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Robert Eaglestone (editor) - Brexit and Literature: Critical and Cultural Responses

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Robert Eaglestone (editor) Brexit and Literature: Critical and Cultural Responses
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Brexit is a political, economic and administrative event: and it is a cultural one, too. In Brexit and Literature, Robert Eaglestone brings together a diverse range of literary scholars, writers and poets to respond to this aspect of Brexit. The discipline of English, as the very name suggests, is concerned with cultural and national identity: literary studies has always addressed ideas of nationalism and the wider political process. With the ramifications of Brexit expected to last for decades to come, Brexit and Literature offers the first academic study of its impact on and through the humanities. Including a preface from Baroness Young of Hornsey, Brexit and Literature is a bold and unapologetic volume, focusing on the immediate effects of the divisive referendum while meditating on its long-term impact.

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Brexit and Literature Brexit is a political economic and administrative event - photo 1
Brexit and Literature

Brexit is a political, economic and administrative event: and it is a cultural one, too. In Brexit and Literature, Robert Eaglestone brings together a diverse range of literary scholars, writers and poets to respond to this aspect of Brexit. The discipline of English, as the very name suggests, is concerned with cultural and national identity: Literary studies has always addressed ideas of nationalism and the wider political process. With the ramifications of Brexit expected to last for decades to come, Brexit and Literature offers the first academic study of its impact on and through the humanities. Including a preface from Baroness Young of Hornsey, Brexit and Literature is a bold and unapologetic volume, focusing on the immediate effects of the divisive referendum while meditating on its long-term impact.

Robert Eaglestone is Professor of Contemporary Literature and Thought at Royal Holloway, University of London. He has published widely on contemporary fiction and philosophy and on the Holocaust and other genocides. He is the author of the best-selling textbook Doing English, 4th edn (Routledge, 2017), The Broken Voice (2017) and in 2014 was awarded a National Teaching Fellowship.

Brexit and Literature
Critical and Cultural Responses

Edited by Robert Eaglestone

First published 2018 by Routledge 2 Park Square Milton Park Abingdon Oxon - photo 2

First published 2018

by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

and by Routledge

711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2018 selection and editorial matter, Robert Eaglestone; individual chapters, the contributors

The right of Robert Eaglestone to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data
A catalog record has been requested for this book

ISBN: 978-0-8153-7668-2 (hbk)
ISBN: 978-0-8153-7669-9 (pbk)
ISBN: 978-1-351-20319-7 (ebk)

Typeset in Bembo
by Apex CoVantage, LLC

The editor and contributors dedicate this book to the memory of Jo Cox, MP. As a consequence, their royalties from this publication have been donated to the Jo Cox Foundation to support the continuation of her work.

Contents

Robert Eaglestone

Lyndsey Stonebridge

Kristian Shaw

Petra Rau

Sara Upstone

Anne Varty

Bryan Cheyette

Ankhi Mukherjee

Anshuman A. Mondal

Robert Eaglestone

Michael Gardiner

J.A. Smith

Martin Murray

Gabriel Josipovici

Eva Aldea

Ann-Marie Einhaus

Simon Glendinning

Thomas Docherty

George Szirtes

Eva Aldea is a Polish-Romanian Swede based in London. She is a lecturer and writer, teaching literature and critical theory for the University of London, and has just finished her first novel. She enjoys interdisciplinary work and has spoken on nomadism and Europe at the LSEs Forum for European Philosophy and published on the topic on openDemocracy.net. She is author of Magical Realism and Gilles Deleuze: The Indiscernibility of Difference in Postcolonial Literature (Continuum 2010). Her first work of fiction to be published is featured in the Best New Singaporean Short Stories: Volume Three (Epigram 2017).

Bryan Cheyette is Chair in Modern Literature and Culture at the University of Reading and a Fellow of the English Association. He has authored or edited ten books, most recently Diasporas of the Mind (Yale UP, 2013), which was a 2013 Times Higher Book of the Year, and, as co-editor, a definitive history of the post-war novel (Oxford UP, 2016). He is also a Series Editor for Bloomsbury (New Horizons in Contemporary Writing) and has published more than sixty chapters in books from T. S. Eliot to Bob Dylan and from Schindlers List to Muriel Spark. He has lectured widely throughout the United States and Europe and has held visiting positions at Dartmouth College, the University of Michigan, and the University of Pennsylvania. He also holds fellowships at the universities of Leeds, Southampton and Birkbeck College, London. He reviews fiction for several British newspapers and has published nearly one hundred essays on film, theatre and fiction for the Times Literary Supplement. He is currently working on a short book on the Ghetto for Oxford University Press.

Thomas Docherty studied in Glasgow, Paris and Oxford. He graduated with his MA in English and French language and literature from Glasgow, where he also studied mathematics and philosophy. He then took a DPhil and MA in Oxford. After five years teaching in Oxford, he moved to University College Dublin and then on to Trinity College Dublin, where he held the Chair of English (1867) sometimes called the Dowden Chair, and one of the earliest Chairs of English in the world between 199095. He was then elected as Fellow of Trinity College Dublin. In 1995, he returned to the UK, taking the Chair of English and Directorship of Research in the University of Kent. He moved to Warwick in 2004, where he headed the department until 2009 before again becoming Director of Research until 2013. Under his leadership as Director of Research, Warwick English was rated as the top department in the UK in the Research Excellence Framework. In 2016, he was awarded an honorary D.Litt. from the University of Kent in recognition of his academic achievements and commitment to higher education. He is the author of seventeen books, including, most recently: Complicity; Universities at War; Confessions; For the University. Two new books Literature and Capital and The New Treason of the Intellectuals will both appear in 2018, as will Mood, a volume of essays co-edited with Birgit Breidenbach. Another new book, Political English, will also appear shortly.

Robert Eaglestone is Professor of Contemporary Literature and Thought at Royal Holloway, University of London. He works on contemporary literature and literary theory, contemporary philosophy and on Holocaust and Genocide studies. He is the author of six books, including Ethical Criticism: Reading after Levinas (1997), The Holocaust and the Postmodern (2004), The Broken Voice (2017) and Doing English (4th edition 2017) and the editor or co-editor of seven more including Derridas Legacies (2008) and The Future of Trauma Theory (2013). In 2014 he won a National Teaching Fellowship.

Ann-Marie Einhaus is Senior Lecturer in Modern & Contemporary Literature at Northumbria University, Newcastle-upon-Tyne. Her research centres on the literary and cultural legacy of the First World War, particularly in the medium of the short story, and her monograph,

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