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Gil Richard Musolf - Conflict and Forced Migration: Escape from Oppression and Stories of Survival, Resilience, and Hope

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It is headline news that forced migration due to conflict, persecution, and violence is a world-wide human catastrophe in which over 68 million people have been displaced. The United Nations High Commissioner for Refugees (UNHCR) currently reports that one in every 110 people are forced to flee their homes and that someone is forced to flee their home every two seconds. Over 40 million people are internally displaced persons, people who have fled their homes but remain in their home country. Over 25 million are refugees, people who have forsaken their homes and homeland. They have crossed their countrys borders seeking safety and refuge.
This volume brings together a wide variety of contributors, from scholars and a psychiatric social worker, to former refugees who were resettled in the United States and a mural artist, to explore the current face of migration conflict. Including personal narratives, academic papers, and artistic research, this volume is split into four sections, looking at the social structure of conflict, voices of resilience, humanitarian advocacy, and art and hope. This timely collection is a relevant book for courses in sociology, anthropology, political science, and courses centering on the global problem of conflict and forced migration.

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CONFLICT AND FORCED MIGRATION
STUDIES IN SYMBOLIC
INTERACTION
Series Editor: Norman K. Denzin
Recent Volumes:
Volumes 135:
Studies in Symbolic Interaction
Volume 36:
Blue Ribbon Papers: Interactionism: The Emerging Landscape
Volume 37:
Studies in Symbolic Interaction
Volume 38:
Blue Ribbon Papers: Behind the Professional Mask: The Self-revelations of Leading Symbolic Interactionists
Volume 39:
Studies in Symbolic Interaction
Volume 40:
40th Anniversary of Studies in Symbolic Interaction
Volume 41:
Radical Interactionism on the Rise
Volume 42:
Revisiting Symbolic Interaction in Music Studies and New Interpretive Works
Volume 43:
Symbolic Interaction and New Social Media
Volume 44:
Contributions from European Symbolic Interactionists: Reflections on Methods
Volume 45:
Contributions from European Symbolic Interactionists: Conflict and Cooperation
Volume 46:
The Astructural Bias Charge
Volume 47:
Symbolic Interactionist Takes on Music
Volume 48:
Oppression and Resistance: Structure, Agency, and Transformation
Volume 49:
Carl J. Couch and the Iowa School: In His Own Words and In Reflection
Volume 50:
The Interaction Order
STUDIES IN SYMBOLIC INTERACTIONVOLUME 51
CONFLICT AND FORCED
MIGRATION: ESCAPE FROM
OPPRESSION AND STORIES
OF SURVIVAL, RESILIENCE,
AND HOPE
EDITED BY
GIL RICHARD MUSOLF
Central Michigan University, USA
Emerald Publishing Limited Howard House Wagon Lane Bingley BD16 1WA UK First - photo 1
Emerald Publishing Limited
Howard House, Wagon Lane, Bingley BD16 1WA, UK
First edition 2019
Copyright Chapter 4 The Rock in the Stream Mari Malek, 2019, published under exclusive license. All other chapters and editorial matter Emerald Publishing Limited, 2019.
Reprints and permissions service
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No part of this book may be reproduced, stored in a retrieval system, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without either the prior written permission of the publisher or a license permitting restricted copying issued in the UK by The Copyright Licensing Agency and in the USA by The Copyright Clearance Center. Any opinions expressed in the chapters are those of the authors. Whilst Emerald makes every effort to ensure the quality and accuracy of its content, Emerald makes no representation implied or otherwise, as to the chapters suitability and application and disclaims any warranties, express or implied, to their use.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
ISBN: 978-1-83867-394-9 (Print)
ISBN: 978-1-83867-393-2 (Online)
ISBN: 978-1-83867-395-6 (EPub)
ISSN: 0163-2396 (Series)
CONTENTS Gil Richard Musolf Part I The Social Structure of Conflict Gil Richard - photo 2
CONTENTS
Gil Richard Musolf
Part I
The Social Structure of Conflict
Gil Richard Musolf
Michael J. Papa and Wendy H. Papa
Ula Sunata
Part II
Voices of Survival, Resilience, and Hope
Mari Malek
Nafije Krasniqi Prishtina
Derick Abrigu and Mara Silva
Kim Schultz
Edward Ou Jin Lee and Abelardo Len
Part III
Humanitarian Advocacy
Leticia Villarreal Sosa, Myrna McNitt and Erna Maria Rizeria Dinata
Karen Gordon
Gail Vignola
Part IV
Art and Hope
Alexandra Christian Budny
Joel Bergner
LIST OF CONTRIBUTORS
Derick Abrigu
San Diego State University, USA
Derick Abrigu is a Graduate Researcher completing a dual Masters degree in Public Administration and Latin American Studies with a focus on forced migration issues at San Diego State University, San Diego, USA. He holds a Bachelors in Anthropology and Political Science from Concordia University, Montreal, Canada, his home.
He has been passionate with respect to the theme of irregular migration for several years now, a development that stems from his life experiences as a second generation Peruvian migrant to Canada. From an early age, he was exposed to the nuances of a flawed immigration system, as he witnessed the disappearance/deportation of family and friends. Filled with a determination to respond to these injustices, he has dedicated his vocation to address the fundamental flaws of our global immigration policy structure.
Currently, he is completing his thesis, a comparative ethnographic study of the Mexico-US borderlands, where he works with vulnerable populations in Tijuana and Mexicali, Baja California, Mexico, including repatriated Mexican nationals and in-transit migrants from various countries.
Joel Bergner
Brooklyn, USA
Joel Bergner (aka Joel Artista) is an Artist, Educator, and Organizer of community-based public art initiatives with youth and families around the world. He works in acrylic and aerosol, creating elaborate paintings and public murals that explore social topics and reflect a wide array of artistic influences. Joel has facilitated community mural projects in Syrian refugee camps in the Middle East, juvenile detention centers in the US, and the shantytowns of Kenya, India, and Brazil. He earned his BA in Sociology from the University of Illinois, Chicago and has a background in counseling youth with various mental health issues. These experiences inform his current work addressing issues of trauma related to violence conflict, displacement, and social marginalization. For each project, he partners with local residents and organizations to give a platform to people in highly challenging circumstances to explore issues that are important to them, learn valuable skills and uplift their environment through public art. These social projects have featured partnerships with dozens of local and international institutions, including UNICEF, Mercy Corps, and the Open Society Initiative. Joels work has been featured extensively in media, including Al-Jazeera English, NPR (National Public Radio), Arise TV, Reuters, AFP (Agence-France Presse), Voice of America, the New York Times, TIME magazine, and the Washington Post, among many others. His work has also been published in the books Street Art San Francisco and Mural Art Volume 3.
Alexandra Christian Budny
University of California, USA
Alexandra Christian Budny, PhD, is a recent Graduate in Rhetoric, Interdisciplinary Humanities and the Arts through the doctoral Rhetoric program at the University of California, Berkeley. She received her BA in the Arts and International Studies from Northwestern University, with additional studies at the Universit di Bologna, Italy, as well as an MA in Rhetoric at the University of California, Berkeley. Her research and teaching interests revolve around questions of narrative and the arts capacities to not just reveal and reflect, but constitute, challenge, and change in arenas of understanding, identity, and community/belonging. After her training in the fields of agency, subjectivity and personhood, affect theory and aesthetics, and empathy and human rights through the arts, she arrived at the nexus of narrative and Refugee/Forced Migration studies. Her work here focuses on the particular project of the Refugee and Forced Migration
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