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Silvia Ronchey - Hypatia: The True Story

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Silvia Ronchey Hypatia: The True Story
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This study reconstructs Hypatias existential and intellectual life and her modern Nachleben through a reception-oriented and interdisciplinary approach. Unlike previous publications on the subject, Hypatia explores all available ancient and medieval sources as well as the history of the reception of the figure of Hypatia in later history, literature, and arts in order to illuminate the ideological transformations/deformations of her story throughout the centuries and recover the true story. The intentionally provocative title relates to the contemporary historiographical notion of false or fake history, as does the overall conceptual and methodological treatment. Through this reception-oriented approach, this study suggests a new reading of the ancient sources that demonstrates the intrinsically political nature of the murder of Hypatia, caused by the phtonos (violent envy) of the Christian bishop Cyril of Alexandria. This is the first comprehensive treatment of the figure of Hypatia addressed to both academic readers - in Classics, Religious Studies, and Reception Studies - and a learned, non-specialist readership.

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Silvia Ronchey
Hypatia
Silvia Ronchey
Hypatia
The True Story
ISBN 9783110717570 e-ISBN PDF 9783110718454 e-ISBN EPUB 9783110718553 - photo 1
ISBN 9783110717570
e-ISBN (PDF) 9783110718454
e-ISBN (EPUB) 9783110718553
Bibliographic information published by the Deutsche Nationalbibliothek
The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de.
