• Complain

Tony Horwitz - Midnight Rising: John Brown and the Raid That Sparked the Civil War

Here you can read online Tony Horwitz - Midnight Rising: John Brown and the Raid That Sparked the Civil War full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2011, publisher: Henry Holt and Co., genre: Non-fiction. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Tony Horwitz Midnight Rising: John Brown and the Raid That Sparked the Civil War
  • Book:
    Midnight Rising: John Brown and the Raid That Sparked the Civil War
  • Author:
  • Publisher:
    Henry Holt and Co.
  • Genre:
  • Year:
    2011
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Midnight Rising: John Brown and the Raid That Sparked the Civil War: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Midnight Rising: John Brown and the Raid That Sparked the Civil War" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

A New York Times Notable Book for 2011
A Library Journal Top Ten Best Books of 2011
A Boston Globe Best Nonfiction Book of 2011

Bestselling author Tony Horwitz tells the electrifying tale of the daring insurrection that put America on the path to bloody war

Plotted in secret, launched in the dark, John Browns raid on Harpers Ferry was a pivotal moment in U.S. history. But few Americans know the true story of the men and women who launched a desperate strike at the slaveholding South. Now, Midnight Rising portrays Browns uprising in vivid color, revealing a country on the brink of explosive conflict.

Brown, the descendant of New England Puritans, saw slavery as a sin against Americas founding principles. Unlike most abolitionists, he was willing to take up arms, and in 1859 he prepared for battle at a hideout in Maryland, joined by his teenage daughter, three of his sons, and a guerrilla band that included former slaves and a dashing spy. On October 17, the raiders seized Harpers Ferry, stunning the nation and prompting a counterattack led by Robert E. Lee. After Browns capture, his defiant eloquence galvanized the North and appalled the South, which considered Brown a terrorist. The raid also helped elect Abraham Lincoln, who later began to fulfill Browns dream with the Emancipation Proclamation, a measure he called a John Brown raid, on a gigantic scale.

Tony Horwitzs riveting book travels antebellum America to deliver both a taut historical drama and a telling portrait of a nation divideda time that still resonates in ours.

Tony Horwitz: author's other books


Who wrote Midnight Rising: John Brown and the Raid That Sparked the Civil War? Find out the surname, the name of the author of the book and a list of all author's works by series.

Midnight Rising: John Brown and the Raid That Sparked the Civil War — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Midnight Rising: John Brown and the Raid That Sparked the Civil War" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
To Nathaniel and Bizu my in-house insurrectionists Sometimes there comes a - photo 1
To Nathaniel and Bizu, my in-house insurrectionists
Sometimes there comes a crack in Time itself.
Sometimes the earth is torn by something blind.
STEPHEN VINCENT BENT,
John Browns Body
Table of Contents

October 16, 1859



M en, get on your arms, the Captain said. We will proceed to the Ferry.
It was eight at night, an autumn Sunday, silent and dark in the Maryland hills. A horse-drawn wagon pulled up to the log house and the men loaded it with pikes, tools, torches, and gunpowder. The Captain put on the battered cap hed worn in Bleeding Kansas. Then he climbed on the wagon and the men marched behind, down a dirt lane, past a snake-rail fence, onto the road to Harpers Ferry.
There were eighteen men, not counting the Captain. Almost all were in their twenties and had written farewell letters to family and lovers. Five of them were black, including a fugitive slave and a freedman whose wife and children were still in bondage. Two others were the Captains sons. All had been formally inducted at the secluded log house as soldiers in the Provisional Army of the United States.
Their commander was fifty-nine, a sinewy man with gunmetal eyes and a white beard hed grown to conceal his identity. He was wanted by state and federal authorities; President Buchanan had put a price on his head. While living underground, the Captain had drafted a constitution and a Declaration of Liberty for the revolutionary government that tonights action would found.
When in the course of Human events, it becomes necessary for an oppressed People to Rise, and assert their Natural Rights, the declaration began. If the opening sounded familiar, the close was not. We will obtain these rights or die in the struggle, the document stated, before concluding: Hung be the Heavens in Scarlet.
The road ran below a mountain ridge, through woods and rolling farmland. The mid-October night was cool and drizzly and dark, perfect weather for a surprise attack. There was no one else abroad and no sound, just the creak of the wagons wooden wheels and the clop of hooves. Steam rose from the horses flanks; behind the Captains wagon the men marched in pairs, solemn and speechless, as if in a funeral cortge. Their orders were to make no noise and to conceal their rifles beneath gray shawls. Anyone they encountered was to be detained.
After three miles, the road descended steeply to the wide, swift Potomac River. On the far bank glowed the gas lamps of Harpers Ferry, Virginia, a factory town and the gateway to the largest slave state in the country. Two of the men crept ahead; soon they would cut the telegraph lines linking Harpers Ferry to the outside world. Two other men, hard veterans of Kansas, slipped onto the covered bridge over the Potomac and seized the night watchman who trolled back and forth with a lantern.
The Captain followed in his wagon, leading the others across the bridge. It was an hour before midnight when they emerged on the Virginia shore and entered the business district of Harpers Ferry. The wagon clattered across pavement, past a rail depot, a hotel, saloons, and shops, and up to the front gate of the U.S. armory. Behind its high wrought-iron fence stretched a massive industrial complex where the nations newest weapons were manufactured.
Open the gate! one of the men shouted at a night guard within the armory fence. The watchman refused. Two of the men grabbed hold of him through the fence and pressed guns to his chest. Another man forced the gates lock with a crowbar. Then the Captain rode into the armory yard and took the watchman prisoner.
I came here from Kansas, he announced to his captive. This is a slave state. I want to free all the Negroes in this state. I have possession now of the United States armory, and if the citizens interfere with me, I must only burn the town and have blood.


