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Michael Keane - Chinas New Creative Clusters: Governance, Human Capital and Investment

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Recognising that creativity is a major driving force in the post-industrial economy, the Chinese government has recently established a range of creative clusters industrial parks devoted to media industries, and arts districts in order to promote the development of the creative industries. This book examines these new creative clusters, outlining their nature and purpose, and assessing their effectiveness. Drawing on case studies of a range of cluster models, and comparing them with international examples, the book demonstrates that creativity, both in China and internationally, is in fact a process of fitting new ideas to existing patterns, models and formats. It shows how large and exceptionally impressive creative clusters have been successfully established, but raises the important questions of whether profit or culture is the driving force, and of whether the bringing together of independent-minded, creative people, entrepreneurial businessmen, preferential policies and foreign investment may in time lead to unintended changes in social and political attitudes in China, including a weakening of state bureaucratic power. An important contribution to the existing literature on the subject, this book will be of great interest to scholars of urban studies, cultural geography, cultural economics and Asian studies.

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Chinas New Creative Clusters Recognising that creativity is a major driving - photo 1
Chinas New Creative Clusters
Recognising that creativity is a major driving force in the post-industrial economy, the Chinese government has recently established a range of creative clusters industrial parks devoted to media industries, and arts districts in order to promote the development of the creative industries.
This book examines these new creative clusters, outlining their nature and purpose, and assessing their effectiveness. Drawing on case studies of a range of cluster models, and comparing them with international examples, the book demonstrates that creativity, both in China and internationally, is in fact a process of fitting new ideas to existing patterns, models and formats. It shows how large and exceptionally impressive creative clusters have been successfully established, but raises the important questions of whether profit or culture is the driving force, and of whether the bringing together of independent-minded, creative people, entrepreneurial businessmen, preferential policies and foreign investment may in time lead to unintended changes in social and political attitudes in China, including a weakening of state bureaucratic power. An important contribution to the existing literature on the subject, this book will be of great interest to scholars of urban studies, cultural geography, cultural economics and Asian studies.
Michael Keane is an ARC Centre Fellow at the Australian Research Council Centre of Excellence for Creative Industries and Innovation, Queensland University of Technology, Brisbane. His research interests include Chinas cultural and media policy, creative clusters in China and East Asia and East Asian cultural exports.
Media, Culture and Social Change in Asia
Series Editor: Stephanie Hemelryk Donald
RMIT University Melbourne
Editorial Board:
Devleena Ghosh, University of Technology, Sydney
Yingjie Guo, University of Technology, Sydney
K.P. Jayasankar, Unit for Media and Communications, Tata Institute of Social
Sciences, Bombay
Vera Mackie, University of Melbourne
Anjali Monteiro, Unit for Media and Communications, Tata Institute of Social
Sciences, Bombay
Laikwan Pang, Chinese University of Hong Kong
Gary Rawnsley, University of Leeds
Ming-yeh Rawnsley, University of Leeds
Adrian Vickers, University of Sydney
Jing Wang, MIT
The aim of this series is to publish original, high-quality work by both new and established scholars in the West and the East, on all aspects of media, culture and social change in Asia.
1 Television Across Asia
Television industries, programme
formats and globalisation
Edited by Albert Moran and
Michael Keane
2 Journalism and Democracy in
Asia
Edited by Angela Romano and
Michael Bromley
3 Cultural Control and Globalization
in Asia
Copyright, piracy and cinema
Laikwan Pang
4 Conflict, Terrorism and the Media
in Asia
Edited by Benjamin Cole
5 Media and the Chinese
Diaspora
Community, communications and
commerce
Edited by Wanning Sun
6 Hong Kong Film, Hollywood and
the New Global Cinema
No film is an island
Edited by Gina Marchetti and Tan
See Kam
7 Media in Hong Kong
Press freedom and political
change 19672005
Carol P. Lai
8 Chinese Documentaries
From dogma to polyphony
Yingchi Chu
9 Japanese Popular Music
Culture, authenticity and power
Carolyn S. Stevens
10 The Origins of the Modern
Chinese Press
The influence of the Protestant
missionary press in late Qing
China
Xiantao Zhang
11 Created in China
The great new leap forward
Michael Keane
12 Political Regimes and the Media
in Asia
Edited by Krishna Sen and Terence
Lee
13 Television in Post-Reform China
Serial dramas, Confucian
leadership and the global
television market
Ying Zhu
14 Tamil Cinema
The cultural politics of Indias
other film industry
Edited by Selvaraj Velayutham
15 Popular Culture in Indonesia
Fluid identities in postauthoritarian
politics
Edited by Ariel Heryanto
16 Television in India
Satellites, politics and cultural
change
Edited by Nalin Mehta
17 Media and Cultural Transformation
in China
Haiqing Yu
18 Global Chinese Cinema
The culture and politics of hero
Edited by Gary D. Rawnsley and
Ming-Yeh T. Rawnsley
19 Youth, Society and Mobile Media
in Asia
Edited by Stephanie Hemelryk
Donald, Theresa Dirndorfer
Anderson and Damien Spry
20 The Media, Cultural Control and
Government in Singapore
Terence Lee
21 Politics and the Media in
Twenty-First Century Indonesia
Edited by Krishna Sen and David
T. Hill
22 Media, Social Mobilization and
Mass Protests in Post-colonial
Hong Kong
The power of a critical event
Francis L. F. Lee and Joseph M.
Chan
23 HIV/AIDS, Health and the Media
in China
Imagined immunity through
racialized disease
Johanna Hood
24 Islam and Popular Culture in
Indonesia and Malaysia
Edited by Andrew N. Weintraub
25 Online Society in China
Creating, celebrating, and
instrumentalising the online
carnival
Edited by David Kurt Herold and
Peter Marolt
26 Rethinking Transnational
Chinese Cinemas
The Amoy-dialect film industry in
Cold War Asia
Jeremy E. Taylor
27 Film in Contemporary Southeast
Asia
Cultural interpretation and social
intervention
Edited by David C. L. Lim and
Hiroyuki Yamamoto
28 Chinas New Creative Clusters
Governance, human capital, and
investment
Michael Keane
Chinas New Creative Clusters
Governance, human capital and
investment
Michael Keane
Chinas New Creative Clusters Governance Human Capital and Investment - image 2
First published 2011 by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Simultaneously published in the USA and Canada
by Routledge
711 Third Ave, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2011 Michael Keane
The right of Michael Keane to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
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