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James Bennett (editor) - Film and Television After DVD

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Heralded as the most significant invention [for film] since the coming of sound (The Observer 2003), by 2005 DVD players were in approximately 84 million homes in the US, making it the fastest selling item in history of US consumer electronics market (McDonald 2007: 135). This book examines the phenomenal growth of DVDs in relation to the cultures, economies, texts, audiences and histories of film, television and new media.

Film and Television After DVD brings together a group of internationally renowned scholars to provide the first focused academic inquiry into this important technology. The book picks up on key issues within contemporary media studies, making a particularly significant contribution to debates about convergence and interactivity in the digital media landscape. Essays consider DVD as a technology that exists outside the boundaries of new and old media, examining its place within longer histories of home film cultures and production practices of the film and television industries, whilst also critically evaluating what is genuinely new about digital media technologies. From DVDs to downloading, peer-to-peer networking and HD-DVD, this book speaks of the rapidly evolving digital mediascape. Ultimately, Film and Television After DVD is a book that considers the convergence of film, television and new media and their academic disciplines through the DVD as a distinct cultural object, pointing to persistent questions in the study of audiovisual culture that will remain intriguing long after the shelf-life of the DVD itself.

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Film and Television After DVD Routledge Research in Cultural and Media - photo 1
Film and Television After DVD
Routledge Research in Cultural and Media Studies
1. Video, War and the Diasporic Imagination
Dona Kolar-Panov
2. Reporting the Israeli-Arab Conflict
How Hegemony Works
Tamar Liebes
3. Karaoke Around the World
Global Technology, Local Singing
Edited by Toru Mitsui and Shuhei Hosokawa
4. News of the World
World Cultures Look at Television News
Edited by Klaus Bruhn Jensen
5. From Satellite to Single Market
New Communication Technology and European Public Service Television
Richard Collins
6. The Nationwide Television Studies
David Morley and Charlotte Bronsdon
7. The New Communications Landscape
Demystifying Media Globalization
Edited by Georgette Wang
8. Media and Migration
Edited by Russel King and Nancy Wood
9. Media Reform
Edited by Beata Rozumilowicz and Monroe E. Price
10. Political Communication in a New Era
Edited by Gadi Wolfsfeld and Philippe Maarek
11. Writers Houses and the Making of Memory
Edited by Harald Hendrix
12. Autism and Representation
Edited by Mark Osteen
13. American Icons
The Genesis of a National Visual Language
Benedikt Feldges
14. The Practice of Public Art
Edited by Cameron Cartiere and Shelly Willis
15. Film and Television After DVD
Edited by James Bennett and Tom Brown
Film and Television After DVD
Edited by James Bennett and Tom Brown
Film and Television After DVD - image 2
New York London
First published 2008
by Routledge
270 Madison Ave, New York, NY 10016
Simultaneously published in the UK
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
This edition published in the Taylor & Francis e-Library, 2007.

To purchase your own copy of this or any of Taylor & Francis or Routledges collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.
2008 Taylor & Francis
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging in Publication Data
Film and television after DVD / edited by James Bennett and Tom Brown.
p. cm.
Includes bibliographical references and index.
ISBN 978-0-415-96241-4
1. DVD-Video discsSocial aspects. 2. DVD-Video discsHistory. I. Bennett, James, 1978II. Brown, Tom, 1978
PN1992.945.F55 2008
384.5'58dc22
2008001577
ISBN13: 978-1-135-89671-3 ePub ISBN
ISBN10: 0-415-96241-2 (hbk)
ISBN10: 0-415-87834-9 (pbk)
ISBN10: 0-203-89429-4 (ebk)
ISBN13: 978-0-415-96241-4 (hbk)
ISBN13: 978-0-415-87834-0 (pbk)
ISBN13: 978-0-203-89429-3 (ebk)
Contents

JAMES BENNETT AND TOM BROWN

BARBARA KLINGER

GLYN DAVIS

JAMES WALTERS

TOM BROWN

CATHERINE GRANT

JAMES BENNETT AND TOM BROWN

JO T. SMITH

JOHN T. CALDWELL

WILLIAM BODDY
List of Figures
1.1DVDs, like Mario Bavas Hercules in the Haunted World, beckon aesthetes and film buffs alike.
1.2DVD film cultures of old-time cinephilia are defined by a radical collateralism of previous film cultures, stretching taste boundaries from the art films of Iranian director Abbas Kiarostami to
1.3the teenage angst comedies of American John Hughes.
1.4The intricate Terminator 2 DVD menu offers viewers chances to learn about development and screenplay.
1.5T2 DVD menu: design, storyboard and casting.
1.6T2 DVD menu: Location and set design.
1.7T2 DVD menu: production, make-up, cinematography and stunts.
1.8T2 DVD menu: weapons and Industrial Light and Magic.
1.9T2 DVD menu: video image and process photography.
1.10T2 DVD menu: special effects, post-production, editing, and sound design.
1.11T2 DVD menu: restoration, omitted scenes and publicity.
1.12T2 DVD menu: teasers and trailers, press materials, promotions and critical response.
1.13T2 DVD menu: merchandising catalog, epilogue and disc credits.
2.1Leeches! DVD cover.
3.1Rose breaks down and cries in Doctor Who.
3.2The use of gesture in 24President Logan gives Chief of Staff Cummings a direct order.
4.1Trailer for theatrical release of Brother Bear intersperses final animation with original line drawings.
4.2Disc one host, Zazu, presents The Lion Kings digital dominion.
4.3The majestic world fable of The Lion King.
Acknowledgments
This collection emerged from a conference held at the University of Warwick in April 2005. The conference would not have been possible without the generous support of the Universitys Humanities Research Center. We are grateful to the delegates and speakers, some of whom are contributors to this volume, who made the event so successful and inspired us to develop the project further. Special thanks must also go to the Centers secretary, Sue Dibben, who helped to organize the event.
Warwicks Department of Film and Television Studies was instrumental in the formation of the project. The department offered an intellectually stimulating but also an extremely supportive environment, one which encouraged doctoral students to develop research with an international profile. Too many people contribute to making the department what it is to single out any individual, but thanks go to them all. James Bennett would also like to thank London Metropolitan Universitys Research Capability Fund for support in completing the final phases of the book.
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