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Sarah Barns - Platform Urbanism: Negotiating Platform Ecosystems in Connected Cities

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Sarah Barns Platform Urbanism: Negotiating Platform Ecosystems in Connected Cities
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This book reflects on what it means to live as urban citizens in a world increasingly shaped by the business and organisational logics of digital platforms. Where smart city strategies promote the roll-out of internet of things (IoT) technologies and big data analytics by city governments worldwide, platform urbanism responds to the deep and pervasive entanglements that exist between urban citizens, city services and platform ecosystems today. Recent years have witnessed a backlash against major global platforms, evidenced by burgeoning literatures on platform capitalism, the platform society, platform surveillance and platform governance, as well as regulatory attention towards the market power of platforms in their dominance of global data infrastructure. This book responds to these developments and asks: How do platform ecosystems reshape connected cities? How do urban researchers and policy makers respond to the logics of platform ecosystems and platform intermediation? What sorts of multisensory urban engagements are rendered through platform interfaces and modalities? And what sorts of governance challenges and responses are needed to cultivate and champion the digital public spaces of our connected lives.

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Geographies of Media Series Editors Torsten Wissmann Faculty of Architecture - photo 1
Geographies of Media
Series Editors
Torsten Wissmann
Faculty of Architecture and Urban Planning, University of Applied Sciences, Erfurt, Germany
Joseph Palis
Department of Geography, University of the Philippines Diliman, Quezon, Philippines

Media is always spatial: spaces extend from all kinds of media, from newspaper columns to Facebook profiles, from global destination branding to individually experienced environments, and from classroom methods to GIS measurement techniques. Crucially, the way information is produced in an increasingly globalised world has resulted in the bridging of space between various scalar terrains. Being and engaging with media means being linked to people and places both within and beyond traditional political borders. As a result, media shapes and facilitates the formation of new geographies and other space-constituting and place-based configurations. TheGeographies of Mediaseries serves as a forum to engage with the shape-shifting dimensions of mediascapes from an array of methodological, critical and analytical perspectives. The series welcomes proposals for monographs and edited volumes exploring the cultural and social impact of multi-modal media on the creation of space, place, and everyday life.

More information about this series at http://www.palgrave.com/gp/series/15003

Sarah Barns
Platform Urbanism
Negotiating Platform Ecosystems in Connected Cities
Sarah Barns Sitelines Media Sydney NSW Australia Geographies of Media ISBN - photo 2
Sarah Barns
Sitelines Media, Sydney, NSW, Australia
Geographies of Media
ISBN 978-981-32-9724-1 e-ISBN 978-981-32-9725-8
https://doi.org/10.1007/978-981-32-9725-8
The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapore Pte Ltd. 2020
This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, expressed or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Cover illustration: Alex Linch/shutterstock.com

This Palgrave Macmillan imprint is published by the registered company Springer Nature Singapore Pte Ltd.

The registered company address is: 152 Beach Road, #21-01/04 Gateway East, Singapore 189721, Singapore

Series Editors Preface
Please Mind the Gap Between the Brain and the Platform

Before we board the train leading us into Sarah Barns investigation into platform urbanism, let us linger in our train stations book store for a second. If we pick up Boos Inhabiting Cyberspace and Emerging Cyberplaces, the first volume of ourGeographies of Mediaseries, from the shelves, we recall reading about how communities reinvented themselves digitally at the end of the 1990s. The related preface stated, that digital spaces can also be used to carry existing sociocultural offline boundaries into a Twenty first century society (2017, vi).

Some twenty years later the offline-online divide seems to have vanished in many aspects. In highly digitalised urban environments it is nigh on impossible to detect where one ends and the other starts. Smartphone users have already become cyborgs, using the iPhone or similar devices as technological extensions to the human brain. If it were up to companies like Elon Musks Neuralink, our bodies would soon obtain an internal interface to render many of todays manual inputs redundant. In the words of Haraway (1991), our cyborg world is about the final imposition of a grid of control on the planet (154).

Almost twenty years into the twenty-first century, communication methods are generally different. [T]raditional one to many modes of media communication [have been replaced by] many to many forms of content sharing, as Sarah Barns elucidates. This is certainly true for contemporary podcasting productions, that have evolved from station-based radio, and that are characterised by social interaction and ubiquitous availability. Putting volume one of the series back on the shelf and turning towards our second volume, PetersSound, Space and Society, we learn about the impact of such one to many media in the form of pirate radio stations. In predigital era fashion, Peters revealed how content was transported via soundwaves, that, as a natural phenomenon, elude the grasp of geopolitical conformities (2018, viii). The downside of white noise and bad reception came with a freedom of transmission todays YouTube channels and internet radio can only dream of.

In Sarah BarnsPlatform Urbanism, we depart from the future of urbanism and urbanisation, and explore the complex entanglements of consumer, government, society, big business and various relationalities. In her Introduction, Barns proposes a provocation in relation to the ubiquitous human practice of being inextricably linked to their rectangular devices: Is a mass display of smartphone-addled attention in fact an emergent kind of urban observation, blending platform, context, algorithmically-finessed demographic? The co-constitutive becomings of various elements that produce an urban experience aided by digital platforms create micro-cosmologies from engendering a city of bits and Uberisation of everything to urban apptivism and various configurations of crowd-based capitalism.

If scientific research gets picked up not only by the media but finally political discourse, it gets transformed into a meme that is hard to overlook. Political campaigns in Europe and the 2020 US-presidential election have not only discovered climate change as one of those memes. The alleged need for digitalisation and 5G-networks, social media companies not paying taxes and threats of automation all point to an entanglement of digital and physical spaces as never seen before. As Barns states: Quaint distinctions between the built and the digital are collapsing, just as software makers are literally becoming city builders.

This last remark points to many of this books case studies on how digital platforms like Facebook, Uber and Airbnb impact urban life and its social and physical structures. This is not only because of how people organise themselves and how they construct their own imagined geographies, but also because of the constant discursive struggles over [the urban terrains] representation, as Chapterasserts. The impact of corporations to shape the city to its needs using smart technology, is contrasted by the bottom-up potential of smart handheld devices, potentially enabling novel governance structures and a new maturity of urban dwellers.

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