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William Irwin - Downton Abbey and Philosophy: The Truth Is Neither Here Nor There

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A unique philosophical look at the hit television series Downton AbbeyWho can resist the lure of Downton Abbey and the triumphs and travails of the Crawley family and its servants? We admire Batess sense of honor, envy Carsons steadfastness, and thrill to Violets caustic wit. Downton Abbey and Philosophy draws on some of historys most profound philosophical minds to delve deeply into the dilemmas that confront our favorite characters. Was Matthew right to push Mary away after his injury in the war? Would Lord Grantham have been justified in blocking Lady Sybils marriage to Tom Branson? And is Thomas really such a bad person? Offers fresh and intriguing insights into your favorite Downton Abbey characters, plot lines, and ideasAddresses many of your most pressing questions about Downton Abbeys story and characters, such as: Should Daisy have lied to William about her feelings toward himespecially to the point of marrying him? Should Mr. Bates have been upfront with Anna from the beginning about his past? Views Downton Abbey through the lens of some of the most influential philosophical thinkers, from Saint Augustine and David Hume to Immanuel Kant and John Stuart MillVentures upstairs and downstairs to examine key themes involving ethics, virtue, morality, class, feminism, the human condition, and morePhilosophical speculation awaits on every page of this essential Downton Abbey companion. So take a seat in your personal library, have the butler pour a cup of tea, and start reading!

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Contents The Blackwell Philosophy and Pop Culture Series Series Editor - photo 1

