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Aslak Aamot Kjaerulff - Envisioning Networked Urban Mobilities: Art, Performances, Impacts: Volume 3

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Aslak Aamot Kjaerulff Envisioning Networked Urban Mobilities: Art, Performances, Impacts: Volume 3

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Envisioning Networked Urban Mobilities brings together scientific reflections on the relations of art and urban mobilities and artistic research on the topic. The editors open the book by setting out the concept grounded in the exhibition curated by Aslak Aamot Kjrulff and refers to earlier work on mobilities and art generated by the Cosmobilities Network. This third volume has two sections, both consisting of short papers and illustrations. The first section is based on artists who were part of the conferences art exhibition, and the second part is based on theoretical reflections on art and artists.ReviewIn the emerging field of artistic research, sensory and embodied ways of knowing take center stage. At the same time, qualitative social scientists and geographers are developing a keen interest in new methodologies that draw inspiration from the arts. This timely volume on the nexus of arts and mobilities research stages an engaged dialogue between leading academic scholars and artists.Henk Borgdorff, Academy of Creative and Performing Arts, Leiden University, the Netherlands** Unique in its approach, this brilliant collection of essays integrates the theoretical and methodological analysis of networked urban mobilities in ways that will reshape how scholars and practitioners engage philosophically and materially with emerging entanglements of artistic, scientific, and technological imaginaries in the twenty-first century.Mary Mostafanezhad, Assistant Professor, Department of Geography, University of Hawaii at Mnoa, US*** About the AuthorAslak Aamot Kjrulff holds a PhD degree in Mobilities and Action Research from Roskilde University, Denmark. He currently organizes a transdisciplinary research and arts organization called Diakron and teach at Roskilde University.Sven Kesselring is Research Professor in Automotive Management: SustainableMobilities and the director of the Master of Science program SustainableMobilities at Nrtingen-Geislingen University (NGU), Germany. His researchfocuses on the sociology of (auto)mobilities, social theory, and the impactof technology and digitalization on everyday and professional lives. He isthe founder and co-manager of the international Cosmobilities Network andco-director of the joint PhD program Sustainable Mobility and Mobility Culturesof TU Munich and NGU. He is co-founder and co-editor of the newjournal Applied Mobilities (Taylor & Francis) and Studies in Mobility andTransport at Springer VS. He has edited several books including Aeromobilities(with Saulo Cwerner and John Urry).****Peter Peters is Assistant Professor in the Department of Philosophy in the Faculty of Arts and Social Sciences at Maastricht University, the Netherlands. He is trained as a sociologist and holds a PhD for his dissertation on mobilities in technological cultures, in which he combines insights from social theory and science and technology studies to analyze practices of travel.Kevin Hannam is Professor of Tourism Mobilities in the Business School at Edinburgh Napier University, UK, and a research affiliate at the University of Johannesburg, South Africa. In 2015/2016 he was awarded a Vice-Chancellors International Scholarship to the University of Wollongong, Australia. Previously he was at Leeds Beckett University, UK, and the University of Sunderland, UK.

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Envisioning Networked Urban Mobilities Envisioning Networked Urban Mobilities - photo 1
Envisioning Networked Urban Mobilities

Envisioning Networked Urban Mobilities brings together scientific reflections on the relations of art and urban mobilities and artistic research on the topic. The editors open the book by setting out the concept grounded in the exhibition curated by Aslak Aamot Kjrulff and refers to earlier work on mobilities and art generated by the Cosmobilities Network. This third volume has two sections, both consisting of short papers and illustrations. The first section is based on artists who were part of the conferences art exhibition, and the second part is based on theoretical reflections on art and artists.

Aslak Aamot Kjrulff holds a PhD in Mobilities and Action Research from Roskilde University, Denmark. He currently organizes a transdisciplinary research and arts organization called Diakron and teaches at Roskilde University.

Sven Kesselring is Research Professor in Automotive Management: Sustainable Mobilities and the director of the Master of Science program Sustainable Mobilities at Nrtingen-Geislingen University (NGU), Germany. His research focuses on the sociology of (auto)mobilities, social theory, and the impact of technology and digitalization on everyday and professional lives. He is the founder and co-manager of the international Cosmobilities Network and co-director of the joint PhD program Sustainable Mobility and Mobility Cultures of TU Munich and NGU. He is cofounder and co-editor of the new journal Applied Mobilities and Studies in Mobility and Transport. He has edited several books including Aeromobilities (with Saulo Cwerner and John Urry).

Peter Peters is Assistant Professor in the Department of Philosophy in the Faculty of Arts and Social Sciences at Maastricht University, the Netherlands. He is trained as a sociologist and holds a PhD for his dissertation on mobilities in technological cultures, in which he combines insights from social theory and science and technology studies to analyze practices of travel.