ON OCTOBER 16, 2009, I retraced the Captains march with other pilgrims who had gathered for the hundred and fiftieth anniversary of John Browns famous raid on Harpers Ferry. The night was appropriately cold and wet, and we followed a horse-drawn wagon through a landscape that has changed remarkably little since 1859. Browns log hideout in Maryland still stands, as does the armory building in Harpers Ferry that became his headquarters and fort. Though we didnt carry guns or wear nineteenth-century attire, I experienced a little of the time-travel high that Civil War reenactors call a period rush.
But walking in the footsteps of history isnt the same as being there. I could tread where Browns men did, glimpse some of what they saw, but the place I wanted to be was inside their heads. What led them to launch a brazen assault on their own government and countrymen? Why were millions of other Americans willing to kill and die in the civil war that followed? How did one event connect to the other?
My sons ninth-grade American history textbook offers little more insight than mine did in the 1970s. Harpers Ferry merits six paragraphsa speed bump for students racing ahead to Fort Sumter and the Gettysburg Address. Recent history also provides a simplistic guide at best. Viewed through the lens of 9/11, Harpers Ferry seems an al-Qaeda prequel: a long-bearded fundamentalist, consumed by hatred of the U.S. government, launches nineteen men in a suicidal strike on a symbol of American power. A shocked nation plunges into war. We are still grappling with the consequences.
But John Brown wasnt a charismatic foreigner crusading from half a world away. He descended from Puritans and Revolutionary soldiers and believed he was fulfilling their struggle for freedom. Nor was he an alienated loner in the mold of recent homegrown terrorists such as Ted Kaczynski and Timothy McVeigh. Brown plotted while raising an enormous family; he also drew support from leading thinkers and activists of his day, including Frederick Douglass, Harriet Tubman, and Henry David Thoreau. The covert group that funneled him money and guns, the so-called Secret Six, was composed of northern magnates and prominent Harvard men, two of them ministers.
Those who followed Brown into battle represented a cross section of mid-nineteenth-century America. In Kansas and, later, Virginia, he was joined by farm laborers, factory workers, tradesmen, teachers, an immigrant Jewish shopkeeper, a free black schooled at Oberlin, and two young women who acted as lookouts and camouflage at his hideout near Harpers Ferry. These foot soldiers often bristled at his leadership and rejected his orthodox Calvinism. Most who went with him to Harpers Ferry regarded themselves as nonbelieving infidels.
Yet follow him they did, swearing allegiance to his revolutionary government and marching into Virginia to found a new order. Within two years, entire armies would cross the Potomac, and this obscured the magnitude of what happened in 1859. The street violence at Harpers Ferry came to seem almost quaint by comparison with the industrial-scale slaughter at Antietam and Gettysburg. In time, the uprising became known as John Browns Raid, a minor-sounding affair, like one mans act of banditry.
But no one saw it that way at the time. A month after the attack, under the headline HOW WOULD IT FIGURE IN HISTORY, a Baltimore newspaper listed the many labels given to the recent violence in Virginia. The most common were Insurrection, Rebellion, Uprising, and Invasion. Further down the list appeared War, Treason, and Crusade. There were twenty-six terms in all. Raid was not among them.
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Midnight Rising: John Brown and the Raid That Sparked the Civil War»

Look at similar books to Midnight Rising: John Brown and the Raid That Sparked the Civil War. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Midnight Rising: John Brown and the Raid That Sparked the Civil War»

Discussion, reviews of the book Midnight Rising: John Brown and the Raid That Sparked the Civil War and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.