Contents

The Blackwell Philosophy and Pop Culture Series

Series Editor: William Irwin

24 and Philosophy www.wiley.com/buy/9781405171045

Edited by Jennifer Hart Weed, Richard Davis, and Ronald Weed

30 Rock and Philosophy www.wiley.com/buy/9780470575581

Edited by J. Jeremy Wisnewski

Alice in Wonderland and Philosophy www.wiley.com/buy/9780470558362

Edited by Richard Brian Davis

Arrested Development and Philosophy www.wiley.com/buy/9780470575598

Edited by Kristopher Phillips and J. Jeremy Wisnewski

The Avengers and Philosophy www.wiley.com/buy/9781118074572

Edited by Mark D. White

Batman and Philosophy www.wiley.com/buy/9780470270301

Edited by Mark D. White and Robert Arp

Battlestar Galactica and Philosophy www.wiley.com/buy/9781405178143

Edited by Jason T. Eberl

The Big Bang Theory and Philosophy www.wiley.com/buy/9780471394525

Edited by Dean Kowalski

The Big Lebowski and Philosophy www.wiley.com/buy/9781118074565

Edited by Peter S. Fosl

The Daily Show and Philosophy www.wiley.com/buy/9781405163149

Edited by Jason Holt

Family Guy and Philosophy www.wiley.com/buy/9781405163163

Edited by J. Jeremy Wisnewski

Final Fantasy and Philosophy www.wiley.com/buy/9780470415368

Edited by Jason P. Blahuta and Michel S. Beaulieu

Game of Thrones and Philosophy www.wiley.com/buy/9781118161999

Edited by Henry Jacoby

The Girl with the Dragon Tattoo and Philosophy www.wiley.com/buy/9780470947586

Edited by Eric Bronson

Green Lantern and Philosophy www.wiley.com/buy/9780470575574

Edited by Jane Dryden and Mark D. White

Heroes and Philosophy www.wiley.com/buy/9780470373385

Edited by David Kyle Johnson

House and Philosophy www.wiley.com/buy/9780470316603

Edited by Henry Jacoby

The Hunger Games and Philosophy www.wiley.com/buy/9781118065075

Edited by George Dunn and Nicolas Michaud

Inception and Philosophy www.wiley.com/buy/9781118072639

Edited by David Johnson

Iron Man and Philosophy www.wiley.com/buy/9780470482186

Edited by Mark D. White

Mad Men and Philosophy www.wiley.com/buy/9780470603017

Edited by James South and Rod Carveth

Metallica and Philosophy www.wiley.com/buy/9781405163484

Edited by William Irwin

The Office and Philosophy www.wiley.com/buy/9781444357295

Edited by J. Jeremy Wisnewski

South Park and Philosophy www.wiley.com/buy/9781405161602

Edited by Robert Arp

Spider-Man and Philosophy www.wiley.com/buy/9780470575604

Edited by Jonathan Sanford

Terminator and Philosophy www.wiley.com/buy/9780470447987

Edited by Richard Brown and Kevin Decker

True Blood and Philosophy www.wiley.com/buy/9780470597729

Edited by George Dunn and Rebecca Housel

Twilight and Philosophy www.wiley.com/buy/9780470484234

Edited by Rebecca Housel and J. Jeremy Wisnewski

The Ultimate Harry Potter and Philosophy www.wiley.com/buy/9780470398258

Edited by Gregory Bassham

The Ultimate Lost and Philosophy www.wiley.com/buy/9780470632291

Edited by Sharon Kaye

Watchmen and Philosophy www.wiley.com/buy/9780470396858

Edited by Mark D. White

X-Men and Philosophy www.wiley.com/buy/9780470413401

Edited by Rebecca Housel and J. Jeremy Wisnewski

Copyright 2012 by John Wiley Sons All rights reserved Published by John - photo 2

Copyright 2012 by John Wiley & Sons. All rights reserved

Published by John Wiley & Sons, Inc., Hoboken, New Jersey

Published simultaneously in Canada

No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com . Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at www.wiley.com/go/permissions .

Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional where appropriate. Neither the publisher nor the author shall be liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or other damages.

For general information about our other products and services, please contact our Customer Care Department within the United States at (800) 762-2974, outside the United States at (317) 572-3993 or fax (317) 572-4002.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. For more information about Wiley products, visit our web site at www.wiley.com .

ISBN 978-1-118-38661-3 (ebk); ISBN 978-1-118-38664-4 (ebk)

Introduction

The Philosophers Are Here to See You, Milord

Downton Abbey has captivated fans on both sides of the Atlantic. Week in and week out, we tune in to see the latest travails of the Crawleys and their servants as they deal with issues of inheritance, class, love, injury, and propriety. We admire Batess sense of honor, feel for Marys aimlessness, envy Carsons steadfastness, and thrill to Violets caustic wit and subtle wisdom. Every character brings something unique to the household and to the show, and every situation reveals something new about all of the characters and their relationships with one another, as well as the evolving social structure and mores of the day.

The chapters in Downton Abbey and Philosophy introduce some of the most essential topics in philosophy using a few of the most familiar and controversial story lines from the show. Was Matthew right to push Mary away after his injury in the war? Should Daisy have lied to William about her feelings toward himespecially to the point of marrying him? Would Lord Grantham have been justified in blocking Lady Sybils marriage to Branson, the chauffeur? Should Mr. Bates have been upfront with Anna from the beginning about his past? What does it mean to say that OBriens actions leading to Lady Granthams miscarriage were objectively wrong? How do the female characters of Downton Abbey reflect different views of feminism? And is Thomas really such a bad guy?

Philosophical speculation awaits. So take a seat in your personal library, have the butler pour a cup of tea, and lets begin!

Chapter 1

The Cat That Walks by Himself

Sacrifice, Duty, and Love in Downton Abbey

Mark D. White

One of the most captivating things about Downton Abbey is its variety of romantic relationships, and the two that capture our imaginations the most seem to be the relationships between Matthew and Lady Mary upstairs and between Mr. Bates and Anna downstairs. (Id add the Dowager Countesss undying love for herself, but that would take an entire chapter to itself!) We know from the first episode that Matthew and Mary are destined to end up together, especially after they are repulsed by each other on their first meeting. The attraction between Bates and Anna, however, smolders over the first few episodes before they announce their feelings for each other halfway through the first season.

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