Julia A B Hegewald - Re-Use: The Art and Politics of Integration and Anxiety

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Re-useThe Art and Politics of Integration and Anxiety

Re-useThe Art and Politics of Integration and Anxiety

EDITED BY
JULIA A. B. HEGEWALD
SUBRATA K. MITRA

Copyright Julia A. B. Hegewald and Subrata K. Mitra, 2012

All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage or retrieval system, without permission in writing from the publisher.

First published in 2012 by

	SAGE Publications India Pvt Ltd B1/I-1 Mohan Cooperative Industrial Area Mathura Road, New Delhi 110 044, India www.sagepub.in
SAGE Publications Inc 2455 Teller Road Thousand Oaks, California 91320, USA
SAGE Publications Ltd 1 Olivers Yard 55 City Road London EC1Y 1SP, United Kingdom
SAGE Publications Asia-Pacific Pte Ltd 3 Church Street #10-04 Samsung Hub Singapore 049483

Published by Vivek Mehra for SAGE Publications India Pvt Ltd

Library of Congress Cataloging-in-Publication Data
Re-usethe art and politics of integration and anxiety/edited by Julia A.B. Hegewald and Subrata K. Mitra.
p. cm.
Includes bibliographical references and index.
1. Historic preservationIndia. 2. Politics and cultureIndia. 3. Social changeSouth Asia. 4. Historic preservationPolitical aspectsIndia. 5. Historic buildingsConservation and restorationIndia. 6. Historic buildingsRemodeling for other useIndia. 7. ArchitectureConservation and restorationIndia. 8. Art and stateIndia. 9. IndiaCultural policy. 10. IndiaReligious life and customs. I. Hegewald, Julia A. B. II. Mitra, Subrata Kumar, 1949III. Title: Re-use.

DS419.R48 363.690954dc23 2011 2011051202

ePub ISBN: 9788132116660

---

The SAGE Team: Gayeti Singh, Arpita Dasgupta, and Rajinder Kaur

The editors dedicate this book to
the countless generations of anonymous re-users in South Asia
who have striven to put the infinite into the finite,

whose creative efforts have kept alive the past linked to the present,
and who have contributed to bridging the worlds of re-use and scholarship .

Thank you for choosing a SAGE product! If you have any comment, observation or feedback, I would like to personally hear from you. Please write to me at

Vivek Mehra, Managing Director and CEO,
SAGE Publications India Pvt Ltd, New Delhi

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This e-book is also available as a printed book.

CONTENTS

Art and Politics: The Dialectics of Duality, Affinity and Confluence

Towards a Theory of Re-use: Ruin, Retro and Fake Versus Improvement, Innovation and Integration

The Past in the Present: Temple Conversions in Karnataka and Appropriation and Re-use in Orissa

Chola and Neo-Chola Temple Architecture in and around Kumbakonam, Tamil Nadu

Indian Jewellery and Nineteenth-century Britain: Evolving Patterns of Re-use

Re-use in the Yakshagana Theatre of Coastal Karnataka

Indian Painting at the Beginning of the Twentieth Century: Modernism and Re-use of Ancient Pictorial Traditions

Politics of Art and the Art of Politics: Re-use of Tribal Arts and Artefacts in Modern Orissa

Another Form of Re-use? Institutional Continuity and Indigenisation of Westminster Parliamentarianism and Western Party Politics in Post-colonial India

Myth, Idea, Dream and Vision: Nehrus Discovery of India

Use and Re-use of Pakistan in the Indian Muslim Press (193247)

Buddhism and Collective Emancipation in Modern India: B. R. Ambedkars Re-use of the Buddhas

The Jain Way of Life: Modern Re-use and Reinterpretation of Ancient Jain Concepts

Icons, Nations and Re-use: Marianne, France and Bharat Mata, India

The Abaneri Kunda, Rajasthan, a water structure (ninth c. CE and later) which originally was associated with the neighbouring temple, is today used as the local police headquarters.

Re-used temple columns in the Quwwat-ul-Islam Masjid in Delhi, commenced in 1193 CE (top), and later pillars produced for subsequent extensions which clearly reflect the earlier examples (bottom).

A Jaina statue of Parshvanatha in cave no. 8 on Khandagiri Hill, Orissa, has been transformed and reconsecrated as a representation of the Hindu god Vishnu Narayana.

The Shantinatha Jaina Temple on Vaibhara Hill at Rajgir, Bihar, re-uses the appearance of an Islamic tomb as a means of protection and a signal of alignment.

The dress and attire of door guardians ( dvarapalas ) on the torana gateways at Sanchi (ca. first c. CE), Madhya Pradesh, reflect contacts with people of Western Asian and Greek origins.

A Hindu temple dedicated to the goddess Kali has been constructed immediately at the front of the entrance of the ancient Buddhist cave at Karli (second c. CE), Maharashtra.

View from the Jaina temples on Mount Shatrunjaya, Gujarat, towards the Islamic enclosure sacred to Angar Pir, located on the same hill.

After the departure of the British, the President and the democratically elected Parliament re-used the state buildings of the Raj in Delhi to govern the independent Republic of India.

The fifteenth-century wall paintings adorning the chapels of the Kumbum, a large stupa at Gyantse in Tibet, were painted by Newari artists from the Kathmandu Valley in Nepal.

This seven-storeyed Pagoda dating from the Goreyeo period (eleventh c. CE) in Seoul, South Korea, represents a local re-use and adaptation of the form of the Buddhist stupa originating in India.

Mayo College at Ajmer, Rajasthan, was designed (187585) in the eclectic Indo-Saracenic style.

The late nineteenth-century Rajabai Clocktower and University Library illustrate the Gothic revival in Bombay (left), and the stupa on Dhauli Hill (right) is an example of the modern Buddhist revival in Orissa.

Although the Megudi Temple at Hallur has been converted to Vira-Shaiva use, it preserves its former Jaina sculptures on the outside.

The principal Jina of the former Jaina temple at Hallur has been taken down from its pedestal and smeared with ashes.

The roof shrine of the Jaina temple at Hallur has not been given a new function by the Lingayats using the temple today.

Frontal view of the Doddappa Temple in Adargunchi village with the paduka platform and linga decorations adorning the porch.

The image chamber of the Adargunchi temple accommodates a converted statue of a Tirthankara as well as a Shiva linga .

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