• Complain

Will Romano - Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record

Here you can read online Will Romano - Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2023, publisher: Backbeat, genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record
  • Author:
  • Publisher:
    Backbeat
  • Genre:
  • Year:
    2023
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Theres nothing like it in the Rush catalogor, indeed, in the entire prog-rock canon. Stylistically expansive and intellectually ambitious, 1981s Moving Pictures was a landmark release, one that helped define the progressive genre and that ensured Rushs place in the rock pantheon. In this definitive account of the albums creation and legacy, author Will Romano explores the rare alchemy behind a record that continues to inspire musicians and listeners even today.

While Permanent Waves and Hemispheres were important releases in Rushs evolution as a band, Moving Pictures marked a turning point for the Canadian trio in more ways than one. It was not only a creative triumph but a commercial one, with sales and airplay that blasted them into the stratosphere of rock stardom. Beyond the individual power of its seven songs, however, the key to its lasting significance is the distinctive overarching vision that Geddy Lee, Alex Lifeson, and Neil Peart brought to the album. As Romano shows, Moving Pictures reconciled opposing creative sensibilities to a remarkable degree, giving the record real thematic depth while at the same time rendering it the very antithesis of a concept album. Each track was carefully layered with cinematic and multisensory meaning, paradoxically using music to evoke experiences beyond the strictly aural.

Consistently insightful and frequently surprising, this book is filled with behind-the-scenes details based on new research and interviews, and it guides readers through the albums dizzying array of allusions and inspirations. Newbies and fervent Rush fans alike will find this an illuminating exploration of one of the bands most enduring achievements.

Will Romano: author's other books


Who wrote Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record? Find out the surname, the name of the author of the book and a list of all author's works by series.

Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make

Geddy Lee, Alex Lifeson, Neil Peart, Terry Brown, Paul Northfield, Deborah Samuel, Mike Girard, Jason Bittner, Eric Barnett, Kevin Aiello, Uriah Duffy, Andr Perry and Yal Brandeis, Ken Hensley, Pete Agnew, Paul DeLong, Robert Di Gioia, Jonathan Mover, Brian Tichy, Jason Sutter, John DeServio, David Greene, Freddy Gabrsek, Marty Morin, Yosh Inouye, David Marsden, Adam Moseley, Bruce Gowers, Dave Krusen, Brian Miessner, Wanda and Ronnie Hawkins, Frank Davies, Mike Tilka, Len Epand, Rick Ringer, Graham Lear, Rick Colaluca, Gerald OBrien, Dwight Douglas, Rodney Bowes, John Coull, Moira Coull, Alfie Zappacosta, Monte Nordstrom, Mark Richards, Terry Draper, Steve LeClaire, Craig Martin (Classic Albums Live), John Sinclair, Sandy Roberton of Worlds End, Patrick Ledbetter (CIMCO), Blair Francy, Jane Harbury, Dan Del Fiorentino (NAMM), Steve Tassler, Arielle Aslanyan, Lynne Deutscher Kobayashi, David Jandrisch (Musicians Rights Organization of Canada), Toronto Audio Engineering Society, Morgan Myler (IATSE Local 58), Tim Kuhl, Graham Betts (Pickwick Group Limited), and Natalie Pavlenko (OCAD).

A special thank-you to my wife Sharon, my in-laws and family members, my brother Michael, my uncle Tony, Aunt Gigi, Mom and Dad, Anthony Bernard, Dave Penna, Bernard Scott, Vincent Tallarida, Michael Richford, Ed Perry, Gary Jansen, Mike Harrison, as well as those whove helped to make this project possible: Chris Chappell, Barbara Claire, Laurel Myers, Bruce Owens, John Cerullo (for taking on this monstrosity to begin with), and everyone at Backbeat Books/Rowman & Littlefield. Thank you for the opportunity and your patience.

I dedicate this to Molly, Maggie, and Gilligan. Youre forever with me, but I still miss you. Every day. Grateful for the newest member of the family, Scarlet. Grateful for the river.

Thank you, JC.

