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Morris Berman - The Twilight of American Culture

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Amazon.com Review *If you have finally had it with CNN and Hollywood and John Grisham and New Age spirituality, then pull up a chair, unplug your phone (beeper, TV, fax machine, computer, etc.), and give me a few hours of your time. I promise to do my best not to entertain you.* A slightly forbidding introduction to a book, but indicative of its authors disgust at the homogenized McWorld in which we live, and an enticing challenge to read on. As the title *The Twilight of American Culture* suggests, Morris Bermans outlook is somewhat bleak. Analogizing the contemporary United States to the late Roman Empire, Berman sees a nation fat on useless consumption, saturated with corporate ideology, and politically, psychically, and culturally dulled. But he believes that this behemoth--what Thomas Frank called the multinational entertainment oligopoly--must buckle under its own weight. His hope for a brighter tomorrow lies in a modern monastic movement, in which keepers of the enlightenment flame resist the constant barrage of spin and hype. Ironically, despite his disdain for the fashionable patois of postmodernism, he approvingly quotes poststructuralist theorist Jean-Franois Lyotards maxim elitism for everybody in describing this cadre of idiosyncratic, literate devotees, these new monks. Berman is plainspoken and occasionally caustic. *The Twilight of American Culture* is an informed and thought-provoking book, a wake-up call to a nation whose powerful minority has become increasingly self-satisfied as their stock options ripen, while an underclass that vastly outnumbers the e-generation withers on the vine and cannot locate itself on any map. It is a quick and savage read that aims to get your eyes off this computer, your nose out of that self-help book, and send you back to thought and action. *--J.R.* From Publishers Weekly American culture is in crisis, argues Berman, pointing out that millions of high school graduates can barely read or write; common words are misspelled on public signs; most Americans grow old in isolation, zoning out in front of TV screens; and 40% of American adults [do] not know that Germany was our enemy in World War II--never mind that most students dont even want to learn Greek or Latin. Bermans lament that like ancient Rome [American culture] is drifting into an increasingly dysfunctional situation at first makes his book seem like a neoconservative treatise along the lines of the late Allan Blooms The Closing of the American Mind. But Berman, who teaches in the liberal arts masters program at Johns Hopkins University, doesnt locate the cause of this malaise in multiculturalism or postmodernism, as Bloom did (although he is no fan of either one), but rather in the increasing dominance of corporate culture and the global economy, which he claims creates a homogenous business and consumer culture that disdains art, beauty, literature, critical thinking and the principles of the Enlightenment. Bermans provocative remedy is to urge individuals who are appalled by this McWorld to become sacred/secular humanist monks who renounce commercial slogans and the fashionable patois of postmodernism and pursue Enlightenment values. While Bermans eclectic approach often makes for engaging reading, his quirky and almost completely theoretical solutions are unlikely to galvanize many readers. Agent, Candice Fuhrman. (June) Copyright 2000 Reed Business Information, Inc.