2021 Walter de Gruyter GmbH, Berlin/Boston
bersicht
Contents
  1. Preface
    1. To the Reader
  2. Introduction
  3. Part I: Setting out the Facts
    1. Once there was a Woman
      1. Appendix
    2. The Destruction of the Serapeum
      1. Appendix
    3. Elegant Insolence
      1. Appendix
    4. The Terrible Patriarch of Alexandria
      1. Appendix
    5. Good Use of Power
      1. Appendix
    6. Treacherous Zeal
      1. Appendix
    7. The Bishop of Nikiu
      1. Appendix
    8. A Three-Handed Game
      1. Appendix
    9. The Intimidation of Orestes
      1. Appendix
    10. Mortal Envy
      1. Appendix
    11. The Cover-Up
      1. Appendix
  4. Part II: Betraying the Facts
    1. The Glory of Her Own Sex and the Wonder of Ours
      1. Appendix
    2. The Excesses of Fanaticism
      1. Appendix
    3. A Very Beautiful and Well-educated Woman is Torn Asunder
      1. Appendix
    4. From Fielding to Gibbon Passing Through the Shadow of a Donkey
      1. Appendix
    5. The Catholic Wing
      1. Appendix
    6. Refreshing Exceptions
      1. Appendix
    7. Uncontrolled Effects on the Poets
      1. Appendix
    8. New Faces For Old Foes
      1. Appendix
    9. Kulturkampf. Hypatia la Bismarck
      1. Appendix
    10. Celestial Virgin
      1. Appendix
    11. Miraculous Devotion. Chateaubriand, Pguy and the Flourishing of Feminist Literature
      1. Appendix
    12. Superfluous Heroisms
      1. Appendix
    13. The Force of the Universe
      1. Appendix
    14. A Name, a Mantra
      1. Appendix
  5. Part III: Interpreting the Facts
    1. May the Witnesses Return to the Court
      1. Appendix
    2. The DNA of the Ancient Tradition
      1. Appendix
    3. Church and State
      1. Appendix
    4. An Age of Anxiety
      1. Appendix
    5. Hypatia in All Her States of Being
      1. Appendix
    6. What Did Hypatia Teach?
      1. Appendix
    7. All Synesius Mysteries
      1. Appendix
    8. Synesius, Hypatia and Philosophia
      1. Appendix
    9. Women Who Philosophised
      1. Appendix
    10. The Power of Hypatia
      1. Appendix
    11. Dramatis Personae
      1. Appendix
    12. Hypatias Sacrifice
      1. Appendix
    13. The Martyrdom of Hypatia
      1. Appendix
    14. A Question of Method
      1. Appendix
    15. The Eminence of Hypatia
      1. Appendix
  6. Aftershock: And What If
  7. Bibliography
  8. Index of Names
To Theon
Note of the Author
Putting together this book would have been immensely more difficult without the knowledge and assistance of Pia Carolla (and not just for her help with the bibliographical update) and without the insightful and thorough contributions of Davide Baldi and Francesco Monticini. I also thank here Sergio Basso and Laura Borghetti for their aid with the bibliography; Silvia Pedone for her precious insights on iconography; Peter Schreiner for reading the new manuscript and providing generous advice. Nicol Sassi, with the collaboration of Giulia Maria Paoletti, did not just translate the majority of the sections written ex novo by the author for the second enlarged edition, but has also reviewed and fundamentally reformulated with invaluable knowledge and patience the previous English translation drafted by Katherine Clifton and Elisabeth Giansiracusa, correcting the rendition of technical vocabulary and concepts. To both translators-reviewers goes my endless gratitude. Finally, I also want to thank Jim Schwarten for his collaboration, and for his help on English style.
Preface
The present work reconstructs Hypatias life, intellectual work, and modern Nachleben through a sustained philological and literary analysis. The ultimate goal of this analysis is to bring to light the intrinsically political dimension of Hypatias murder, caused by the phthonos (violent envy) of the Christian bishop Cyril of Alexandria. The book is addressed to a learned, non-specialist readership, as well as research scholars and students, and the intentionally provocative title relates to the contemporary historiographical notion of false or fake history, as does the overall conceptual and methodological treatment.
In the first section (Clarifying the Facts) I compare and apply philological analysis to all extant evidence on Hypatias life and death gleaned from all available ancient sources, both Pagan and Christian. Originally, two versions of Hypatias assassination, one Pagan and one Christian, must have co-existed, each available in two variants, one moderate and one radical.
In the three centuries between the life and death of Hypatia and the evolution of the Byzantine historical tradition after the Arab conquest, one of the Christian narratives, John of Nikius Chronicle, derived from one or more older, possibly vernacular versions produced in favor of Cyril of Alexandria within the Coptic Church, was lost to the West. Nonetheless, this version was preserved in the Eastern tradition in a late Ethiopic version, which appears as the most radically pro-Cyril among ancient Christian sources. The other, more moderate Christian version, eschewed by dominant Western ecclesiastical opinion, is by Socrates Scholasticus, whose narrative regarding the case in question probably conforms to the point of view of the central Byzantine Church.
The Byzantine author Suidas passed down both of the Pagan narratives by Hesychius of Miletus and Damascius. In addition, the version by Philostorgius (an Arian Christian, and as such opponent of Cyril), whose text is preserved in numerous fragments from Photius Library, was appended to Damascius variant of the Pagan version from the beginning of the manuscript tradition. Another source from the time of Justinian, the Chronicle of John Malalas, seems to be derived from another Byzantine tradition close to the court clergy but especially to the Church of Antioch, which was traditionally at odds with the Church of Alexandria. The account offered by Malalas isolates Cyril, as does Socrates, as prime instigator of, and morally responsible for, Hypatias assassination. Malalas probably draws on his own, independent sources, which appear in agreement with Socrates on the bishops guilt but also aware of details lacking in the accounts of Socrates and Suidas-Damascius. The most well-known version in Byzantium would remain Socrates, an Orthodox Christian, more cautious than the Pagan and Arian-Christian accounts and slightly different from the one Malalas draws on, but equally anti-Cyril.
The same orientation would emanate from subsequent Byzantine sources which would gradually add useful features from Pagan sources. From 5th and 6th century information, influence, and manuscript tradition, which appears more ramified than generally thought, derives during iconoclasm the succinct mention of the assassination in Theophanes
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