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Andrea McDonnell - Celebrity: A History of Fame

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The historical and cultural context of fame in the twenty-first centuryToday, celebrity culture is an inescapable part of our media landscape and our everyday lives. This was not always the case. Over the past century, media technologies have increasingly expanded the production and proliferation of fame. Celebrity explores this revolution and its often under-estimated impact on American culture. Using numerous precedent-setting examples spanning more than one hundred years of media history, Douglas and McDonnell trace the dynamic relationship between celebrity and the technologies of mass communication that have shaped the nature of fame in the United States.Revealing how televised music fanned a worldwide phenomenon called Beatlemania and how Kim Kardashian broke the internet, Douglas and McDonnell also show how the media has shaped both the lives of the famous and the nature of the spotlight itself. Celebrity examines the production, circulation, and effects of celebrity culture to consider the impact of stars from Shirley Temple to Muhammad Ali to the homegrown star made possible by your Instagram feed. It maps ever-evolving media technologies as they adeptly interweave the lives of the rich and famous into ours: from newspapers and photography in the nineteenth century, to the twentieth century s radio, cinema, and television, up to the revolutionary impact of the internet and social media.Today, mass media relies upon an ever-changing cast of celebrities to grab our attention and money, and new stars are conquering new platforms to build their adoring audiences and enhance their images. In the era of YouTube, Snapchat, and reality television, fame may be fleeting, but its impact on society is profound and lasting.

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CELEBRITY CRITICAL CULTURAL COMMUNICATION General Editors Jonathan Gray - photo 1

CELEBRITY

CRITICAL CULTURAL COMMUNICATION

General Editors: Jonathan Gray, Aswin Punathambekar, Adrienne Shaw

Founding Editors: Sarah Banet-Weiser and Kent A. Ono

Dangerous Curves: Latina Bodies in the Media

Isabel Molina-Guzmn

The Net Effect: Romanticism, Capitalism, and the Internet

Thomas Streeter

Our Biometric Future: Facial Recognition Technology and the Culture of Surveillance

Kelly A. Gates

Critical Rhetorics of Race

Edited by Michael G. Lacy and Kent A. Ono

Circuits of Visibility: Gender and Transnational Media Cultures

Edited by Radha S. Hegde

Commodity Activism: Cultural Resistance in Neoliberal Times

Edited by Roopali Mukherjee and Sarah Banet-Weiser

Arabs and Muslims in the Media: Race and Representation after 9/11

Evelyn Alsultany

Visualizing Atrocity: Arendt, Evil, and the Optics of Thoughtlessness

Valerie Hartouni

The Makeover: Reality Television and Reflexive Audiences

Katherine Sender

Authentic: The Politics of Ambivalence in a Brand Culture

Sarah Banet-Weiser

Technomobility in China: Young Migrant Women and Mobile Phones

Cara Wallis

Love and Money: Queers, Class, and Cultural Production

Lisa Henderson

Cached: Decoding the Internet in Global Popular Culture

Stephanie Ricker Schulte

Black Television Travels: African American Media around the Globe

Timothy Havens

Citizenship Excess: Latino/as, Media, and the Nation

Hector Amaya

Feeling Mediated: A History of Media Technology and Emotion in America

Brenton J. Malin

The Post-Racial Mystique: Media and Race in the Twenty-First Century

Catherine R. Squires

Making Media Work: Cultures of Management in the Entertainment Industries

Edited by Derek Johnson, Derek Kompare, and Avi Santo

Sounds of Belonging: U.S. Spanish-Language Radio and Public Advocacy

Dolores Ins Casillas

Orienting Hollywood: A Century of Film Culture between Los Angeles and Bombay

Nitin Govil

Asian American Media Activism: Fighting for Cultural Citizenship

Lori Kido Lopez

Struggling for Ordinary: Media and Transgender Belonging in Everyday Life

Andre Cavalcante

Wife, Inc.: The Business of Marriage in the Twenty-First Century

Suzanne Leonard

Dot-Com Design: The Rise of a Useable, Social, Commercial Web

Megan Sapnar Ankerson

Postracial Resistance: Black Women, Media, and the Uses of Strategic Ambiguity

Ralina L. Joseph

Netflix Nations: The Geography of Digital Distribution

Ramon Lobato

The Identity Trade: Selling Privacy and Reputation Online

Nora A. Draper

Celebrity: A History of Fame

Susan J. Douglas and Andrea McDonnell

Celebrity

A History of Fame

Susan J. Douglas and Andrea McDonnell

Celebrity A History of Fame - image 2

NEW YORK UNIVERSITY PRESS

New York

NEW YORK UNIVERSITY PRESS

New York

www.nyupress.org

2019 by New York University

All rights reserved

References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or changed since the manuscript was prepared.

