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Philip Green - Cracks in the Pedestal: Ideology and Gender in Hollywood

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Hollywood deals in messages big enough to get through to the densest lummox among us. Cracks in the Pedestal ably points out how Hollywood films and television shows drive home the dominant American ideology and mirror rigid cultural sex roles in a million huge and little ways. Even when social transformations brought about by feminism crop up, the screen images are distorted. When Susan Sarandon plays a lawyer tough enough to go up against the government on behalf of an 11-year-old boy in The Client, for example, its the bantam-weight man-child who heroically saves her from violence. When a muscular Sigourney Weaver plays the woman warrior Ripley in Aliens, her character is redeemed by a maternal streak. And God help the woman who steps out of line sexually: shes apt to be killed or unfulfilled. Frequent academic throat-clearing and sometimes pretentious prose mar an otherwise intriguing, well-argued book. It reminds us that while movies and television may be fantasy, they enforce a certain world view, beaming it nightly into our homes and around the globe.

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title Cracks in the Pedestal Ideology and Gender in Hollywood author - photo 1

title:Cracks in the Pedestal : Ideology and Gender in Hollywood
author:Green, Philip.
publisher:University of Massachusetts Press
isbn10 | asin:1558491198
print isbn13:9781558491199
ebook isbn13:9780585083544
language:English
subjectWomen in motion pictures, Women on television, Feminism and motion pictures, Feminist film criticism.
publication date:1998
lcc:PN1995.9.W6G74 1998eb
ddc:791.43/652042
subject:Women in motion pictures, Women on television, Feminism and motion pictures, Feminist film criticism.
Page iii
Cracks in the Pedestal
Ideology and Gender in Hollywood
Philip Green
University of Massachusetts Press Amherst Page iv Copyright - photo 2
University of
Massachusetts Press
Amherst
Page iv
Copyright 1998 by
The University of Massachusetts Press
All rights reserved
Printed and bound in the United States of America
LC 97-21775
ISBN 1-55849-119-8 (cloth); 120-1 (pbk.)
Designed by Mary Mendell
Printed and bound by Braun-Brumfield, Inc.
Library of Congress Cataloging-in-Publication Data
Green, Philip, 1932
Cracks in the pedestal : ideology and gender in Hollywood /
Philip Green.
P. cm.
Includes bibliographical references and index.
ISBN 1-55849-119-8 (cloth : alk. paper). ISBN 1-55849-120-1
(pbk. : alk. paper)
1. Women in motion pictures. 2. Women in television. 3. Feminism
and motion pictures. 4. Feminist film criticism. 1. Title.
PN1995.9.W6G74 1998
791.43'652042dC21Picture 3Picture 4Picture 5Picture 6Picture 797-21775
Picture 8Picture 9Picture 10Picture 11Picture 12Picture 13Picture 14CIP
British Library Cataloguing in Publication data are available.
Page v
CONTENTS
Acknowledgments
vii
Introduction
1
Part I Foundations Of Social Order
1
Ideology, Gender, and Visual Culture
15
2
Erasures
32
3
Ideological Destinies
48
4
Recuperating the Sexual Order
77
5
Media Structures and Dominant Ideas
100

Page vi
Part II Cracks In The Pedestal
6
Resistance and Opposition
119
7
"Put the Blame on Mame...": Ambivalence and Ambiguity
139
8
What the Male Gaze Sees: "Women You Don't Mess With"
157
9
What the Male Gaze Sees: The Wrath of the Medusa
189
Notes
213
Index
249

Illustrations follow page 86
Page vii
ACKNOWLEDGMENTS
This book grew out of my interaction with the students in a Smith College seminar, "Ideology, Politics, and Culture," which I have been teaching for the past decade. My thanks go to all those students (only some of whom I was able to acknowledge by name in the text), whose caustic, witty, and insightful commentaries on Hollywood films and network television bear necessarily unacknowledged traces on virtually every one of its pages. I was also inspired by an unsurpassed learning experience, Deborah Linderman's Smith College Faculty Seminar on the Teaching of Film, and by many stimulating conversations with Linderman about cinema in general and various movies in particular. In addition, I benefited greatly from the comments of Laura Green, Robert Green, Barbara and Leonard Quart, Ben Singer, and Elizabeth Young. The entire manuscript was read by Susan J. Douglas and Joel Kovel, whose comments were greatly appreciated; and for the University of Massachusetts
Page viii
Press by a superlative copy editor, Betty Waterhouse. Clark Dougan, my editor at the Press, first had the idea for this book; I've been helped immeasurably by his encouragement, guidance, and friendly criticism.
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