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Mary N. Woods - Women Architects in India: Histories of Practice in Mumbai and Delhi

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Mary N. Woods Women Architects in India: Histories of Practice in Mumbai and Delhi
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As the first inclusive study of how women have shaped the modern Indian built environment from the independence struggle until today, this book reveals a history that is largely unknown, not only in the West, but also in India. Educated in the 1930s and 1940s, the very first women architects designed everything from factories to museums in the post-independence period. The generations that followed are now responsible for metro systems, shopping malls, corporate headquarters, and IT campuses for a global India. But they also design schools, cultural centers, religious pilgrimage hotels, and wildlife sanctuaries. Pioneers in conserving historic buildings, these women also sustain and resurrect traditional crafts and materials, empower rural and marginalized communities, and create ecologically sustainable architectures for India.

Today, although women make up a majority in Indias ever-increasing schools of architecture, it is still not easy for them, like their Western sisters, to find their place in the profession. Recounting the work and lives of Indian women as not only architects, but also builders and clients, opens a new window onto the complexities of feminism, modernism, and design practice in India and beyond. Set in the design centers of Mumbai and Delhi, this book is also one of the first histories of architectural education and practice in two very different cities that are now global centers. The diversity of practices represented here helps us to imagine other ways to create and build apart from starchitecture. And how these women negotiate tradition and modernity at work and at home is crucial for understanding gender and modern architecture in a more global and less Eurocentric context.

In a country where female emancipation was important for narratives of the independence movement and the new nation-state, feminism was, nonetheless, eschewed as divisive and damaging to the nationalist cause. Class, caste, tradition, and family restrictedbut also createdopportunities for the very first women architects in India, just as they do now for the growing number of young women professionals today.

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WOMEN ARCHITECTS IN INDIA The author gratefully acknowledges the generous - photo 1
WOMEN ARCHITECTS IN INDIA

The author gratefully acknowledges the generous contributions provided by the following organizations:

Graham Foundation for Advanced Studies in the Fine Arts
Deans Fund, College of Architecture, Art, and Planning, Cornell University
South Asia Program, Cornell University

WOMEN ARCHITECTS IN INDIA

Histories of Practice in Mumbai and Delhi

MARY N. WOODS

Women Architects in India Histories of Practice in Mumbai and Delhi - image 2

First published 2017
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

and by Routledge
711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2017 Mary N. Woods

The right of Mary N. Woods to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloging in Publication Data
A catalogue record for this book is available from the British Library

Library of Congress Cataloging in Publication Data
Names: Woods, Mary N., 1950 author.
Title: Women architects in India : histories of practice in Mumbai and
Delhi / Mary N. Woods.
Description: Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017.
| Includes bibliographical references and index.
Identifiers: LCCN 2016025542| ISBN 9781472475305 (hardback : alk. paper) |
ISBN 9781315546803 (ebook)
Subjects: LCSH: Architectural practiceIndiaMumbaiHistory20th
century. | Architectural practiceIndiaDelhiHistory20th century. |
ArchitectureIndiaMumbai. | ArchitectureIndiaDelhi. | Women
architectsIndia.
Classification: LCC NA1995 .W66 2017 | DDC 720.92/2dc23
LC record available at https://lccn.loc.gov/2016025542

ISBN: 9781472475305 (hbk)
ISBN: 9781315546803 (ebk)

Typeset in Myriad Pro
by Florence Production Ltd, Stoodleigh, Devon, UK

Contents

Working on this book has been a strange mixture of joy and anxiety. The reasons for these emotions are due to my subjects: women architects in Mumbai and Delhi. It has been inspiring to learn about the lives and work of these extraordinary women. They have made me think about design, cities, history, and architectural practice in new and exciting ways. As a historian it was a joy to have the living architects as my primary sources. When I began this project, however, I did not fully understand the challenges of writing about individuals not fixed in time and space. It was like trying to hold quicksilver in my hands. Without the enormous trust, faith, and generosity of these women (not to mention their patience with my glacial pace) this book would have been impossible. And yet their incredible support made me all the more anxious about doing justice to their exceptional lives and multifaceted practices. By telling their stories at length and in depth, I hope (even as an outsider to India), I can communicate something about their cities, culture, and architecture that has so stimulated and captivated me.

My work in India came about only because of the friendship and collegiality of Porus Olpadwala and Michael Tomlan, my colleagues at Cornell. By inviting me (an American urban and architectural historian) to participate in an exchange program to India, they opened up a new world to me. I will be forever grateful to them. Rahul Mehrotra was literally the first colleague we met on that eventful first trip to India in 1998.

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