Jovan Byford - Picturing Genocide in the Independent State of Croatia

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Picturing Genocide in the Independent State of Croatia

War, Culture and Society

Series Editor: Stephen McVeigh, Associate Professor, Swansea University, UK

Editorial Board

Paul Preston LSE, UK

Joanna Bourke Birkbeck, University of London, UK

Debra Kelly University of Westminster, UK

Patricia Rae Queens University, Ontario, Canada

James J. Weingartner Southern Illimois University, USA (Emeritus)

Kurt Piehler Florida State University, USA

Ian Scott University of Manchester, UK

War, Culture and Society is a multi- and interdisciplinary series which encourages the parallel and complementary military historical and sociocultural investigation of twentieth- and twenty-first-century war and conflict.

Published

Filming the End of the Holocaust: Allied Documentaries, Nuremberg and the Liberation of the Concentration Camps , John J. Michalczyk (2014)

South Africas Border War: Contested Narratives and Conflicting Memories , Gary Baines (2014)

The Testimonies of Indian Soldiers and the Two World Wars: Between Self and Sepoy , Gajendra Singh (2014)

The British Imperial Army in the Middle East: Morale and Military Identity in the Sinai and Palestine Campaigns, 19161918 , James E. Kitchen (2014)

The Japanese Comfort Women and Sexual Slavery during the China and Pacific Wars , Caroline Norma (2015)

Cultural Response to Occupation in Japan: The Performing Body During and After the Cold War , Adam Broinowski (2016)

Second World War British Military Camouflage: Designing Deception , Isla Forsyth (2017)

Jewish Volunteers, the International Brigades and the Spanish Civil War , Gerben Zaagsma (2017)

Women, Warfare and Representation: American Servicewomen in the Twentieth Century , Emerald M. Archer (2017)

Prisoners of the Sumatra Railway: Narratives of History and Memory , Lizzie Oliver (2017)

The Franco-Algerian War through a Twenty-First Century Lens: Film and History , Nicole Beth Wallenbrock (2020)

Forthcoming

The Lost Cause of the Confederacy and American Civil War Memory , David J. Anderson (2020)

The Irish Myth of the Second World War , Bernard Kelly (2020)

Picturing Genocide in the Independent State of Croatia

Atrocity Images and the Contested Memory of the Second World War in the Balkans

Jovan Byford

Contents

Figures

Visual symbols of perpetrators triumph over the victim: Examples of trophy photographs taken by the Ustasha

Illustration of Turkish atrocities, Ilustrovana ratna kronika , 17 January 1913

Photograph evidencing Austrian atrocities in Serbia in 1914.

Photographic postcard showing Serbs executed by hanging in Jagodina in 1916

German officers inspecting the bodies of Serbs killed by the Ustasha in the village of Gudovac

Ustasha atrocities through Italian eyes. Photographs of injuries sustained by two child survivors of the Ustasha massacre in Graac in the summer of 1941

Photograph said to show the mutilated body of Milo Tesli

Photograph of the body of Milo Tesli, or Bishop Platon of Banja Luka?

Ustasha propaganda photograph of a victim of Chetnik-Communist mutilation

Contrasting images of Partisan and Ustasha fighters in Ustasha propaganda

Ustasha propaganda photograph of abandoned Serbian children

Ustasha propaganda photograph of troops horrifically mutilated and robbed by rebels

Two of Edmund Stgers propaganda photographs of Jasenovac, August 1942

Judges at the trial of the last chief of police of the Ustasha state Erih Lisak and his associates inspect photographs presented to the court by the prosecution

Victims of German beasts: Appeal for information from the State Commission for the Investigation of the Crimes of the Occupiers and their Accomplices

Investigators from the Committee of Inquiry for Jasenovac in the company of journalists and photographers, during their visit to Jasenovac on 18 May 1945.

Remains of the Jasenovac camp photographed during the investigation in May 1945

Images used in the Country Commissions report to illustrate the horror of Jasenovac killings : (a) Frontal bone shattered with a mallet and (b) Victim with their belly slashed open

(a) and (b). Bodies on the riverbank in Sisak: Photographs used after the war to depict mass executions in Jasenovac

Endless line of death and suffering: Visualizing the scale of the killing at Jasenovac

Photograph published in the State Commissions report on crimes perpetrated by Austrian troops in Yugosla via. It was accompanied by the caption German soldiers posing contentedly next to their victims

Photograph used after the war as evidence of the collaboration between Italians and Chetniks, brothers in crime

Article Death to German occupiers ( Borba

Photograph featured in the article One photograph from a German soldiers album published in Borba

Message to opportunists and appeasers: The exhibition of atrocity photographs at the Ulrich Gallery in Zagreb, September 1945

Illustration of Chetnik-Ustasha collaboration:While Ustasha were killing Serbs, Chetniks of Draa Mihailovi were drinking with them

Stone Flower shortly after construction, Jasenovac Memorial Area

First permanent exhibition at the museum in Jasenovac which opened in 1968

Souvenir postcard sold at the Jasenovac Memorial Area in the 1970s

Photograph of corpses from Dachau occasionally attributed to Jasenovac.

Exhibition Paths of Freedom, Museum of Bosanska Gradika, 1973

Photographs of (a) Chetnik and (b) German atrocities featured in the 1966 documentary on Jasenovac

Touring exhibition Concentration camp Jasenovac 1941-1945, 1986

Photograph purporting to show the body of Petar Tesli

Photograph said to show Ustasha cutting off the head of Branko Jungi

Atrocity photographs as proofs of Andrija Artukovis crimes.

Revised permanent exhibition at the Jasenovac Memorial Museum which opened in 1988

History is repeating itself extract from the catalogue of the 1992 exhibition Crimes of the State of Croatia 91

Second World War-era Chetnik trophy photograph used in Croatian propaganda in the 1990s as an illustration of the history of mass atrocities against Croats

Photograph of Roma in Jasenovac featured in the new permanent display at the Jasenovac Memorial Museum

Deportation to Ustasha camps of Serb population from Kozara

Landscapes as a proxy for atrocities: (a) Poplar of Horror in Donja Gradina and (b) Grove of Sighs in Jasenovac

Scenes from Stara Gradika, April 1945: (a) bloodied staircase in the main building and (b) a pile of inmates possessions

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