MOVING PICTURES TOUR DATES, 19801981

Includes prerelease warm-up tour and Exit Stage Left dates

Sources: Rush.com, Concertarchives.org, Setlist.fm, and various magazines and newspapers

WARM-UP DATES
DateVenueCity
September 11, 1980Hampton ColiseumHampton, Virginia
September 12, 1980Charlotte ColiseumCharlotte, North Carolina
September 13, 1980Civic Center ColiseumCharleston, West Virginia
September 14, 1980Municipal AuditoriumNashville, Tennessee
September 16, 1980Riverside CentroplexBaton Rouge, Louisiana
September 18, 1980Lee County ArenaFort Myers, Florida
September 19, 1980Hollywood SportatoriumHollywood, Florida
September 20, 1980Civic Center ArenaLakeland, Florida
September 21, 1980Veterans Memorial ColiseumJacksonville, Florida
September 23, 1980Riverfront ColiseumCincinnati, Ohio
September 25, 1980The SpectrumPhiladelphia, Pennsylvania
September 26, 1980Capital CentreLargo, Maryland
September 27, 1980Cape Cod ColiseumCape Cod, Massachusetts
September 28, 1980Civic CenterSpringfield, Massachusetts
September 30, 1980Allentown FairgroundsAllentown, Pennsylvania
October 1, 1980Cumberland CountyPortland, Maine
Civic Center
MOVING PICTURES TOUR
February 17, 1981Wings StadiumKalamazoo, MI
February 18, 1981Wings StadiumKalamazoo, Michigan
February 19, 1981Wings StadiumKalamazoo, Michigan
February 20, 1981Wings StadiumKalamazoo, Michigan
February 21, 1981Civic ArenaDubuque, Iowa
February 22, 1981Palmer CollegeDavenport, Iowa
February 24, 1981The CenterLa Crosse, Wisconsin
February 26, 1981International AmphitheaterChicago, Illinois
February 27, 1981International AmphitheatreChicago, Illinois
February 28, 1981International AmphitheatreChicago, Illinois
March 1, 1981International AmphitheatreChicago, Illinois
March 2, 1981Mecca ArenaMilwaukee, Wisconsin
March 4, 1981The Checkerdome (aka St. Louis Arena)St. Louis, Missouri
March 5, 1981The CheckerdomeSt. Louis, Missouri
March 7, 1981Louisville GardensLouisville, Kentucky
March 8, 1981Hara ArenaDayton, Ohio
March 10, 1981Roberts StadiumEvansville, Indiana
March 11, 1981Market Square ArenaIndianapolis, Indiana
March 13, 1981Cobo Hall ArenaDetroit, Michigan
March 14, 1981Cobo Hall ArenaDetroit, Michigan
March 15, 1981Cobo Hall ArenaDetroit, Michigan
March 21, 1981London GardensLondon, Ontario
March 23, 1981Maple Leaf GardensToronto, Canada
March 24, 1981Maple Leaf GardensToronto, Canada
March 25, 1981Maple Leaf GardensToronto, Canada
March 27, 1981The ForumMontreal, Quebec
March 28, 1981Civic CentreOttawa, Ontario
April 3, 1981Community CenterTucson, Arizona
April 4, 1981Veterans Memorial ColiseumPhoenix, Arizona
April 5, 1981Tingley ColiseumAlbuquerque, New Mexico
April 7, 1981Sam Houston ColiseumHouston, Texas
April 8, 1981Sam Houston ColiseumHouston, Texas
April 10, 1981Reunion ArenaDallas, Texas
April 11, 1981Convention Center ArenaSan Antonio, Texas
April 12, 1981Tarrant County Convention CenterFort Worth, Texas
April 14, 1981Barton ColiseumLittle Rock, Arkansas
April 15, 1981Mississippi ColiseumJackson, Mississippi
April 16, 1981Mid-South ColiseumMemphis, Tennessee
April 18, 1981Municipal AuditoriumMobile, Alabama
April 19, 1981Municipal AuditoriumNew Orleans, Louisiana
April 21, 1981Hirsch Memorial ColiseumShreveport, Louisiana
April 23, 1981Kemper ArenaKansas City, Missouri
April 24, 1981Kemper ArenaKansas City, Missouri
April 25, 1981The MyriadOklahoma City, Oklahoma
April 26, 1981Tulsa Assembly CenterTulsa, Oklahoma
May 6, 1981Civic ArenaPittsburgh, Pennsylvania
May 7, 1981Richfield ColiseumRichfield Township, Ohio
May 8, 1981Richfield ColiseumRichfield, Ohio
May 9, 1981
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record»

Look at similar books to Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record»

Discussion, reviews of the book Moving Pictures: How Rush Created Progressive Hard Rocks Greatest Record and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.