Hands on Media History
Hands on Media History explores the whole range of hands on media history techniques for the first time, offering both practical guides and general perspectives. It covers both analogue and digital media; film, television, video, gaming, photography and recorded sound.
Understanding media means understanding the technologies involved. The hands on history approach can open our minds to new perceptions of how media technologies work and how we work with them. Essays in this collection explore the difficult questions of reconstruction and historical memory, and the issues of equipment degradation and loss. Hands on Media History is concerned with both the professional and the amateur, the producers and the users, providing a new perspective on one of the modern eras most urgent questions: what is the relationship between people and the technologies they use every day?
Engaging and enlightening, this collection is a key reference for students and scholars of media studies, digital humanities, and for those interested in models of museum and research practice.
Nick Hall lectures in film, television and media technologies at Royal Holloway, University of London. His first book, The Zoom: Drama at the Touch of a Lever , was published in 2018. He has also been published in the journals Technology & Culture and the Historical Journal of Film, Radio and Television .
John Ellis is a professor at Royal Holloway, University of London. He wrote Visible Fictions (1982), Seeing Things (2000) and Documentary: Witness and Self-Revelation (2012). Between 1982 and 1999 he ran the independent production company Large Door, making documentaries for Channel 4 and the BBC.
Hands on Media History
A New Methodology in the Humanities and Social Sciences
Edited by
Nick Hall and John Ellis
First published 2020
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
and by Routledge
52 Vanderbilt Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2020 selection and editorial matter, Nick Hall and John Ellis; individual chapters, the contributors
The right of Nick Hall and John Ellis to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
The right of John Ellis and Nick Hall to be identified as the authors of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
Names: Hall, Nick, 1985 editor. | Ellis, John, 1952 editor.
Title: Hands on media history : a new methodology in the humanities and social sciences / edited by Nick Hall and John Ellis.
Description: London ; New York : Routledge, 2020. | Includes bibliographical references and index. |
Identifiers: LCCN 2019016484 (print) | LCCN 2019980154 (ebook) | ISBN 9781138577480 (hardback : alk. paper) | ISBN 9781138577497 (pbk. : alk. paper)| ISBN 9781351247412 (ebk)
Subjects: LCSH: Mass media and technologyHistoryStudy and teaching. | Mass media and technologyHistoriography. | Mass media and technologyPhilosophy. | Mass mediaTechnological innovationsHistory. | Human-computer interactionPhilosophy.
Classification: LCC P96.T42 H367 2020 (print) | LCC P96.T42 (ebook) | DDC 302.23dc23
LC record available at https://lccn.loc.gov/2019016484
LC ebook record available at https://lccn.loc.gov/2019980154
ISBN: 978-1-138-57748-0 (hbk)
ISBN: 978-1-138-57749-7 (pbk)
ISBN: 978-1-351-24741-2 (ebk)
Typeset in Bembo
by Apex CoVantage, LLC
Contents
John Ellis and Nick Hall
PART I
Media histories
John Ellis
Nick Hall
Amanda Murphy
Andreas Fickers and Annie van den Oever
Mary Agnes Krell
PART II
User communities
Kristof Vrancken
Matthew Hockenberry and Jason LaRiviere
Marua Punik
Alex Wade
Vanessa Jackson
PART III
Labs, archives and museums
Lori Emerson
Christian Hviid Mortensen and Lise Kapper
Elinor Groom
Fabian Offert
Guide
In February 2016, the Hands on History conference brought together a group of speakers, scholars, and researchers united by a common interest in reenactment and restoration as ways to explore histories of technology. Over two days at the Geological Society in London, delegates discussed among other topics computer gaming, photography, broadcast television, and electronic preservation. The conference was organized as part of ADAPT, a research project funded by the European Research Council under the Horizon 2020 scheme (grant agreement number 323626). Some of the papers presented at Hands on History appear in this edited collection, and we are grateful to everyone who took part and made the conference such a stimulating and inspiring event.
The editors would like to thank, for their patience and generosity, the 15 authors whose work features in this collection. We are also thankful for the support of Stephanie Janes, who provided vital assistance in the organisation of the conference and in the early preparation of this volume. We are grateful to Natalie Foster and Jennifer Vennall at Routledge for commissioning the book and for supporting it throughout the production process, and to Ting Baker for her skilful and sharp-eyed copyediting.
Finally, we thank our friends and colleagues in the Department of Media Arts at Royal Holloway, University of London and above all our families for their constant love and support.
John Ellis is Professor of Media Arts at Royal Holloway, University of London, and was the principal investigator on the ERC funded ADAPT project. Between 1982 and 1999 he ran the independent production company Large Door (www.largedoorltd.com ) making documentaries about media-related issues for Channel 4 and the BBC. Beginning with a series made using one inch video and 16mm film (Channel 4s cinema series Visions ), his final production was shot on DVcam ( Riding the Tiger , about the handover of Hong Kong). His books include Visible Fictions (1982), Seeing Things (2000) and Documentary: Witness and Self-Revelation (2012). He was an editor of Screen magazine and is currently an editor-in-chief of View: the Journal of European TV History and Culture . He has taken a keen interest in the preservation and use of TV material and is chair of education charity Learning on Screen.
Lori Emerson is Associate Professor in the Department of English and the Intermedia Arts, Writing, and Performance Program at the University of Colorado at Boulder. She is also Founding Director of the Media Archaeology Lab. Emerson writes about media poetics as well as the history of computing, media archaeology, media theory, and digital humanities. She is currently working on two book projects: the first is called Other Networks and is a history of telecommunications networks that existed before or outside of the Internet; the second is called THE LAB BOOK: Situated Practices in Media Studies (forthcoming from the University of Minnesota Press), which she is co-writing with Jussi Parikka and Darren Wershler. Emerson is the author of Reading Writing Interfaces: From the Digital to the Bookbound (University of Minnesota Press, June 2014). She is also co-editor of three collections: The Johns Hopkins Guide to Digital Media , with Marie-Laure Ryan and Benjamin Robertson (2014); Writing Surfaces: The Selected Fiction of John Riddell , with Derek Beaulieu (Wilfred Laurier University Press, 2013); and T he Alphabet Game: a bpNichol Reader , with Darren Wershler (Coach House Books 2007).