Oliver Stone - The Putin Interviews

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Copyright 2017 by Oliver Stone

Foreword copyright 2017 by Robert Scheer

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ISBN: 978-1-51073-342-8

eISBN: 978-1-51073-343-5

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Printed in Canada

Table of Contents

PUBLISHERS DISCLAIMER:

The following is a transcript of a series of interviews conducted between Oliver Stone and Vladmir Putin, on four separate trips to Russia for a total of nine days between July 2, 2015 and February 10, 2017. Since Putins words were translated from Russian, we took the liberty of fixing grammar, unclear language, and various inconsistencies. And because the interviews took place over a two year period, we edited out some repetition. In all cases, we did the very best we could to ensure that the intent and meaning of what was said was accurately reflected in the transcript.

Foreword

T hirty years ago, as a Los Angeles Times correspondent, an assignment led me to the inner sanctum of the Politburo, that darkly mysterious and all-powerful center of the Soviet Union, as its leader Mikhail Gorbachev was initiating his ambitious drive for openness and change. His Perestroika , or restructuring of the Soviet government, would inevitablyif inadvertentlyend the brutal Communist experiment to mold a brave new world of disparate ethnicities, cultures, and religions spanning one-sixth of the planets land mass.

My interview was with propaganda chief Alexander Yakovlev, the Politburos most liberal member and a close Gorbachev ally, while down the hall I would later knock on the door of Gorbachevs No. 2 man, Yegor Ligachev, depicted most often as the strongest opponent of Perestroika . I didnt encounter the less-defined figure of Boris Yeltsin, who would become Russias first president when the Soviet Union collapsed four years later. Yeltsin would come to appoint former KGB lieutenant colonel Vladimir Putin, part of the reform faction, to join his administration, and on December 31, 1999, when Yeltsin resigned, he named Putin acting president. The following year, Putin would be elected to the office, soundly defeating the Communist Party candidate.

In a historic and immensely important series of interviews filmmaker Oliver Stone has conducted with Putin, which is the subject of this book and a four-part Showtime documentary, Putin states he believed that with the Soviet Unions collapse, the Cold War was over, and with it the endless threats of confrontation. But that was not to be.

Although Putin discarded Communism as an ideology and indeed embraces the traditions of Russian Orthodox Christianity, he remains a fervent nationalist, determined that Russia be granted the respect he strongly believes it deserves. That means deference to its historic concerns over its borders and the treatment of Russian-speaking people who, with the collapse of the Soviet Union, suddenly found themselves thrust outside newly drawn borders, Ukraine being a prime example.

In his discussion with Stone, Putin credits Gorbachev with recognizing that profound change was required in a failing Soviet system, but he faults him for his navet regarding the immense obstacles to that change at home and, more importantly, in the United States. Putin is dismissive of Gorbachevs belief that reason would triumph, since both sides of the Cold Wareach possessed of the capability to destroy all life on this planetdesired peace.

The central query in the Stone-Putin interviews is how matters devolved to the current state of tension. Thus they are compelling as a key text for understanding this dangerous time. The intermittent conversations between July 2, 2015 and February 10, 2017 occurred during a period when relations between the worlds two most formidable military powers degenerated to a point of suspicion and hostility not witnessed since the end of the Cold War more than a quarter century ago. And as Stone reminds in several pointed exchanges, the tendency of power to corrupt rulers of any country in the name of a false patriotism should be of concern in any nation, Russia most definitely included.

The discussion is respectful, and as Stone states at the conclusion, it gives Putin a chance to state his side of the story; but that is a story the film director-journalist questions energetically, considering the continuing controversy over Russias role in the world, ranging from its support of the Assad regime in Syria to charges of interference in the 2016 US presidential election.

Stone knows much about futile wars and the lies told about them, having served two combat tours in Vietnam, a story he documented in his Academy Award-winning movie Platoon and the two others in his brilliant Vietnam trilogy, Born on the Fourth of July and Heaven and Earth . He explored the subject convincingly in his 2012 ten-part revisionist history for Showtime, The Untold History of the United States , and its 750-page companion volume, which challenges the conventional US Cold War narrative that provides an essential backdrop for this current work.

Putin is no less familiar with the subject, having come to power in Russia on the ashes of a Soviet Union that, despite surviving the immense horrors of the German invasion and fifty million dead, unraveled in the wake of a pointless invasion of Afghanistan. He leads a society that retains enormous military power but is far less successful in its peaceful economic achievements.

These men share a conviction that militaristic hubris is fatal, and both express wariness of ideologies in their respective societies that historically supported imperial adventure. But this is not a conversation of equals, for Stone is very much the questioning artist eager to pursue contradiction and oddities of thought, while Putin makes amply clear that, as guarded as he appears, he is highly mindful of his position as the commander-in-chief of the worlds second most awesome military power, and that his words have consequences far beyond the requirements of interesting filmmaking. Still, there is clearly a mutual, if wary, respect between the two that makes for a candid glimpse into the minds of the powerful, both the ruler and the artist.

For Stone, filmmaking provides a natural outlet for his scorn of the perceived wisdom of his nations foreign policy establishment. For Putin, the task is more complicated, being the leader of a nation in profound transition from Soviet Communist ideology to a new Russian national identity that attempts to bridge a thousand years of Russian history, spanning eras of the czars to the powerful oligarchs, the Russian version of our crony capitalists.