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Beibei Guan - Baudelaire Contra Benjamin: A Critique of Politicized Aesthetics and Cultural Marxism

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Beibei Guan Baudelaire Contra Benjamin: A Critique of Politicized Aesthetics and Cultural Marxism
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This book offers the first sustained argument against the philosophy of Walter Benjamin and his readings of Charles Baudelaire. Drawing upon the existential insights of Baudelaire it is also a critique of politicized aesthetics, and cultural Marxism, of which Benjamin is a pioneering and emblematic figure.

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Baudelaire Contra Benjamin

Politics, Literature, and Film

Series Editor: Lee Trepanier, Saginaw Valley State University


The Politics, Literature Film series is an interdisciplinary examination of the intersection of politics with literature and/or film. The series is receptive to works that use a variety of methodological approaches, focus on any period from antiquity to the present, and situate their analysis in national, comparative, or global contexts. Politics, Literature, & Film seeks to be truly interdisciplinary by including authors from all the social sciences and humanities, such as political science, sociology, psychology, literature, philosophy, history, religious studies, and law. The series is open to both American and non-American literature and film. By putting forth bold and innovative ideas that appeal to a broad range of interests, the series aims to enrich our conversations about literature, film, and their relationship to politics.


Advisory Board


Richard Avaramenko, University of Wisconsin-Madison

Linda Beail, Point Loma Nazarene University

Claudia Franziska Brhwiler, University of St. Gallen

Timothy Burns, Baylor University

Paul A. Cantor, University of Virginia

Joshua Foa Dienstag, University of California at Los Angeles

Lilly Goren, Carroll University

Natalie Taylor, Skidmore College

Ann Ward, University of Regina

Catherine Heldt Zuckert, University of Notre Dame

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Baudelaire Contra Benjamin: A Critique of Politicized Aesthetics and Cultural Marxism, by Beibei Guan and Wayne Cristaudo


Baudelaire Contra Benjamin

A Critique of Politicized Aesthetics and Cultural Marxism

Beibei Guan

Wayne Cristaudo


LEXINGTON BOOKS

Lanham Boulder New York London

Published by Lexington Books

An imprint of The Rowman & Littlefield Publishing Group, Inc.

4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706

www.rowman.com


6 Tinworth Street, London SE11 5AL


Copyright 2019 by The Rowman & Littlefield Publishing Group, Inc.


All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review.


British Library Cataloguing in Publication Information Available


Library of Congress Cataloging-in-Publication Data


Names: Guan, Beibei, 1980 author. | Cristaudo, Wayne, 1954 author.

Title: Baudelaire contra Benjamin : a critique of politicized aesthetics and cultural Marxism / Beibei Guan, Wayne Cristaudo.

Description: Lanham, Maryland : Lexington Books, [2019] | Series: Politics, literature, and film | Includes bibliographical references and index.

Identifiers: LCCN 2019014598 (print) | LCCN 2019018511 (ebook) | ISBN 9781498595087 (electronic) | ISBN 9781498595070 (cloth : alk. paper)

Subjects: LCSH: Baudelaire, Charles, 18211867Criticism and interpretation. | Benjamin, Walter, 18921940. | Politics and literature.

Classification: LCC PQ2191.Z5 (ebook) | LCC PQ2191.Z5 G76 2019 (print) | DDC 841/.8dc23

LC record available at https://lccn.loc.gov/2019014598


Picture 1 TM The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.


Printed in the United States of America

To Wendy Baker

Preface As is evident in the listings of literary studies by academic - photo 2
Preface

As is evident in the listings of literary studies by academic publishers, or in web displays of interests, publications and subjects offered in university literary departments, literary studies today typically requires the subjection of literature to ethico-political considerations. One of the most important pioneering advocates of that position was Walter Benjamin, with his reading of Baudelaire being an iconic performance of the politicization of aesthetics. His work was also a pioneering example of the deployment of Marxism in the cultural critique of modernity.

Benjamins reading of Baudelaire as a social critique of modernity has had a huge impact upon Baudelaires reception from the latter part of the twentieth century until now, with a plethora of studies either directly on Benjamin and modernity or on themes that take their point of departure from Benjamins analysis. However, the price for accepting Benjamins rendering of Baudelaire as a problematic ally (lacking in a correct political consciousness) of a modernity-critique, is a heavy one that requires putting aside much of what we consider most fascinating about Baudelaires insights and aesthetic expressions into the modern world and the modern self. Baudelaires subject is the human condition and he is arguably a more profound guide for exploring the modern soul than Benjamin. This is the idea guiding this book. Obviously people do not all agree about what insights are profound, and all we can do is present insights of Baudelaire which we consider to have existential philosophical significance and let the reader decide.

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