Library of Congress Cataloging-in-Publication Data

Names: Douglas, Susan J. (Susan Jeanne), 1950 author. | McDonnell, Andrea M., author.

Title: Celebrity : a history of fame / Susan J. Douglas and Andrea McDonnell.

Description: New York : New York University Press, [2019] | Includes bibliographical references and index.

Identifiers: LCCN 2018030568| ISBN 9781479852437 (cl : alk. paper) | ISBN 9781479862030 (pb : alk. paper)

Subjects: LCSH: Celebrities. | Fame. | Social influence. | Social status. | Mass mediaSocial aspects. | Popular culture.

Classification: LCC HM 1176 . D 68 2019 | DDC 302/.13dc23

LC record available at https://lccn.loc.gov/2018030568

New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books.

Manufactured in the United States of America

10 9 8 7 6 5 4 3 2 1

Also available as an ebook

For Paddy Scannell, teacher, scholar, mentor, friend

CONTENTS

Introduction

In the twenty-first century, celebrity culture and celebrity journalism are everywhere: they are inescapable fixtures in our media landscape and our everyday lives. Celebrity culture has become a central, dominant, and structuring force in American life, leading some to note that our society has become celebritized or celebrified. Whether youre standing in the checkout line at the supermarket or drugstore, checking your Facebook, Instagram, Snapchat, or Twitter feed, or, of course, simply turning on your TV, celebritiesthe stories they tell, the stories about thembombard us from every media outlet. The famous face is ubiquitous, it seems to spring up in every direction, an undeniable presence that surrounds and consumes us, as we consume it. While this is a revolution especially of the past twenty-five years, its origins go much farther back. This book provides an overview of that revolution, its repressed history, the underestimated cultural work it has done, its consequences, and especially the role that new communications technologies have played in enabling it.

Yes, of course, from Mary Pickford to Bette Davis to Marilyn Monroe, stars claimed the center stage of American life in the twentieth century. But in 1980, only 19.9 percent of homes had cable TV (and most cable companies only offered up to twelve channels), the celebrity magazines had not yet gone through their rapid, multiple mitoses, there was no reality TV that instantly manufactured stars, there were not yet celebrity chefs and celebrity chief executive officers, and there was no Internet or social media. Now we have all these. Thus, the status of celebrity culture and gossip has changed dramatically, especially since the early twenty-first century. Celebrity culture and gossip, except for truly major, high-profile romances or divorces (like those between superstars Elizabeth Taylor and Richard Burton in the 1960s and 70s), were seen as down-market, trashy, irrelevant fare that educated or respectable middle-class people should avoid. But today these are impossible to avoid and, more importantly, knowing about celebritiesat least some of them anywayis now an often necessary part of ones cultural arsenal of knowledge. The tone has changed as well, especially with the multiplication of gossip magazines, blogs, and social media in the twenty-first century and their delight in scandal and often the derision of celebrities as well as the opportunity for us to feel closer to and even interact with those who are well known. What is the significance of all this, for us, and our society?

Celebrity culture today consists of four major building blocks: the celebrity, of course, the media, the public, and the celebrity production industry, which consists of managers, agents, promoters, and some elements of the media, from gossip magazines to Instagram. Celebrity itself has typically involved four elements: a person, some kind of achievement, subsequent publicity, and then what posterity has thought about them ever since. Thus celebrity can be, of course, fleeting and banal: todays star could easily be tomorrows has-been. But the fact of celebrity culture, its permanence and growth, the industry that supports it, the huge profits it generates, the distractions it providesand promotesthese are no longer trivial. Celebrity gossip and culture used to be confined to fan magazines, a few tabloids, and certain TV talk shows. Now, celebrities and stories about them are everywhere, in the nightly news and in politics, on the covers of womens and public affairs magazines, on reality TV shows and multiple, proliferating TV talk shows, and especially on our smartphones. Indeed, the countrys forty-fifth president was a former reality TV show star, who converted his status as a celebrity into political power. When what used to be more on the margins of the media becomes absolutely central to it, and thus to our culture, we need to understand how and why, and what the implications are for our society and for us as individuals.

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