Fashion-ology
Dress, Body, Culture
Series Editor: Joanne B. Eicher, Regents Professor, University of Minnesota
Advisory Board:
Ruth Barnes, Ashmolean Museum, University of Oxford
Helen Callaway, CCCRW, University of OxfordJames Hall, University of Illinois at Chicago
Beatrice Medicine, California State University, Northridge
Ted Polhemus, Curator, Street Style Exhibition, Victoria and Albert Museum
Griselda Pollock, University of Leeds
Valerie Steele, The Museum at the Fashion Institute of Technology
Lou Taylor, University of Brighton
John Wright, University of Minnesota
Books in this provocative series seek to articulate the connections between culture and dress which is defined here in its broadest possible sense as any modification or supplement to the body. Interdisciplinary in approach, the series highlights the dialogue between identity and dress, cosmetics, coiffure and body alternations as manifested in practices as varied as plastic surgery, tattooing, and ritual scarification. The series aims, in particular, to analyze the meaning of dress in relation to popular culture and gender issues and will included works grounded in anthropology, sociology, history, art history, literature, and folklore.
ISSN: 1360-466X
Previously published in the Series
Helen Bradley Foster, New Raiments of Self: African American Clothing in the Antebellum South
Claudine Griggs, S/he: Changing Sex and Changing Clothes
Michaele Thurgood Haynes, Dressing Up Debutantes: Pageantry and Glitz in Texas
Anne Brydon and Sandra Niessen, Consuming Fashion: Adorning the Transnational Body
Dani Cavallaro and Alexandra Warwick, Fashioning the Frame: Boundaries, Dress and the Body
Judith Perani and Norma H. Wolff, Cloth, Dress and Art Patronage in Africa
Linda B. Arthur, Religion, Dress and the Body
Paul Jobling, Fashion Spreads: Word and Image in Fashion Photography
Fadwa El Guindi, Veil: Modesty, Privacy and Resistance
Thomas S. Abler, Hinterland Warriors and Military Dress: European Empires and Exotic UniformsLinda Welters, Folk Dress in Europe and Anatolia: Beliefs about Protection and Fertility
Kim K.P. Johnson and Sharron J. Lennon, Appearance and Power
Barbara Burman, The Culture of Sewing
Annette Lynch, Dress, Gender and Cultural ChangeAntonia Young, Women Who Become Men
David Muggleton, Inside Subculture: The Postmodern Meaning of Style
Nicola White, Reconstructing Italian Fashion: America and the Development of the Italian Fashion Industry
Brian J. McVeigh, Wearing Ideology: The Uniformity of Self-Presentation in Japan
Shaun Cole, Don We Now Our Gay Apparel: Gay Mens Dress in the Twentieth Century
Kate Ince, Orlan: Millennial Female
Nicola White and Ian Griffiths, The Fashion Business: Theory, Practice, Image
Ali Guy, Eileen Green and Maura Banim, Through the Wardrobe: Womens Relationships with their Clothes
Linda B. Arthur, Undressing Religion: Commitment and Conversion from a Cross-Cultural PerspectiveWilliam J.F. Keenan, Dressed to Impress: Looking the Part
Joanne Entwistle and Elizabeth Wilson, Body Dressing
Leigh Summers, Bound to Please: A History of the Victorian Corset
Paul Hodkinson, Goth: Identity, Style and SubcultureMichael Carter, Fashion Classics from Carlyle to Barthes
Sandra Niessen, Ann Marie Leshkowich and Carla Jones, Re-Orienting Fashion: The Globalization of Asian Dress
Kim K. P. Johnson, Susan J.Torntore and Joanne B. Eicher, Fashion Foundations: Early Writings on Fashion and Dress
Helen Bradley Foster and Donald Clay Johnson, Wedding Dress Across Cultures
Eugenia Paulicelli, Fashion under Fascism: Beyond the Black Shirt
Charlotte Suthrell, Unzipping Gender: Sex, Cross-Dressing and Culture
Yuniya Kawamura, The Japanese Revolution in Paris Fashion
Ruth Barcan, Nudity: A Cultural Anatomy
Samantha Holland, Alternative Femininities: Body, Age and Indentity
Alexandra Palmer and Hazel Clark, Old Clothes, New Looks: Second Hand Fashion
DRESS, BODY CULTURE
Fashion-ology
An Introduction to Fashion Studies
Yuniya Kawamura
First published in 2005 by
Berg
Editorial offices:
First Floor, Angel Court, 81 St Clements Street, Oxford OX4 1AW, UK 175 Fifth Avenue, New York, NY 10010, USA
Yuniya Kawamura 2005
All rights reserved.
No part of this publication may be reproduced in any form or by any means without the written permission of Berg.
Berg is the imprint of Oxford International Publishers Ltd.
Library of Congress Cataloging-in-Publication Data
Kawamura, Yuniya, 1963
Fashion-ology : an introduction to fashion studies / Yuniya Kawamura.
p. cm
Includes bibliographical references.
ISBN 1-85973-809-5 (hardback : alk. paper) ISBN 1-85973-814-1 (pbk. : alk., paper) 1. Fashion. 2. Fashion design. 3. Fashion designers. 4. Clothing and dress Symbolic aspects. I. Title
TT519.K38 2005
391 dc22 2004023162
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library.
ISBN 1 85973 809 5 (hardback)
1 85973 814 1 (paperback)
Typeset by Avocet Typeset, Chilton, Aylesbury, Bucks
Printed in the United Kingdom by Biddles Ltd, Kings Lynn.
www.bergpublishers.com
To my family
Yoya, Yoko and Maya Kawamura
Contents
I am deeply grateful to Carol Poll, Chair of the Social Sciences Department at the Fashion Institute of Technology (F.I.T.)/State University of New York, for the constancy of her encouragement. I have benefited immensely from her support, wisdom and friendship.
My appreciation also goes to my other colleagues at F.I.T., Yasemin Celik, Toake Endoh, Jean-Ellen Giblin, Kevin MacDonald, Joseph Maiorca, Meg Miele, Ernest Poole, Roberta Paley, Laura Sidrowicz, Spencer Schein and Lou Zaera. Valerie Steele, Director of the Museum at F.I.T. has read some parts of this book which are taken from my doctoral dissertation, and she has given me informative comments.
Portions of the book were presented at several academic conferences: An International Conference on Fashion, Dress and Consumption in Brisbane, Australia, in July 2003; The Eastern Sociological Society in New York, in February, 2004; Costume Society of America in Houston, Texas, in May 2004, and IFHE (International Federation of Home Economics) in Kyoto, Japan, in August, 2004. I thank Reginetta Haboucha, Dean of the School of Liberal Arts, and the Teaching Institute at F.I.T. for funding parts of the travel.
I also thank Joanne Eicher, Editor of the Dress, Body, Culture Series, who gave me constructive comments and suggested that I split my original manuscript into two separate publications. I am also grateful to Kathryn Earle, Managing Director, and Ken Bruce, Production Manager, of Berg Publishers, along with all the editorial staff members. They constantly emailed me and updated me with every step of the publishing process.
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