Envisioning Networked Urban Mobilities
Envisioning Networked Urban Mobilities brings together scientific reflections on the relations of art and urban mobilities and artistic research on the topic. The editors open the book by setting out the concept grounded in the exhibition curated by Aslak Aamot Kjrulff and refers to earlier work on mobilities and art generated by the Cosmobilities Network. This third volume has two sections, both consisting of short papers and illustrations. The first section is based on artists who were part of the conferences art exhibition, and the second part is based on theoretical reflections on art and artists.
Aslak Aamot Kjrulff holds a PhD in Mobilities and Action Research from Roskilde University, Denmark. He currently organizes a transdisciplinary research and arts organization called Diakron and teaches at Roskilde University.
Sven Kesselring is Research Professor in Automotive Management: Sustainable Mobilities and the director of the Master of Science program Sustainable Mobilities at Nrtingen-Geislingen University (NGU), Germany. His research focuses on the sociology of (auto)mobilities, social theory, and the impact of technology and digitalization on everyday and professional lives. He is the founder and co-manager of the international Cosmobilities Network and co-director of the joint PhD program Sustainable Mobility and Mobility Cultures of TU Munich and NGU. He is cofounder and co-editor of the new journal Applied Mobilities and Studies in Mobility and Transport. He has edited several books including Aeromobilities (with Saulo Cwerner and John Urry).
Peter Peters is Assistant Professor in the Department of Philosophy in the Faculty of Arts and Social Sciences at Maastricht University, the Netherlands. He is trained as a sociologist and holds a PhD for his dissertation on mobilities in technological cultures, in which he combines insights from social theory and science and technology studies to analyze practices of travel.
Kevin Hannam is Professor of Tourism Mobilities in the Business School at Edinburgh Napier University, UK, and a research affiliate at the University of Johannesburg, South Africa. In 2015/2016 he was awarded a Vice-Chancellors International Scholarship to the University of Wollongong, Australia. Previously he was at Leeds Beckett University, UK, and the University of Sunderland, UK.
Networked Urban Mobilities Series
Editors: Sven Kesselring
Nrtingen-Geislingen University
Malene Freudendal-Pedersen
Roskilde University
The Networked Urban Mobilities series resulted from the Cosmobilities Network of mobility research and the Taylor & Francis journal Applied Mobilities. This three-volume set, ideal for mobilities researchers and practitioners, explores a broad number of topics including planning, architecture, geography, and urban design.
Exploring Networked Urban Mobilities
Theories, Concepts, Ideas
Edited by Malene Freudendal-Pedersen and Sven Kesselring
Experiencing Networked Urban Mobilities
Practices, Flows, Methods
Edited by Malene Freudendal-Pedersen, Katrine Hartmann-Petersen and Emmy Laura Perez Fjalland
Envisioning Networked Urban Mobilities
Art, Performances, Impacts
Edited by Aslak Aamot Kjrulff, Sven Kesselring, Peter Peters and Kevin Hannam
In the emerging field of artistic research, sensory and embodied ways of knowing take center stage. At the same time, qualitative social scientists and geographers are developing a keen interest in new methodologies that draw inspiration from the arts. This timely volume on the nexus of arts and mobilities research stages an engaged dialogue between leading academic scholars and artists.
Henk Borgdorff, Academy of Creative and Performing Arts, Leiden University, the Netherlands
Envisioning Networked Urban Mobilities
Art, Performances, Impacts
Edited by
Aslak Aamot Kjrulff, Sven Kesselring,
Peter Peters and Kevin Hannam
First published 2018
by Routledge
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and by Routledge
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Routledge is an imprint of the Taylor & Francis Group, an informa business
2018 Taylor & Francis
The right of Aslak Aamot Kjrulff, Sven Kesselring, Peter Peters and Kevin Hannam to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
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A catalog record for this book has been requested
ISBN: 978-1-138-71236-2 (hbk)
ISBN: 978-1-315-20021-7 (ebk)
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To John
Contents
KEVIN HANNAM, ASLAK AAMOT KJRULFF, PETER PETERS, AND SVEN KESSELRING
ASLAK AAMOT KJRULFF
JEN SOUTHERN
PETER PETERS
SAMUEL THULIN
DAVID PINDER
NIKKI PUGH
MIKE COLLIER AND KEVIN HANNAM
ANTONIA HERNNDEZ
MICHAEL HIESLMAIR AND MICHAEL ZINGANEL
ULRIKE BOSKAMP AND ANNETTE KRANEN
LEE LEE
MARA PAZ PEIRANO
ANGIE COTTE
BART MAGNUS
Ulrike Boskamp is a German art historian. She studied art history and philosophy at Freie Universitt Berlin, Germany, has worked at Deutsches Forum fr Kunstgeschichte in Paris in 1999/2000, and was an assistant professor in art history at Freie Universitt Berlin 2006 to 2010. Her PhD on color in art, art literature, and science in eighteenth-century France, Primrfarben und Farbharmonie, was published in 2009. Since 2011, she has been engaged in the research project On the Border: Travelling Artists Accused of Espionage (17th19th Centuries) as a senior fellow in the research group Transcultural Negotiations in the Ambits of Art at Freie Universitt Berlin, funded by the German Research Foundation (DFG). Departing from recurring accounts about the confusion of artists with spies in art literature, artists biographies, and anecdotes, it tackles questions about the military power ascribed to images of landscapes and to (male) traveling artists in Europe, the status of images in military espionage and surveillance, steganographic coding of artistic images, the status of visualizations of and in contested border regions, and the role and status of this topical narration.
Mike Collier is a lecturer, writer, curator, and artist. He studied fine art at Goldsmiths College, London, UK, and is currently Reader in Fine Art at the University of Sunderland, UK. Much of his work is based around walkingthrough the city, the countryside, and urban Edgelands. His work pays close attention to the environment through which he walks and is usually place-specific. He integrates image and text, often drawing on the poetic qualities of colloquial names for places, plants, and birds. He has shown in the UK and abroad and his work is in a number of public and private collections. In 2010 he co-founded WALK (Walking, Art, Landskip and Knowledge), a research center at the University of Sunderland which looks at the way we creatively engage with the world as we walk through it. As an artist and curator, he has been responsible for a number of high-profile exhibitions under the auspices of WALK including co-curating