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Gabrielle Chan - Rusted Off: Why country Australia is fed up

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Gabrielle Chan Rusted Off: Why country Australia is fed up
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Telling the story of Australia as it is today, Gabrielle Chan has gone hyper-local. In Rusted Off, she looks to her own rural communitys main street for answers to the big questions driving voters. Why are we so fed up with politics? Why are formerly rusted-on country voters deserting major parties in greater numbers than their city cousins? Can ordinary people teach us more about the way forward for government? In 1996 the same year as Pauline Hanson entered parliament Gabrielle, the city-born daughter of a Chinese migrant, moved to a sheep and wheat farm in country New South Wales. She provides a window into her community where she raised her children and reflects on its lessons for the Australian political story. It is a fresh take on the old rural narrative, informed by class and culture, belonging and broadband, committees and cake stalls, rural recession and reconciliation. Along the way, Gabrielle recounts conversations with her fellow residents, people who have no lobby group in Canberra, so we can better understand lives rarely seen in political reporting. She describes communities that are forsaking the political process to move ahead of government. Though sometimes facing polar opposite political views to her own, Gabrielle learns the power of having a shared community at stake and in doing so, finds an alternative for modern political tribal warriors.

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I always knew I wanted to write about the country but it was still a daunting - photo 1

I always knew I wanted to write about the country, but it was still a daunting task. I wanted to tell the stories of people on my main street, and it was the encouragement and help of the subjects themselves that pushed me on. Rusted Off would be nothing without this generosity. If you see your words or echoes in these pages, I hope you understand my deep gratitude. The Levett familys message from the heart of Wiradjuri country showed me a way forward for Australia. The Minogue family story was integral to this project. Ayoub, thanks for your courage. Adrian Stadtmiller, as a fellow writer, was a particularly handy sounding board. Thanks also to Martin Parkinson and Jack Archer, who, as public figures, shared their personal stories in a challenging environment. The Harden Historical Society provided invaluable resources; John Daley and Dani Wood at the Grattan Institute kept my sentiment in check; Andrew Markuss work on social cohesion has been fundamental for me to understand the broader national story.

It was one thing to absorb the stories, but another altogether to craft them into a book that makes sense. So thanks to Nikki Christer for acknowledging the germ of an idea. Meredith Curnow and Catherine Hill implicitly understood and respected my voice from the start while helping me to get the most out of the material for the reader. Guardian Australia editor and friend Lenore Taylor gave me airspace to land this plane. George Megalogenis, Lucy Clark and Katharine Murphy are the holy trinity of writing therapy. Their feedback at important stages and their enduring friendship were crucial. Mike Bowers put a bit of steel in my spine during a crisis of confidence and reminded me that the only thing worse than writing this story would be not writing it.

Thanks also to Tony Willsallen, Gabriel Mellick, Robert Hanan and Gail Shaw, who opened the gate to the house paddock. To my parents, Bill and Jenny, thank you for teaching me the value of observation, context and compassion. To our children, Genevra, Ali and Harry, thanks for your love and patience through a time of deep distraction. And heres to the farmer, who blew my mind from the very start and set my life on the wholly different path that led to this book.

A Vintage Australia book

Published by Penguin Random House Australia Pty Ltd

Level 3, 100 Pacific Highway, North Sydney NSW 2060

penguin.com.au

First published by Vintage Australia in 2018 Copyright Gabrielle Chan 2018 The - photo 2

First published by Vintage Australia in 2018

Copyright Gabrielle Chan 2018

The moral right of the author has been asserted.

All rights reserved. No part of this book may be reproduced or transmitted by any person or entity, including internet search engines or retailers, in any form or by any means, electronic or mechanical, including photocopying (except under the statutory exceptions provisions of the Australian Copyright Act 1968 ), recording, scanning or by any information storage and retrieval system without the prior written permission of Penguin Random House Australia.

Addresses for the Penguin Random House group of companies can be found at global.penguinrandomhouse.com/offices.

ISBN 978-0-143-78929-1

Cover image iStock

Cover design by Ella Egidy Penguin Random House Pty Ltd

Dedicated to Harden-Murrumburrah and small towns everywhere

I dont know if theres a moment when you realise you belong to a place a - photo 3

I dont know if theres a moment when you realise you belong to a place, a landscape or a culture. I do know when I was first offended by an outsiders view of my small town, the town in which my children were born and raised; the place in which I first understood a sense of belonging, of community and the impulse to protect it.

A reporter had appeared on the trail of a missing girl, a sad story of loss. It was a mystery potentially involving foul play, a story that still grips me as a resident and a storyteller. This Sydney-based journalist stayed in the local motel and wrote up a storm. It is something I have done regularly, particularly when Ive followed politicians during election campaigns. The headline of the piece was From the land of fear, loss and dark secrets. It portrayed a shire masked in shadow. According to the report, I was living in a deserted, desolate, hopeless town. We had left behind our glory days of the gold rush, the railway era and bumper crops, to become a place in which Scarecrows stalk the main street, where giant spiders have invaded the towns only motel. Beyond isolation, drought and the desperation of such a combination, theres an unhealthy mix of the unknown, unbelievable and uncertain...

Using the true story of the tragic disappearance of a teenage girl, the journalist neatly packaged my home into the quintessential redneck small settlement with a dark past, in the tradition of weirdo country towns featured in horror stories such as The Cars That Ate Paris , Harvest Home or Wake in Fright . Cut to halfwit [in country drawl]: You dont come from around here, do ya?

As someone who has an eye for detail and atmosphere, I couldnt blame the reporter. I had drawn my own fast and loose conclusions of other places, so let she who is without sin cast the first stone. And the scarecrows, made by our local kids, were a gift to a visiting writer. Likewise a hairy huntsman spider. Early on in my country life I hit a high-jump record in the shower when one ran up my thigh to escape the water. Quite the horrifying arachnid if you dont appreciate their fly-catching skills.

Locally, there was a collective gasp of shock at the way we were depicted because towns like ours do not hit the national media often. It felt like guilt by location. My first thought was emotional. Fuck you. As it happened, I had worked at the local one-journalist paper a few years before, run by a major news organisation, for whom I was writing, subbing and cleaning the dunny. I wrote my first thought in an editorial taking the piss out of the city-based journalist and his preconceived notions; frightened of spiders but not of stereotypes. It was not quite Banjo Paterson to his Henry Lawson but it made me and my fellow residents feel better.

For all my fulminating, his intervention was more helpful than I could have guessed, because it gave me a glimpse of what it is to be sneered at for your location or class. To be the butt of swift and uninformed judgements. To live with a pronouncement that cannot usually be met with a reply, save the lottery of sending a letter to the editor of a dying newspaper. Dear Sir or Madam, Re your story on my town: get a grip...

I had experienced racism as a kid, but this was the first time I had encountered geographical judgement. And I had the means to fire off an editorial to relieve my frustrations. What of others who noticed those everyday slights, not only of their towns but of their lives, their jobs, their opinions and their choices?

That story was written in 2009. Between 2016 and 2017, the political foundations shifted after a fair swag of the British population voted to leave the European Union, and a chunk (albeit a minority) of Americans voted for Donald Trump as their president. The Australian election in 2016 saw the return of One Nations Pauline Hanson and an increase in seats for the centrist populist Nick Xenophon, making for a larger Senate crossbench than ever before. People such as Australias ex-prime minister Tony Abbott were talking about Senate reform: if the barbarians are at the gate, we must change the rules, otherwise governments will get nothing done.

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