prologue

Were in the Times, The New York fucking Times!

Winter 1992

T he headlining band plugged in to their amplifiers as the Saturday-night emcee approached the microphone on the apron of the darkened stage. Heavyset, sweating puddles through his Nirvana T-shirt, he stared down at the 850 people shoehorned into the smoke-filled rock club, then at the long line of would-be customers that snaked out the door into the Wisconsin winter.

You want babes, we got babes! the thirtysomething emcee finally yelled to the crowd, sounding like a carnival barker hawking peeks of Little Egypt. Theyve played here many times before, he said, but this is probably the last time youll see em before they get famous and sell out. Theyre about to cut their debut album for Warner Brothers

Shut up, you old fat wanker! heckled a young man with a pierced eyebrow who was waiting to slam-dance in the mosh pit in front of the stage. Give us the Babes!

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