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Page i The Twilight of American Culture Page iii - photo 1
Page i
The Twilight of American Culture
Page iii
ALSO BY MORRIS BERMAN
Social Change and Scientific Organization
Trilogy on Human Consciousness:
The Reenchantment of the World
Coming to Our Senses:
Body and Spirit in the Hidden History of the West
Wandering God:
A Study in Nomadic Spirituality
Page v
The Twilight of American Culture
Morris Berman
Page vi Copyright 2000 by Morris Berman All rights reserved Printed - photo 2
Page vi
Copyright 2000 by Morris Berman
All rights reserved
Printed in the United States of America
First Edition
Excerpt from A Canticle for Leibowitz by William Miller reprinted by permission of Harper Collins Publishers Inc. Copyright 1959 by Walter Miller, Jr. Excerpt from "This Book Is for Magda" by Lew Welch reprinted by permission of Grey Fox Press. Ring of Bone copyright 1973 by Grey Fox Press.
For information about permission to reproduce selections from this book, write to
Permissions, W. W. Norton & Company, Inc.,
500 Fifth Avenue, New York, NY 10110
The text of this book is composed in Fairfield Light with the display set in Futura Light
Composition by Molly Heron
Manufacturing by Quebecor World Book Services
Book design by JAM Design
Library of Congress Cataloging-in-Publication Data
Berman, Morris, 1944
The twilight of American culture / Morris Berman.
p. cm.
Includes bibliographical references and index.
ISBN 0-393-04879-9
1. United StatesCivilization19702. United StatesSocial conditions1980
3. Popular cultureUnited States. 4. CorporationsUnited StatesSociological
aspects. 5. Mass society. 6. Monastic and religious lifeEuropeHistoryMiddle
Ages, 6001500. 7. Education, HumanisticUnited StatesPhilosophy. I. Title.
E169.12.B394 2000
973.92dc21 00-020416
W. W. Norton & Company, Inc., 500 Fifth Avenue, New York, N.Y. 10110
www.wwnorton.com
W. W. Norton & Company Ltd., 10 Coptic Street, London WC1A 1PU
1 2 3 4 5 6 7 8 9 0
Page vii
FOR THREE FRIENDS:
KELLY GERLING
JANE SHOFER
JOHN WHITNEY
Page ix
Contents
Acknowledgments
xiii
Introduction: The American Crisis
1. Collapse, or Transformation?
2. The Monastic Option
Intermezzo: The Testimony of Literature
3. The Dialectic of Enlightenment
4. The Monastic Option in the Twenty-First Century
5. Alternative Visions
Notes
Index

Page xi
Picture 3
No people can be both ignorant and free.
Thomas Jefferson
Picture 4
When a population becomes distracted by trivia, when cultural life is redefined as a perpetual round of entertainments, when serious public conversation becomes a form of baby-talk, when, in short, a people become an audience and their public business a vaudeville act, then a nation finds itself at risk; culture-death is a clear possibility.
Neil Postman, Amusing Ourselves to Death
Page xiii
Acknowledgments
My greatest debt is to my friend and colleague Kelly Gerling, who read the entire manuscript more than once and provided numerous suggestions and invaluable editing. Jane Shofer and Alain Carrire were also helpful in giving me detailed feedback on the original version of the book, and John Whitney was, as usual, generous with his time as my research assistant and good-natured, if relentless, as a critic. Patricia Wertman at the Library of Congress was kind enough to provide me with documents from the Congressional Research Service relevant to the entitlement question discussed in Chapter 1; Paul Dutton of Simon Fraser University steered me toward several of the sources on monasticism cited in Chapter 2; and Ann Medlock and A.T. Birmingham-Young at the Giraffe Project provided background information on a few of the "monks" described in Chapter 4. Errors that remain are my responsibility alone.
I also owe a great debt to my agent, Candice Fuhrman, who believed in this book and stood by me as we collected ironic evidence for the thesis in the form of rejection letters from publishers who, in coded form, told her that they didn't think they could make a bundle on it. Part of me was tempted to publish these in an appendix, for the reader's amusement, because, as I remarked to Candice, "they rest my case." Somehow, I refrained; but the reader should be aware if he or she is
Page xiv
not already, that in a situation in which major conglomerates control almost all of America's intellectual property and are primarily interested in multimillion-dollar contracts for books on Bill and Monica (or whatever), this amounts to a cultural censorship almost as powerful as that which obtained in the former Soviet Union. You are, of course, free to buy and read anything you choose in the United States, but in terms of what's made available via the world of commercial publishing, 96 percent of it is pretty much the same stuff.
Which brings me to my final thank you, namely, to my editor at W. W. Norton, Robert Weil. Norton is the only major independent commercial publisher left in the United States, and Bob is probably one of the few editors still around who has this crazy idea that if there is any hope for American culture and American publishing, the bottom line is going to have to be about more than just sales. Without him, no book.
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