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Barbara Allan - Antiques Flee Market (Trash n Treasures Series #3)  

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Barbara Allan Antiques Flee Market (Trash n Treasures Series #3)  
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By Barbara Allan:

ANTIQUES ROADKILL

ANTIQUES MAUL

ANTIQUES FLEE MARKET

By Barbara Collins:

TOO MANY TOMCATS (short story collection)

By Barbara and Max Allan Collins:

REGENERATION

BOMBSHELL

MURDERHIS AND HERS (short story collection)

BARBARA ALLAN

is the joint pseudonym for husband-and-wife mystery writers Barbara and Max Allan Collins.

BARBARA COLLINS is one of the most respected short story writers in the mystery field, with appearances in over a dozen top anthologies, including Murder Most Delicious, Women on the Edge, Deadly Housewives , and the best-selling Cat Crimes series. She was the coeditor of (and a contributor to) the best-selling anthology Lethal Ladies , and her stories were selected for inclusion in the first three volumes of The Years 25 Finest Crime and Mystery Stories .

Two acclaimed hardcover collections of her work have been published Too Many Tomcats and (with her husband) MurderHis and Hers . The Collinss first novel together, the Baby Boomer thriller Regeneration , was a paperback bestseller; their second collaborative novel, Bombshell in which Marilyn Monroe saves the world from World War IIIwas published in hardcover to excellent reviews.

Barbara has been the production manager and/or line producer on Mommy, Mommys Day, Real Time: Siege at Lucas Street Market, Eliot Ness: An Untouchable Life , and other independent film projects emanating from the production company she and her husband jointly run.

MAX ALLAN COLLINS, a five-time Mystery Writers of America Edgar nominee in both fiction and nonfiction categories, has been hailed as the Renaissance man of mystery fiction. He has earned an unprecedented fourteen Private Eye Writers of America Shamus nominations for his historical thrillers, winning twice for his Nathan Heller novels, True Detective (1983) and Stolen Away (1991), and was recently presented with the Eye, the Private Eye Writers of Americas Lifetime Achievement Award.

His other credits include film criticism, short fiction, songwriting, trading-card sets, and movie/TV tie-in novels, including Air Force One, In the Line of Fire , and the New York Times best sellers Saving Private Ryan and American Gangster . Currently he is writing a series of novels for the top-ten hit TV series Criminal Minds .

His graphic novel Road to Perdition is the basis of the Academy Award-winning DreamWorks feature film starring Tom Hanks, Paul Newman, and Jude Law, directed by Sam Mendes. Maxs many comics credits include the Dick Tracy syndicated strip (19771993); his own Ms. Tree Batman and CSI: Crime Scene Investigation, based on the hit TV series, for which he has also written six video games and an internationally best-selling series of novels.

One of the most acclaimed and award-winning independent filmmakers in the Midwest, he wrote and directed Mommy , premiering on Lifetime in 1996, as well as a 1997 sequel, Mommys Day . The screenwriter of The Expert , a 1995 HBO World Premiere, he wrote and directed the innovative made-for-DVD feature Real Time: Siege at Lucas Street Market (2000). A recent DVD boxed set of his films includes his award-winning documentary Mike Hammers Mickey Spillane. Eliot Ness: An Untouchable Life, the film version of his Edgar-nominated play, has earned rave reviews and is available on DVD from VCI.

BARBARA ALLAN live(s) in Muscatine, Iowa, their Serenity-esque hometown; son Nathan graduated with honors in Japanese and computer science at the University of Iowa in nearby Iowa City, did post-graduate study in Japan, and now works in the video game industry, translating Japanese into English.

Chapter One
Market in the Book

T he snow had begun falling in the late afternoonbig, wet flakes that stuck to the rooftops of houses like dollops of marshmallow cream, and coated bare branches with hardened white chocolate, and covered the ground in fluffy cotton candy. (Ive been off sugar for a while and its just killing me.)

I was sitting in the living room on a needlepoint Queen Anne armchair, gazing out the front picture window at the wintry wonderland, waiting for Mother to come downstairs. Sushi, my brown and white shih tzu, lounged on my lap, facing the window, toobut she couldnt see anything because the diabetes had taken away her vision.

Soosh, however, seemed content, and any impartial observer who hadnt caught sight of the doggies milky-white orbs would swear she was taking it all in. I imagine she could still picture what was going on outside, her ears perking every now and again at the muffled rumble of a snow plow, or the scrape, scrape, scraping of a metal shovel along the sidewalk. (Mr. Fusselman, who lived across the street in a brick Dutch Colonial, had been coming out of his house every half hour to keep the pesky snow off his front walk; I, no foolat least where shoveling was concernedwasnt about to tackle ours until the very last flake had fallen.)

I sighed and gazed at the Christmas tree that was in its usual spot next to the fireplace. The fake tree, with fake white tipping (which made Sushi sneeze), had been up since early November, as Mother jumps the gun on everything. (Christmas cards go out in October.) She still decorated the tree with things I had made since the first grade, and many were falling apart, like the clay Baby Jesus that had lost its legs (makes walking on water way tougher). But mostly, hanging from the branches by green velvet ribbons, were small antique items, like red plastic cookie cutters, Victorian silver spoons, floral china teacups, and colorful Bakelite jewelry. One year, however, when I was in middle school, Mother went overboard with her antiques decorating and jammed an old sled in the middle of the tree, and it fell over, knocking our one-eyed parrot off its perch.

For those just joining in (where have you been?), Ill lay in some backstoryall others (unless in need of a refresher course) may feel free to skip ahead to the paragraph beginning, I stood, giving my butt cheeks a break, etc.

My name is Brandy Borne. Im a blue-eyed, bottle-blond, thirty-one-year-old, Prozac-prescribed recent divorce who has moved back to her small, Midwestern Mississippi River hometown of Serenity to live with my widowed mother, who is bipolar. Mother, a spry seventy-fourshe claims shes seventy and from here on probably always willspends her time hunting for antiques, acting in community theater, and reading mysteries with her Red-Hatted League gal-pals. Roger, my ex (early forties), has custody of Jake (age eleven), and they live in a beautiful home in an upscale suburb of Chicago, an idyllic existence that I forfeited due to doing something really stupid at my ten-year class reunion two years ago (involving an old boyfriend, alcohol, a condom, and poor judgment).

I have one sibling, an older sister named Peggy Sue, who lives with her family in a tonier part of town; but Sis and I have an uneasy relationship, due to the span of our ages (nineteen years) and difference in politics, temperaments, and lifestylesnot to mention clothing styles (hers, high fashion; mine, low prices). Therefore, a truce is the best we can hope for. Peggy Sue, by the way, is still ragging me for not getting a good settlement out of my busted marriage, but everything Roger and I hadwhich was substantialhad been earned by his brain and sweat, and I just couldnt ask for what wasnt mine. I do have some scruples, even if they didnt extend to ten-year class reunions.

I stood, giving my butt cheeks a break from the uncomfortable antique chair, and replaced Sushi on the hard cushionshe jumped down, not liking it, eitherand then I wandered into the library/music room to check on my latest painting.

Was I, perhaps, an artist? Someone who toiled in oil on canvas, waiting for her genius to be discovered? Hardly. Unless you count covering the bottom soles of an inexpensive pair of black high heels in red lacquer to make them look like expensive Christian Louboutins. (I dont know why I bothered; inside, Id always know they were a cheat.)

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