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Benjamin Bertram - Bestial Oblivion: War, Humanism, and Ecology in Early Modern England

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Benjamin Bertram Bestial Oblivion: War, Humanism, and Ecology in Early Modern England
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Although war is a heterogeneous assemblage of the human and nonhuman, it nevertheless builds the illusion of human autonomy and singularity. Focusing on war and ecology, a neglected topic in early modern ecocriticism, Bestial Oblivion: War, Humanism, and Ecology in Early Modern England shows how warfare unsettles ideas of the human, yet ultimately contributes to, and is then perpetuated by, anthropocentrism. Bertrams study of early modern warfares impact on human-animal and human-technology relationships draws upon posthumanist theory, animal studies, and the new materialisms, focusing on responses to the Anglo-Spanish War, the Italian Wars, the Wars of Religion, the colonization of Ireland, and Jacobean peace. The monograph examines a wide range of textsessays, drama, military treatises, paintings, poetry, engravings, war reports, travel narrativesand authorsErasmus, Machiavelli, Digges, Shakespeare, Marlowe, Coryate, Baconto show how an intricate web of perpetual war altered the perception of the physical environment as well as the ideologies and practices establishing what it meant to be human.

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First published 2018

by Routledge

711 Third Avenue, New York, NY 10017

and by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

Routledge is an imprint of the Taylor & Francis Group, an informa business

2018 Taylor & Francis

The right of Benjamin Bertram to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

Library of Congress Cataloging-in-Publication Data

A catalog record for this book has been requested

ISBN: 978-1-138-70885-3 (hbk)

ISBN: 978-1-315-20108-5 (ebk)

Typeset in Sabon

by Apex CoVantage, LLC

Page numbers in italic indicate a figure on the corresponding page - photo 1

Page numbers in italic indicate a figure on the corresponding page.


actor-network theory (ANT)

Adagia

Advancement of Learning, The

affect

amplification

androcentrism

animal: animality ; see also specific species

Anthropocene

anthropocentrism: in Bacon

Anthropolemocene

anthropological machine

antihumanism

appetite

armies see

arms race

Arno river

artillery

Art of War

ascetic ideal

assemblage

autopoiesis

benevolent assemblage

bestial oblivion

Big Fish Eat Little Fish

binaries see

Black Death

capitalism

Capitalocene

cartography

chorography

Christ

Christianity

church ales

climate change

colonialism

contemptus mundi

Convivium religiosum

corpus economicum

corpus politicum

Coryates Crudities

cosmography

cosmopolitanism

cross-staff

cyborgs

dance

death

deforestation

dehumanization

Dover Harbor

Dulce bellum inexpertise

dung beetle ecology

eagles

East India Company

eating

ecocriticism

ecologies see

ecology of peace

elephant

embodiment

Enchiridion militis Christiani

engine

environmentalism

ethics

ethnic hatred

exceptionalism see

eyes

feast

fortress architecture

foxes

friendship

funeral

Furies

gardens

gender

graveyard

great chain of being

gunpowder

Hamlet

Heidelberg

high/low

Holocene

horsemanship

horses

hospitality

human/animal

human empire

human exceptionalism

humanism

humankindness

hunting

hyperobjects

idealism

imperialism

Institutio principis Christiani

instrument making

interanimality

interdependence

Iraq

iron

Jacobean peace

Jacobean period

Jacobs staff

Larum for London, A

lion

listening

locus

London Reformers

Low Countries

luxury

machina mundi

male aggression

materiality

mathematical literacy

micro-macrocosm

military camps: animal and human contact in

military industrial complex

military manuals

military maps

military preparedness

military siege

military treatises

mirrors

Mongols

moral hygiene

Moriae encomium

musket see under

narcissism

nationalism

nation-state

necropolitics

New Atlantis

nonhuman

nonviolence

object-oriented ontology (OOO)

objects

Odysseus

Oikeios

ornamentalism

Parma

peace

pearls

platea

Platonism

poiesis

political corruption

posthuman

Prince

publics

readiness

reason

resilience

Royal Navy

Scarabaeus

sea metaphor

shame

sheep

shovel see under

Silk Road

slavery

social extension

social networks

speciesism

state husbandry

studia humanitatis

subjectivity

subject/object

sympoiesis

Tamburlaine, Parts One and Two

Tamerlane

Theatre of the Empire of Great Britain

theatrum mundi

Theatrum Orbis Terrarum

transcorporeality

travel

Tudor period

Turks

tyranny

unhuman

universal husbandry

unity

U.S.

Utopia

vegetarian ideal

Venice

virt

vita activa

vita contemplativa

war: and anthropocentrism

water

weaker elements

weapons and armor: as members of group

web of life

Yeoville

zoomorphism

Perspectives on the Non-Human in Literature and Culture

Series Editor: Karen Raber

University of Mississippi, USA

Literary and cultural criticism has ventured into a brave new world in recent decades: posthumanism, ecocriticism, critical animal studies, Object-Oriented Ontology, the new vitalism, Actor-Network Theory, and other related approaches have transformed the scholarly environment, reinvigo-rating our encounters with familiar texts, and inviting us to take note of new or neglected ones. A vast array of non-human creatures, entities, and forces are now emerging as important agents in their own right. Inspired by human concern for an ailing planet, literary scholarship has grappled with the question of how important works of art can be to the preservation of something we have traditionally called nature; yet literatures capacity to take us on unexpected journeys through the networks of affiliation and affinity we share with the earth on which we dwelland without which we dieis more important than ever. Non-human animals, machines, and other phenomena no longer function only as metaphors, emblems or analogies; now they populate literary and cultural analysis in increasingly complex ways, always in tension with our sense of what it means to be human. Recent theory has transformed our conception of the cosmos by dethroning the individual human subject and dismantling the comfortable categories through which we have interpreted its existence, while the rise of new materialisms that account for our entanglements with lively matter have relocated humanity from its impoverished, isolated space atop the mountain of creation to the fecund swamp of our kinship with all things.

Until now, however, the many objects, creatures, and agents in this wave of scholarship have had no single place to gather, no home that would nurture them as a collective project. Perspectives on the Non-Human in Literature and Culture gives scholarly treatments of diverse kinds of non-humans and humans that home. It is our goal for the series to provide an encounter zone where all forms of human engagement with the non-human in multiple periods and many national literatures can be explored, and where the discoveries that result can speak to one another, as well as to readers and students.

Novel Creatures

Animal Life and the New Millennium

Hilary Thompson

Bestial Oblivion

War, Humanism, and Ecology in Early Modern England

Benjamin Bertram

For more information about this series, please visit: www.routledge.com/Perspectives-on-the-Non-Human-in-Literature-and-Culture/book-series/PNHLC

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