Baudelaire Contra Benjamin
Politics, Literature, and Film
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Richard Avaramenko, University of Wisconsin-Madison
Linda Beail, Point Loma Nazarene University
Claudia Franziska Brhwiler, University of St. Gallen
Timothy Burns, Baylor University
Paul A. Cantor, University of Virginia
Joshua Foa Dienstag, University of California at Los Angeles
Lilly Goren, Carroll University
Natalie Taylor, Skidmore College
Ann Ward, University of Regina
Catherine Heldt Zuckert, University of Notre Dame
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Baudelaire Contra Benjamin: A Critique of Politicized Aesthetics and Cultural Marxism, by Beibei Guan and Wayne Cristaudo
Baudelaire Contra Benjamin
A Critique of Politicized Aesthetics and Cultural Marxism
Beibei Guan
Wayne Cristaudo
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British Library Cataloguing in Publication Information Available
Library of Congress Cataloging-in-Publication Data
Names: Guan, Beibei, 1980 author. | Cristaudo, Wayne, 1954 author.
Title: Baudelaire contra Benjamin : a critique of politicized aesthetics and cultural Marxism / Beibei Guan, Wayne Cristaudo.
Description: Lanham, Maryland : Lexington Books, [2019] | Series: Politics, literature, and film | Includes bibliographical references and index.
Identifiers: LCCN 2019014598 (print) | LCCN 2019018511 (ebook) | ISBN 9781498595087 (electronic) | ISBN 9781498595070 (cloth : alk. paper)
Subjects: LCSH: Baudelaire, Charles, 18211867Criticism and interpretation. | Benjamin, Walter, 18921940. | Politics and literature.
Classification: LCC PQ2191.Z5 (ebook) | LCC PQ2191.Z5 G76 2019 (print) | DDC 841/.8dc23
LC record available at https://lccn.loc.gov/2019014598
TM The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.
Printed in the United States of America
To Wendy Baker
Preface
As is evident in the listings of literary studies by academic publishers, or in web displays of interests, publications and subjects offered in university literary departments, literary studies today typically requires the subjection of literature to ethico-political considerations. One of the most important pioneering advocates of that position was Walter Benjamin, with his reading of Baudelaire being an iconic performance of the politicization of aesthetics. His work was also a pioneering example of the deployment of Marxism in the cultural critique of modernity.
Benjamins reading of Baudelaire as a social critique of modernity has had a huge impact upon Baudelaires reception from the latter part of the twentieth century until now, with a plethora of studies either directly on Benjamin and modernity or on themes that take their point of departure from Benjamins analysis. However, the price for accepting Benjamins rendering of Baudelaire as a problematic ally (lacking in a correct political consciousness) of a modernity-critique, is a heavy one that requires putting aside much of what we consider most fascinating about Baudelaires insights and aesthetic expressions into the modern world and the modern self. Baudelaires subject is the human condition and he is arguably a more profound guide for exploring the modern soul than Benjamin. This is the idea guiding this book. Obviously people do not all agree about what insights are profound, and all we can do is present insights of Baudelaire which we consider to have existential philosophical significance and let the reader decide.