Tiffany A. Sippial - Celia Sánchez Manduley: The Life and Legacy of a Cuban Revolutionary (Envisioning Cuba)
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Celia Snchez Manduley
ENVISIONING CUBA
Louis A. Prez Jr., editor
Envisioning Cuba publishes outstanding, innovative works in Cuban studies, drawn from diverse subjects and disciplines in the humanities and social sciences, from the colonial period through the postCold War era. Featuring innovative scholarship engaged with theoretical approaches and interpretive frameworks informed by social, cultural, and intellectual perspectives, the series highlights the exploration of historical and cultural circumstances and conditions related to the development of Cuban self-definition and national identity.
Celia Snchez Manduley
The Life and Legacy of a Cuban Revolutionary
Tiffany A. Sippial
The University of North Carolina Press CHAPEL HILL
This book was published with the assistance of the Greensboro Womens Fund of the University of North Carolina Press.
Founding Contributors: Linda Arnold Carlisle, Sally Schindel Cone, Anne Faircloth, Bonnie McElveen Hunter, Linda Bullard Jennings, Janice J. Kerley (in honor of Margaret Supplee Smith), Nancy Rouzer May, and Betty Hughes Nichols.
2020 The University of North Carolina Press
All rights reserved
Set in Merope Basic by Westchester Publishing Services
Manufactured in the United States of America
The University of North Carolina Press has been a member of the Green Press Initiative since 2003.
Library of Congress Cataloging-in-Publication Data
Names: Sippial, Tiffany A., author.
Title: Celia Snchez Manduley : the life and legacy of a Cuban revolutionary / Tiffany A. Sippial.
Other titles: Envisioning Cuba.
Description: Chapel Hill : University of North Carolina Press, [2020] | Series: Envisioning Cuba | Includes bibliographical references and index.
Identifiers: LCCN 2019014009 | ISBN 9781469654072 (cloth : alk. paper) | ISBN 9781469654607 (pbk : alk. paper) | ISBN 9781469654089 (ebook)
Subjects: LCSH: Snchez Manduley, Celia, 19201980. | Women revolutionariesCubaBiography. | RevolutionariesCubaBiography. | Castro, Fidel, 19262016Friends and associates. | CubaHistory20th century.
Classification: LCC F1788.22.S26 S57 2020 | DDC 972.9106092 [B]dc23 LC record available at https://lccn.loc.gov/2019014009
Cover illustration: Melanie Cervantes, La Paloma (2017). Used by permission of the artist.
For my parents, Wade and Gail Thomas,
who always believed I had a story to tell.
For my son, Rhys,
who holds my heart.
For my husband, Trey,
who champions all my dreams.
In April 2018 I received the email that transformed this book. After twenty-two years of filing requests, I was invited to enter an archival world few scholars have ever entered. I am now one of the few U.S. scholars granted access to the highest security archive of the Cuban revolutionary government, the Oficina de Asuntos Histricos del Consejo de Estado (Office of Historical Affairs of the Council of State, OAHCE) in Havana. A hallowed vault of Cuban revolutionary history, the archive houses the papers of Cubas top revolutionary officials, including Fidel and Ral Castro and Che Guevara. The archive directorship offered me almost unprecedented access to thousands of pages of personal correspondence, wartime communiqus, diary entries, and official government memos penned by Cubas most revered female revolutionary heroineCelia Snchez Manduley (192080).
Snchez shares within these documents her raw, intimate assessment of life on the front lines of history in the making. Her documents prove the decisive role she played in planning and executing the Cuban Revolution from the mid-1950s until her death in 1980. They also reveal the woman behind the mythology. In her signature block print, Snchez articulated her hopes and dreams, and even her personal doubts and fears, in ways that reshaped my understanding of her experiences and identity. Exquisite details, like Snchezs habit of closing her correspondence with the words Revolutionarily Yours, granted texture and dimension to Cubas mythologized heroine.
Positioned within twenty-two years of archival and oral history research conducted in the United States and Cuba, the OAHCE documents revealed to me the choices and struggles of a highly private woman who nonetheless stepped willingly onto the precarious stage of international politics, shifting gender roles, and public scrutiny at a time of tremendous national upheaval. While no archive can encapsulate the full complexity of a life, nuances of her personality, beliefs, and experience emerged within her writings. I glimpsed the revolution through Snchezs own eyes in ways that few ever have. What follows is a critical portrait of a woman who became, over the course of an exceptional life, a revolutionary icon.
The list of people who deserve my gratitude for supporting me with this book is long. First on the list of people to thank is Sonia Riquelme, who introduced me to the name Celia Snchez Manduley in 1995. When she invited me to Cuba to assist her with her research on Afro-Cuban poets, Sonia insisted that I pursue my own research project. I learned so much about the research process from her that summer and only wish she were still alive to read this book. At Southwestern University, I must thank Eric Selbin, who has been a constant supporter of this project for more than twenty years, and of me for even longer. His Latin American politics class changed the course of my life, and his friendship and mentorship continue to mean the world to me.
With support from the Latin American and Iberian Institute at the University of New Mexico, I decided to extend my undergraduate work on Snchez into an M.A. thesis. My thesis committeeJudy Bieber, Linda Hall, and Elizabeth Hutchisonpushed the work in fruitful new directions. I am also indebted to Jane Slaughter, whose graduate seminar on gender, war, and memory introduced me to a whole new field that shaped in important ways how I thought about Snchezs legacy. Another of my UNM mentors, Melissa Bokovoy, offered instructive feedback on a section of this work at the American Historical Association meeting in 2016.
At Auburn University, where I have been on the faculty since 2007, I must thank my amazing colleagues for their friendship and support in all things. Special thanks to Dave Lucsko, Donna Bohanan, Ken Noe, Joe Kicklighter, Jim Hansen, Cate Giustino, Kathryn Braund, Charles Israel, Alan Meyer, Jennifer Brooks, David Carter, Matthew Malczycki, Christopher Ferguson, Abby Swingen (now at Texas Tech), and Ralph Kingston. To my amazing Honors College team, I have loved every minute of this new adventure together and look forward to all the great things to come. Many thanks also to Andrew Gillespie and the Office of International Programs at Auburn University, who helped finance my final two trips to Cuba to complete the research for this book through an Internationalization Grant. I feel so privileged to work with such supportive and inspiring colleagues.
I am also grateful for the support extended to me by the staff at a number of U.S. archives. The University of Floridas Center for Latin American Studies awarded me a Library Research Grant in 2016, and my experience with the entire library and special collections staff was stellar from beginning to end. My research in the University of Miamis Cuban Heritage Collection was equally enriching, and the helpful staff there both tracked down the sources I requested and brought others to my attention. I have made countless trips to the University of Texas at Austins Benson Latin American Library, and each was as helpful as the last. I also appreciate the assistance I received (on both of my books) from library and archival staff at Yale University.
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