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Munro - Hate crime in the media: a history

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Hate crime in the media: a history: summary, description and annotation

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A powerful, uncompromising explanation of how subtle sources of hatred contained throughout our media and culture have resulted in a tolerance for hate crimes in America.

  • Provides readers with an understanding of how deeply embedded in daily cultural practices the roots of hatred are in American culture
    • Spotlights the role of cultural institutions such as the media, political rhetoric, and the entertainment industry in fostering an atmosphere of hate
    • Portrays hate crime as unexceptional in American culture rather than isolated acts of deviant individuals
    • Examines media depictions of those considered Other throughout American history, including enemies during war, immigrants, different racial and religious groups, and those whose sexual identities have been deemed Other
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    Hate Crime in the Media

    A History

    Victoria Munro

    Copyright 2014 by Victoria Munro All rights reserved No part of this - photo 1

    Copyright 2014 by Victoria Munro

    All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publisher.

    Library of Congress Cataloging-in-Publication Data

    Munro, Victoria.

    Hate crime in the media : a history / Victoria Munro.

    pages cm (Crime, media, and popular culture)

    Includes bibliographical references and index.

    ISBN 9780313356223 (hardback : alk. paper) ISBN 9780313356230 (ebook) 1. Hate crimesUnited States. 2. Mass media and cultureUnited States. I. Title.

    HV6773.52.M86 2014

    070.449364150973dc23 2014004390

    ISBN: 9780313356223
    EISBN: 9780313356230

    18 17 16 15 14 1 2 3 4 5

    This book is also available on the World Wide Web as an eBook.
    Visit www.abc-clio.com for details.

    Praeger
    An Imprint of ABC-CLIO, LLC

    ABC-CLIO, LLC
    130 Cremona Drive, P.O. Box 1911
    Santa Barbara, California 93116-1911

    This book is printed on acid-free paper Picture 2

    Manufactured in the United States of America

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    Contents
    Series Foreword

    We are pleased to introduce this volume as the latest entry in Praegers interdisciplinary series on crime, media, and popular culture. This series provides a home for scholars who are engaged in research on crime and mass media issues. The authors in this series tackle tough, often hot button issues related to the pervasiveness of media in our lives and the nature of social discourse. Ranging across many broad themes, the books in this series have explored topics including high-profile criminal cases, media coverage of 9/11, surveillance, and racial stereotypes.

    In this volume, Victoria Munro focuses on hate crime in the media. Since the first contacts between racial/ethnic groups on the North American continent, the clash of cultures and belief systems has provided fertile ground for stereotyping of Others. These stereotypes were used as the rationales for dominance, control, and exploitation of land and labor. The evolving social, political, and economic institutions of the colonies and later the United States created and institutionalized inequities. In the United States and elsewhere in the world, fear and loathing of those who were different and who were in the way of progress was expressed both in political and social discourse and in physical aggression.

    In the nineteenth century, mass media in the United States came into its own with the proliferation of print and, later, visual media. The themes of popular culture were echoed and expanded in the pages of the penny press, dime novels, and other publications aimed at working-class audiences. By the end of the century, photographers were capturing images of the lives of the other half who occupied the tenements of the cities. The arrival of migrants (African Americans from the rural South) and a new wave of European immigrants (Irish fleeing the potato famine) in the cities of America brought conflicts not only among these two groups who were competing for jobs, but with white nativists who viewed both groups with disdain. By the early twentieth century, the influx of Polish and Italian immigrants from eastern Europe who neither spoke English nor were Protestant spurred the expansion of the anti-immigration policies that were first applied to the Chinese in the late nineteenth century. These policies sometimes worked to the advantage of Africans Americans who left the South during the Great Migration of African Americans between the two world wars. But for black Americans, the process of assimilation was even more treacherous than for the foreign newcomers. By the early twentieth century, all of these groups had experienced the power of mass media as a vehicle for the proliferation of negative stereotypes. The caricatures of racial/ethnic groups in newspapers, pulp fiction, films, radio, and advertising reinforced the negative perceptions held by those who were deciding if these racial/ethnic minorities could be assimilated into the American mainstream. In the pages of popular fiction, in newspapers, and in films, vigilante groups such as the Ku Klux Klan sometimes emerged as defenders of white dominance, white womanhood, and the status quo.

    In this volume, Munro provides the historical context for understanding hate and bias-related acts in American society, from individual acts of violence to the treatment of designated enemies during times of war. As she documents, race/ethnicity has been only one of the forms of otherness that has inspired acts of violence. To the extent that white, male, Protestant, heterosexual has been normative in American society, those of other gender, religion, and sexuality have been subject to suspicion, discrimination, and bias-related aggression. Munros analysis of the role of media in public discourse illustrates how the struggle for space and place by these other Americans has been viewed.

    In her introduction to this volume, Munro provides an overview of cases that have been important in the formation of policies dealing with hate- or biased-related crimes. At the same time, she makes the point that these crimes are not a phenomenon of the past. Like war, which generates hate-based crimes on a larger scale, individual bias-related crimes are not easily eradicated because they depend on often irrational beliefs. In the chapters that follow, Munro explores the past and the present of such violence and its depiction in the media.

    In her final chapter, before offering her conclusions, Munro examines the language of hate that supports the stigmatization of others. As she notes, this language has become so much a part of American culture that it is often used casually and dismissed as only joking. This language has entered the discourse of both traditional and new media forums found on the Internet. In the context of the First Amendment free speech protections, the debate continues about language as the equivalent of a physical assault on the target.

    The relevance of Munros volume to contemporary life is illustrated by the frequent appearance in the media of stories about cases of violence directed toward individuals and groups that are identified as Others by the aggressors. In these cases, the media report the questions posed by law enforcement and the public about whether such acts rise to the level of hate crimes. As this foreword is being written, cases in the news include assaults and murder. The media also report on acts of bullying that cause victims emotional distress and are sometimes factors in suicides by victims.

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