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John Neil Munro - Some People are Crazy: The John Martyn Story

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John Neil Munro Some People are Crazy: The John Martyn Story
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    Some People are Crazy: The John Martyn Story
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John Martyn is one of rock musics last real mavericks. Despite long-term addiction to alcohol and drugs, he produced a string of matchless albums. Loved by fans and critics, loathed by ex-managers, he has survived the music business he despises for forty years. With contributions by Martyn, many of his lovers and over twenty musicians who know him well, this book documents his upbringing in Glasgow and rise through the Scottish and London folk scene of the 1960s, recalling his many subsequent highs and lows, and his friendships with the lost great souls of British rock music - Nick Drake and Paul Kossoff. This title includes rare, previously unseen photographs, gig list and discography.

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Diligently researched accurately portrays John Martyn as a recalcitrant, shape-shifting and flamboyant talent

Mojo

This well researched biography shows slow motion car crashes played out against real artistic achievement

Q

An incredible amount of independent and interesting research John Neil Munro has done an excellent job at portraying John Martyns character

Spencer Cozens

Danny Thompson gives a good anecdote, and illuminating interviews with former bandmates flesh out the account of the sessions for Martyns best-loved album Solid Air, its title track a lament for his improbable best friend Nick Drake

Time Out

Munro has done his homework, and done it well

Stornoway Gazette

Very readable and very thorough meticulous research hilarious and sometimes hair-raising anecdotes

Northern Echo

Perhaps the definitive biography of the musical maverick that is John Martyn

Dorset Echo

Munro does a service to music history as he explicates and makes arguments for some of Martyns oft-neglected later endeavours There is no doubt that Martyn is as woefully misunderstood as he is loved. By continuously retraining his focus upon Martyns music, Munro is able to bring a much-needed level of critical depth to the forefront of his book

www.music-box.online.com

Contents

This book is dedicated to Edinburgh 1977, Colin Ritchie, Michael Kay and Bruce Paton.

A few years back I was invited to be the guest on BBC Radio Fours Desert Island Discs. I had to choose the eight records I couldnt live without. There were tracks by the Rolling Stones, Van Morrison and others. But at the end of the show, presenter Sue Lawley then asked, And if you could only have one of these records, Ian ? Well, there was only one contender: Solid Air by John Martyn.

The strange thing is, Id travelled down to London that day for the recording, and had managed to find time for lunch with my literary agent. The sun was shining and we could hear gruff laughter from one of the pavement tables. When we left, I saw John Martyn seated there with a couple of friends and I bottled it, lacking the courage to go up to him and say Guess why Im here?

Id seen Martyn play live just once, around 1977 or 78 at the old Odeon in Edinburgh. A school pal called John Scott had loaned me Solid Air a couple of years before, and Id become a fan. When I worked as a hi-fi reviewer in London, I would use the title track as my reference work, comparing turntables, amps and speakers by playing it. By then Id bought a slew of other John Martyn albums. I loved everything about him the voice that somehow blended gravel with butterscotch; the majestic guitar-playing ; the tunes; the lyrics. From interviews, I knew he could be difficult and that his health was suffering. Fans told stories and offered anecdotes. It was sometimes impossible to separate the legend from the truth. Thats why it was such a pleasure to pick up John Neil Munros Some People Are Crazy when it was first published in 2007. Munro is obviously a fan, but the book is no hagiography. The John Martyn who emerges is a complex figure with a huge appetite for life to go with his boundless musical talent. Theres plenty of humour, too, to leaven the darker reminiscences.

And then I heard that John Martyn had died. I felt numb, but then was invited round to a friends house for a night of celebration our wake for a man wed admired. Three of us sat and listened to our favourite songs, adding memories of gigs, parties, record shops and girlfriends. John Martyn had soundtracked our lives for over thirty years. That music remains essential, but to get to know the man behind it Johnny Too Bad you really need this book. Tuck in.

Ian Rankin

Edinburgh

2010

You cant mess with Father Time, can you? Hes going to catch you, whether you run fast or slow.

John Martyn

Well, old Father Time finally caught up with John and he died on 29 January 2009. A bout of double pneumonia did for John but even after reading all the fulsome obituaries it still seemed unbelievable that he had really passed away this time. Throughout his life John was a magnet for misfortune and the list of ailments and calamities he survived was genuinely astounding: an exploding pancreas, a leg amputation, impalement on a fence post and a car crash with a cow were the most eye-catching , though during the research for this edition I discovered that he nearly died once from seizures and almost drowned after slamming his head into a rock while swimming underwater. Fist fights were a regular occurrence in Johns adult life and he often claimed that he had been shot at and stabbed a few times. In his day John was also a heroin user, fiendish cocaine addict and habitual hash head.

And then there was the booze John Martyn liked a drink in the same way as vampires are partial to sinking their teeth into the creamy white neck of a chaste young girl. John adored drinking and loved pubs, saying they were the only place that lost souls really felt they belonged. Over the years John must have drank colossal amounts of vodka, rum and cider. His friend, the great jazz saxophonist Andy Sheppard, still talks with incredulity of seeing Martyn down a full bottle of Bacardi in one swig as he prepared for a gig. Along with the drugs, the alcohol powered John to amazing artistic achievements in the 1970s but it also scarred him later in life. For over forty years, he played a dangerous game of chance with the demon alcohol. In January 2009 it hacked him down no matter what it says on his death certificate.

*

The first time I saw John Martyn play live was in tiny smoke-filled club above the Edinburgh Playhouse in 1980. John was at the top of his game on that sultry summers night, an effortlessly brilliant musician with an engaging stage manner that seemed to reinforce the musical vibe that he was a genuine, gentle peace-loving good guy who wouldnt even talk badly to, never mind harm, a fly. When I mentioned this to a friend who vaguely knew his first wife, the reply was quick and to the point no hes not, hes a complete bastard! This dichotomy between the mild music and the malevolent, wild artiste never left me and a few years back I decided to write a book to try and find out who the real John Martyn was.

I first spoke to John after visiting his hometown in Kilkenny in the summer of 2004. Unable to speak to him during that visit I left a note behind the bar in his local boozer explaining who I was and why I wanted to write his life story. A couple of weeks later my mobile phone rang Hi, its Johnny Martyn, where are you? Stornoway? What the fuck are you doing in Stornoway? I thought you were in Thomastown! I was going to take you for a drink! Once the confusion was cleared up, he agreed to help me and this book is the end result. Along the way I talked to acquaintances who genuinely adored John. His closest friend, Danny Thompson, summed it up best by telling Q in September 1989:

Id do anything for John Martyn: if he phoned me up and said Im in the Pennines and my cars knackered, Id be on my way. It was a blessing from heaven that we were able to rave together so much in the 1970s and live because we lost a lot of friends who raved only half as much. Hes the biggest, softest teddy bear, a generous, warm, sensitive person and he spends a lot of the time covering it up.

By way of complete contrast, one former manager refused to speak to me and sounded genuinely fearful at the mention of Johns name. Before he put the phone down he said:

You must not come to me for praiseworthy things on John Martyn. Ive experienced his darker side much too often. Im not interested in adding to the myth of the man. I dont enjoy talking about John Martyn. If you cannot say something good about somebody, dont say anything. I find it hard to say anything meritorious about John Martyn.

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