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Øivind Fuglerud - Negotiating Memory from the Romans to the Twenty-first Century: Damnatio Memoriae

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Manipulation of the past and forced erasure of memories have been global phenomena throughout history, spanning a varied repertoire from the destruction or alteration of architecture, sites, and images, to the banning or imposing of old and new practices. The present volume addresses these questions comparatively across time and geography, and combines a material approach to the study of memory with cross-disciplinary empirical explorations of historical and contemporary cases. This approach positions the volume as a reference-point within several fields of humanities and social sciences. The collection brings together scholars from different fields within humanities and social science to engage with memorialization and damnatio memoriae across disciplines, using examples from their own research. The broad chronological and comparative scope makes the volume relevant for researchers and students of several historical periods and geographic regions.

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Negotiating Memory from the Romans to the Twenty-First Century
Manipulation of the past and forced erasure of memories have been global phenomena throughout history, spanning a varied repertoire from the destruction or alteration of architecture, sites, and images, to the banning or imposing of old and new practices. The present volume addresses these questions comparatively across time and geography, and combines a material approach to the study of memory with cross- disciplinary empirical explorations of historical and contemporary cases. This approach positions the volume as a reference-point within several fields of humanities and social sciences. The collection brings together scholars from different fields within humanities and social science to engage with memorialization and damnatio memoriae across disciplines, using examples from their own research. The broad chronological and comparative scope makes the volume relevant for researchers and students of several historical periods and geographic regions.
ivind Fuglerud is a Professor of Social Anthropology at the Museum of Cultural History, University of Oslo, Norway.
Kjersti Larsen is a Professor of Social Anthropology at the Museum of Cultural History, University of Oslo, Norway.
Marina Prusac-Lindhagen is an Associate Professor of Classical Archaeology and Keeper of Antiquities at the Museum of Cultural History, University of Oslo, Norway.
Routledge Studies in Cultural History
87 Russias French Connection
A History of the Lasting French Imprint on Russian Culture
Adam Coker
88 Transatlantic Encounters in History of Education
Translations and Trajectories from a German-American Perspective
Edited by Fanny Isensee, Andreas Oberdorf, and Daniel Tpper
89 The Humanities in Transition from Postmodernism into the Digital Age
Nigel A. Raab
90 Negotiating Memory from the Romans to the Twenty-First Century
Damnatio Memoriae
Edited by ivind Fuglerud, Kjersti Larsen, and Marina Prusac-Lindhagen
91 Cultures and Practices of Coexistence from the Thirteenth Through the Seventeenth Centuries
Multi-Ethnic Cities in the Mediterranean World, Volume 1
Edited by Marco Folin and Antonio Musarra
92 Controversial Heritage and Divided Memories from the Nineteenth Through the Twentieth Centuries
Multi-Ethnic Cities in the Mediterranean World, Volume 2
Edited by Marco Folin and Heleni Porfyriou
93 History as Performance
Political Movements in Galicia Around 1900
Dietlind Hchtker
For more information about this series, please visit: https://www.routledge.com/
First published 2021
by Routledge
52 Vanderbilt Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2021 Taylor & Francis
The right of ivind Fuglerud, Kjersti Larsen, and Marina Prusac-Lindhagen to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
A catalog record for this title has been requested
ISBN: 978-0-367-54956-5 (hbk)
ISBN: 978-1-003-09133-2 (ebk)
Typeset in Sabon
by codeMantra
Dario Calomino British Academy Newton International Fellow, is a Leverhulme Trust Research Fellow in the Department of Classics and Ancient History at the University of Warwick. He previously worked in the Department of Coins and Medals at the British Museum and curated the exhibition Defacing the Past. Damnation and Desecration in Imperial Rome (2016).
Diana Edelman is a Professor Emeritus of Hebrew Bible at the Faculty of Theology, University of Oslo. Her research concentrates on forms of early Judaism, the socio-religious culture of Yehud and Judean diasporas and the creation of books of the Hebrew Bible in the Persian and early Hellenistic periods.
ivind Fuglerud is a Professor of Social Anthropology at the Museum of Cultural History, University of Oslo. His regional area of expertise is Sri Lanka, where he has worked for the last 35 years on questions of nationalism, political violence, and migration.
Kjersti Larsen is a Professor of Social Anthropology at the Museum of Cultural History, University of Oslo. She has been a visiting scholar at University of Oxford; EHESS, Paris; Leiden University. She has co-edited the Norwegian Journal of Anthropology (NAT). She conducts research in Zanzibar (1984-present) and Sudan (19972009) and has several international publications, books, chapters, and articles.
Sigrid Lien is a Professor of Art History and Photography Studies at the University of Bergen, Norway. She has published extensively on nineteenth century as well as modern and contemporary photography. She recently headed the project Negotiating History: Photography in Smi Culture, funded by the Norwegian Research Council.
Terje steb is currently the Chair of the Department of Religion and an Associate Professor at the Center for African Studies and the Department of Religion, University of Florida. His research focuses on Islam in contemporary Ethiopia and reformism in Africa.
Arne Aleksej Perminow is an Associate Professor of Social Anthropology at the Museum of Cultural History, University of Oslo. Since the 1980s, he has done research in Tonga and among Tongan migrants in New Zealand exploring the relationship between practical engagements with the environment and sociality and between mobility and cultural change.
Marina Prusac-Lindhagen is an Associate Professor of Classical Archaeology and Keeper of Antiquities (Greek, Roman, Etruscan, and Egyptian collections), Museum of Cultural History, University of Oslo. She has written From Face to Face: Recarving Roman Portraits and the Late Antique Portrait Arts (2011). Her publications include numerous articles, including discussions on memory manipulation.
Knut Rio is a Professor of Social Anthropology at the University of Bergen in Norway. He has worked on Melanesian ethnography since 1995, with fieldwork in Vanuatu on social ontology, production, ceremonial exchange, and art. More recently, he has focused on witchcraft and sacrifice as well as concepts of wealth and property.
Maruka Svaek is a Reader in Anthropology in the School of History and Anthropology, Queens University Belfast. Her major publications include Emotions and Human Mobility (2012), Moving Subjects, Moving Objects (2012), (with Birgit Meyer) Creativity in Transition (2016), and (with Milena Komarova) Ethnographies of Movement, Sociality and Space (2018).
Eric R. Varner is the author of Mutilation and Transformation: Damnatio Memoriae and Roman Imperial Portraiture
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