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Ferdinand Gregorovius - Lucretia Borgia According to Original Documents and Correspondence of Her Day

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LUCRETIA BORGIA LUCRETIA BORGIA From a portrait attributed to Dosso Dossi - photo 1
LUCRETIA BORGIA.
LUCRETIA BORGIA.
From a portrait attributed to Dosso Dossi, in the possession of Mr. Henry Doetsch, London.


FERDINAND GREGOROVIUS
SEAL.
LUCRETIA BORGIA
ACCORDING TO ORIGINAL DOCUMENTS
AND CORRESPONDENCE OF HER DAY
TRANSLATED FROM THE THIRD GERMAN EDITION
BY JOHN LESLIE GARNER


TO
DON MICHELANGELO GAETANI
DUKE OF SERMONETA

First published New York 1904
Reissued 1968 by
Benjamin Blom, Inc. 10452
Library of Congress Catalog Card No. 68-20226
Manufactured in the United States of America
BENJAMIN BLOMNew York/London

TO DON MICHELANGELO GAETANI DUKE OF SERMONETA
My honored Duke : I am induced to dedicate this work to you by the historical circumstances of which it treats and also by personal considerations.
In it you will behold the founders of your ancient and illustrious family. The Borgias were mortal enemies of the Gaetani, who narrowly escaped the fate prepared for them by Alexander VI and his terrible son. Beautiful Sermoneta and all the great fiefs in the Maremma fell into the maw of the Borgias, and your ancestors either found death at their hands or were driven into exile. Donna Lucretia became mistress of Sermoneta, and eventually her son, Rodrigo of Aragon, inherited the estates of the Gaetani.
Centuries have passed, and a beautiful and unfortunate woman may be forgiven for this confiscation of the appanages of your house. Moreover, it was not long before your family was reinstated in its rights by a bull of Julius II, which is now preserveda precious jewelin your family archives. To your house has descended the fame of its founders, but to yourself is due the position which the Gaetani now again enjoy.
The survival of historical tradition in things and men exercises an indescribable charm on every student of civilization. To recognize in the ancient and still nourishing families of modern Rome the descendants of the great personalities of other times, and to enjoy daily intercourse with them, made a profound impression on me. The Colonna, the Orsini, and the Gaetani are my friends, and all afforded me the greatest assistance. These families long ago vanished from the stage of Roman history, but the day came, illustrious Duke, when you were to make a place again for your ancient race in the history of the Imperial City; the day whenthe temporal power of the popes having passed away, a power which had endured a thousand yearsyou carried to King Victor Emmanuel in Florence the declaration of allegiance of the Roman populace. This episode, marking the beginning of a new era for the city, will live, together with your name, in the annals of the Gaetani, and will preserve it forever in the memory of the Romans.
Gregorovius.
Rome, March 9, 1874.

CONTENTS
BOOK THE FIRSTLUCRETIA BORGIA IN ROME
CHAPTER I
Lucretia's Father
CHAPTER II
Lucretia's Mother
CHAPTER III
Lucretia's First Home
CHAPTER IV
Lucretia's Education
CHAPTER V
NepotismGiulia FarneseLucretia's Betrothals
CHAPTER VI
Her Father Becomes PopeGiovanni Sforza
CHAPTER VII
Lucretia's First Marriage
CHAPTER VIII
Family Affairs
CHAPTER IX
Lucretia Leaves Rome
CHAPTER X
History and Description Of Pesaro
CHAPTER XI
The Invasion of ItalyThe Profligate World
CHAPTER XII
The Divorce and Second Marriage
CHAPTER XIII
A Regent and a Mother
CHAPTER XIV
Social Life of the Borgias
CHAPTER XV
Misfortunes of Catarina Sforza
CHAPTER XVI
Murder of Alfonso of Aragon
CHAPTER XVII
Lucretia at Nepi
CHAPTER XVIII
Csar at Pesaro
CHAPTER XIX
Another Marriage Planned for Lucretia
CHAPTER XX
Negotiations with the House of Este
CHAPTER XXI
The Eve of the Wedding
CHAPTER XXII
Arrival and Return of the Bridal Escort
BOOK THE SECONDLUCRETIA IN FERRARA
CHAPTER I
Lucretia's Journey to Ferrara
CHAPTER II
Formal Entry into Ferrara
CHAPTER III
Ftes Given in Lucretia's Honor
CHAPTER IV
The Este DynastyDescription of Ferrara
CHAPTER V
Death of Alexander VI
CHAPTER VI
Events Following the Pope's Death
CHAPTER VII
Court PoetsGiulia Bella and Julius IIThe Este Dynasty Endangered
CHAPTER VIII
Escape and Death of Csar
CHAPTER IX
Murder of Ercole StrozziDeath of Giovanni Sforza and of Lucretia's Eldest Son
CHAPTER X
Effects of the WarThe Roman Infante
CHAPTER XI
Last Years and Death of Vannozza
CHAPTER XII
Death of Lucretia BorgiaConclusion

LIST OF ILLUSTRATIONS
Lucretia Borgia, from a portrait attributed to Dosso Dossi
Trajan's Forum, Rome
Church of S. Maria del Popolo, Rome
Vittoria Colonna
The Farnese Palace, Rome
Alexander VI
Church of Ara Cli, Rome
Tasso
Charles VIII
Savonarola
Macchiavelli
Csar Borgia
Guicciardini
Ercole d'Este, Duke of Ferrara
Castle of S. Angelo, Rome
Ariosto
Castle Vecchio, Ferrara
Benvenuto Garofalo
Facsimile of a letter from Alexander VI to Lucretia
Cardinal Bembo
Julius II
Facsimile of a letter from Lucretia to Marquis Gonzaga
Alfonso d'Este, Duke of Ferrara
Aldo Manuzio
Leo X
Lucretia Borgia, after a painting in the Muse de Nmes

INTRODUCTION
Lucretia Borgia is the most unfortunate woman in modern history. Is this because she was guilty of the most hideous crimes, or is it simply because she has been unjustly condemned by the world to bear its curse? The question has never been answered. Mankind is ever ready to discover the personification of human virtues and human vices in certain typical characters found in history and fable.
The Borgias will never cease to fascinate the historian and the psychologist. An intelligent friend of mine once asked me why it was that everything about Alexander VI, Csar, and Lucretia Borgia, every little fact regarding their lives, every newly discovered letter of any of them, aroused our interest much more than did anything similar concerning other and vastly more important historic characters. I know of no better explanation than the following: the Borgias had for background the Christian Church; they made their first appearance issuing from it; they used it for their advancement; and the sharp contrast of their conduct with the holy state makes them appear altogether fiendish. The Borgias are a satire on a great form or phase of religion, debasing and destroying it. They stand on high pedestals, and from their presence radiates the light of the Christian ideal. In this form we behold and recognize them. We view their acts through a medium which is permeated with religious ideas. Without this, and placed on a purely secular stage, the Borgias would have fallen into a position much less conspicuous than that of many other men, and would soon have ceased to be anything more than representatives of a large species.
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