Kevin Hannam is Professor of Tourism Mobilities in the Business School at Edinburgh Napier University, UK, and a research affiliate at the University of Johannesburg, South Africa. In 2015/2016 he was awarded a Vice-Chancellors International Scholarship to the University of Wollongong, Australia. Previously he was at Leeds Beckett University, UK, and the University of Sunderland, UK.

Networked Urban Mobilities Series

Editors: Sven Kesselring

Nrtingen-Geislingen University

Malene Freudendal-Pedersen

Roskilde University

The Networked Urban Mobilities series resulted from the Cosmobilities Network of mobility research and the Taylor & Francis journal Applied Mobilities. This three-volume set, ideal for mobilities researchers and practitioners, explores a broad number of topics including planning, architecture, geography, and urban design.

Exploring Networked Urban Mobilities

Theories, Concepts, Ideas

Edited by Malene Freudendal-Pedersen and Sven Kesselring

Experiencing Networked Urban Mobilities

Practices, Flows, Methods

Edited by Malene Freudendal-Pedersen, Katrine Hartmann-Petersen and Emmy Laura Perez Fjalland

Envisioning Networked Urban Mobilities

Art, Performances, Impacts

Edited by Aslak Aamot Kjrulff, Sven Kesselring, Peter Peters and Kevin Hannam

In the emerging field of artistic research, sensory and embodied ways of knowing take center stage. At the same time, qualitative social scientists and geographers are developing a keen interest in new methodologies that draw inspiration from the arts. This timely volume on the nexus of arts and mobilities research stages an engaged dialogue between leading academic scholars and artists.

Henk Borgdorff, Academy of Creative and Performing Arts, Leiden University, the Netherlands

Envisioning Networked Urban Mobilities
Art, Performances, Impacts

Edited by
Aslak Aamot Kjrulff, Sven Kesselring,
Peter Peters and Kevin Hannam

First published 2018 by Routledge 711 Third Avenue New York NY 10017 and by - photo 2

First published 2018

by Routledge

711 Third Avenue, New York, NY 10017

and by Routledge

2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN

Routledge is an imprint of the Taylor & Francis Group, an informa business

2018 Taylor & Francis

The right of Aslak Aamot Kjrulff, Sven Kesselring, Peter Peters and Kevin Hannam to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Library of Congress Cataloging-in-Publication Data
A catalog record for this book has been requested

ISBN: 978-1-138-71236-2 (hbk)

ISBN: 978-1-315-20021-7 (ebk)

Typeset in Sabon
by Apex CoVantage, LLC

To John

Contents

KEVIN HANNAM, ASLAK AAMOT KJRULFF, PETER PETERS, AND SVEN KESSELRING

ASLAK AAMOT KJRULFF

JEN SOUTHERN

PETER PETERS

SAMUEL THULIN

DAVID PINDER

NIKKI PUGH

MIKE COLLIER AND KEVIN HANNAM

ANTONIA HERNNDEZ

MICHAEL HIESLMAIR AND MICHAEL ZINGANEL

ULRIKE BOSKAMP AND ANNETTE KRANEN

LEE LEE

MARA PAZ PEIRANO

ANGIE COTTE

BART MAGNUS

Ulrike Boskamp is a German art historian. She studied art history and philosophy at Freie Universitt Berlin, Germany, has worked at Deutsches Forum fr Kunstgeschichte in Paris in 1999/2000, and was an assistant professor in art history at Freie Universitt Berlin 2006 to 2010. Her PhD on color in art, art literature, and science in eighteenth-century France, Primrfarben und Farbharmonie, was published in 2009. Since 2011, she has been engaged in the research project On the Border: Travelling Artists Accused of Espionage (17th19th Centuries) as a senior fellow in the research group Transcultural Negotiations in the Ambits of Art at Freie Universitt Berlin, funded by the German Research Foundation (DFG). Departing from recurring accounts about the confusion of artists with spies in art literature, artists biographies, and anecdotes, it tackles questions about the military power ascribed to images of landscapes and to (male) traveling artists in Europe, the status of images in military espionage and surveillance, steganographic coding of artistic images, the status of visualizations of and in contested border regions, and the role and status of this topical narration.

Mike Collier is a lecturer, writer, curator, and artist. He studied fine art at Goldsmiths College, London, UK, and is currently Reader in Fine Art at the University of Sunderland, UK. Much of his work is based around walkingthrough the city, the countryside, and urban Edgelands. His work pays close attention to the environment through which he walks and is usually place-specific. He integrates image and text, often drawing on the poetic qualities of colloquial names for places, plants, and birds. He has shown in the UK and abroad and his work is in a number of public and private collections. In 2010 he co-founded WALK (Walking, Art, Landskip and Knowledge), a research center at the University of Sunderland which looks at the way we creatively engage with the world as we walk through it. As an artist and curator, he has been responsible for a number of high-profile exhibitions under the auspices of WALK including co-curating

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