Berry Chris - Routledge Handbook of East Asian Popular Culture

1. PART I
   Historicizing and spatializing East Asian popular culture
2. PART II
   Media culture in national specificities and inter-Asian referencing
3. PART III
   Gender, sexuality, and cultural icons
4. PART IV
   The politics of the transnational commons

Soojeong Ahn teaches at The Catholic University of Korea. She worked for the Pusan International Film Festival between 1998 and 2002, and is the author of The Pusan International Film Festival, South Korean Cinema and Globalization .

Chris Berry teaches at Kings College London, UK. His publications include: Cinema and the National: China on Screen ; Postsocialist Cinema in Post-Mao China ; Chinese Cinema ; Public Space, Media Space ; The New Chinese Documentary Film Movement ; Electronic Elsewheres ; Cultural Studies and Cultural Industries in Northeast Asia : TV China ; Chinese Films in Focus and Chinese Films in Focus II ; and Island on the Edge: Taiwan New Cinema and After .

Younghan Cho is the Associate Professor of Korean Studies at Hankuk University of Foreign Studies in Seoul, South Korea. He is the co-editor of many special issues including Glocalization of Sports in Asia , Colonial Modernity and Beyond , and American Pop Culture . Publications he has edited include Football in Asia: History, Culture and Business , and Modern Sports in Asia. He is a member of the editorial board of the journal Cultural Studies .

Jinhee Choi is Senior Lecturer of Film Studies at Kings College London, UK. She is the author of The South Korean Film Renaissance: Local Hitmakers Global Provocateurs (2010) and the co-editor of Cine-Ethics: Ethical Dimensions of Film Theory, Practice and Spectatorship (Routledge, 2014), Horror to the Extreme: Changing Boundaries in Asian Cinema (2009), and Philosophy of Film and Motion Pictures (2006).

Yiu Fai Chow is Assistant Professor in the Department of Humanities and Creative Writing at Hong Kong Baptist University, China. His current research projects concern creative labor, creative practices, and single women. Alongside his academic pursuits, he is an award-winning creative writer of lyrics and prose, and has been increasingly involved in multimedia and visual art projects.

Chua Beng Huat is Provost Chair Professor, Faculty of Arts and Social Science, and inaugural Research Leader, Cultural Studies in Asia Research Cluster, Asia Research Institute and, former Head, the Department of Sociology, National University of Singapore. His most recent publication is Structure, Audience and Soft Power in East Asian Pop Culture . He is founding co-executive editor of the journal Inter-Asia Cultural Studies .

Jens Damm is an Associate Professor at the Graduate Institute of Taiwan Studies, Chang Jung Christian University in Tainan, Taiwan, and a non-residential research fellow at the Oriental Institute of the Academy of Sciences of the Czech Republic. His research is mainly focused on the impact of new communication technologies, and on discourses on gender and ethnicity-related issues in Greater China.

Jeroen De Kloet is Professor of Globalisation Studies and Director of the Amsterdam Centre for Globalisation Studies (ACGS) at the University of Amsterdam, Holland. His work focuses on cultural globalisation in the context of East Asia. He is part of a HERA project on single women in Shanghai and Delhi. De Kloet is also the principal investigator of a project funded by the European Research Council (ERC), focusing on creative practice and production in contemporary China. His publications include: China with a Cut: Globalisation, Urban Youth and Popular Music and Sonic Multiplicities: Hong Kong Pop and the Global Circulation of Sound and Image (co-authored).

Hsiu-Chuang Deppman is Associate Professor of Chinese and Cinema Studies at Oberlin College, US. Her research interests include the history of cinema, film adaptations, documentaries, and modern Chinese fiction. She is the author of Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction and Film . She has published on Chinese film and literature, most recently in the Columbia Companion to Modern Chinese Literature , Journal of Chinese Cinemas , Documenting Taiwan on Film , and Eileen Chang: Romancing Languages, Cultures and Genres .