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Gordon S. Barker - The Imperfect Revolution: Anthony Burns and the Landscape of Race in Antebellum America

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Gripping re-examination of the rendition of Anthony Burns

On June 2, 1854, crowds lined the streets of Boston, hissing and shouting at federal authorities as they escorted the fugitive slave Anthony Burns to the ship that would return him to his slaveholders in Virginia. Days earlier, handbills had littered the streets decrying Burnss arrest, and abolitionists, intent on freeing Burns, had attacked with a battering ram the courthouse in which he was detained, leaving one dead, several wounded, and thirteen in custody. In the end it would take federal officials nearly 2,000 troops and $40,000 to send Burns back to Virginia. No fugitive slave would be captured in Boston again.

Carried out under the Fugitive Slave Act of 1850, which permitted slaveholders to seize runaway slaves across state lines by merely testifying ownership, Burnss arrest and Bostons subsequent campaign to free him is generally regarded by scholars as the impetus that spurred the adoption of outright confrontational tactics by abolitionists across the North--an impetus that led, ultimately, to war. Such interpretations, however, gloss over the confusion and chaos many midcentury Bostonians felt over abolition.

Author Gordon Barker challenges the traditionally held notion that the rendition of Anthony Burns fueled an antislavery groundswell in the North. He exposes the diverse beliefs--many of which were less than noble--held by Bostonians struggling to make sense of the racial, class, and ethnic conflicts arising in the city. Drawing on newspaper accounts, cutting-edge scholarship, and Burnss own writings, Barker shows how antislavery sentiments competed with a wide range of other opinions, including the desire to preserve the Union as it was, concerns about law and order, mistrust of whites by their black neighbors, and racism.

A much-needed addition to the study of abolition and antislavery, The Imperfect Revolution will be of value to historians and students.

This is an exciting story of Virginia fugitive slave Anthony Burns, his rising support particularly among Boston abolitionists, and his activism in the cause of freedom. With a captivating writing style, Gordon Barker illustrates Americans great contradiction between its publically stated dedication to human freedom and its acceptance and support of human slavery. This is a stimulating presentation of the antislavery struggle in pre-Civil War America. - James Oliver Horton, author of Free People of Color: Inside the African American Community and coauthor of In Hope of Liberty: Culture, Community, and Protest among Northern Free Blacks 1700-1860 and Slavery and the Making of America

This well-researched and clearly written study gets a new series off to a promising start. The chapter on antislavery life in St. Catherines, Ontario, is especially valuable. - Lewis Perry, author of Radical Abolitionism

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T HE I MPERFECT R EVOLUTION A MERICAN A BOLITIONISM AND A NTISLAVERY John - photo 1
T HE I MPERFECT R EVOLUTION
A MERICAN A BOLITIONISM AND A NTISLAVERY
John David Smith, series editor
The Imperfect Revolution: Anthony Burns and the
Landscape of Race in Antebellum America

Gordon S. Barker
2010 by The Kent State University Press Kent Ohio 44242 A LL RIGHTS RESERVED - photo 2
2010 by The Kent State University Press, Kent, Ohio 44242
A LL RIGHTS RESERVED
Library of Congress Catalog Card Number 2010020012
ISBN 978-1-60635-069-0
Manufactured in the United States of America
Library of Congress Cataloging-in-Publication Data
Barker, Gordon S., 1952
The imperfect revolution : Anthony Burns and the landscape of race in antebellum America / Gordon S. Barker.
p. cm. (American abolitionism and antislavery)
Includes bibliographical references and index.
ISBN 978-1-60635-069-0 (hardcover : alk. paper)
1. Burns, Anthony, 18341862.
2. Burns, Anthony, 18341862Trials, litigation, etc.
3. Fugitive slavesUnited StatesBiography.
4. Fugitive slavesLegal status, laws, etc.United States.
5. Fugitive slavesLegal status, laws, etc.Massachusetts.
6. Antislavery movementsUnited StatesHistory19th century.
7. Antislavery movementsMassachusettsBostonHistory19th century.
8. United States. Fugitive slave law (1850)
9. United StatesRace relations.
I. Title.
E 450. B 93 B 37 2010
973.7115092dc22
[B]
2010020012
British Library Cataloging-in-Publication data are available.
14 13 12 11 10 5 4 3 2 1
For Christiane
Contents
Preface
First Reflections
A lmost ten years ago, reflecting on the outpouring of literature following the publication of Gordon S. Woods The Radicalism of the American Revolution and the famous debate between James M. McPherson and Ira Berlin about Who Freed the Slaves, I became curious about how nineteenth-century blacks viewed the American Revolution. In particular, I wondered whether blacks in antebellum America considered the American Revolution over, and their ongoing struggle independent of that which their white neighbors had waged in the late eighteenth century, or if they believed the Revolution was still raging. I wondered whether Gordon Wood, defining the Revolution as a deep-rooted political and cultural transformation that spanned nearly one hundred years, ending in Jacksonian America, had stopped his periodization a little too soon. When I came upon Anthony Burns embracing Patrick Henrys legendary words Give me Liberty or Give me Death, a philosophy that some 180,000 black Americans also embraced when they took up arms in the American Civil War and transformed it from a war for the Union into a war of liberation, I had my answers.
Many people have helped me in the realization of this project, which had its genesis in a graduate research seminar at the College of William and Mary taught by Carol Sheriff, a brilliant professor who encouraged me to follow my curiosity and who became the second reader on a dissertation committee that most graduate students can only dream of having. Melvin Patrick Ely also provided much encouragement and lent his immeasurable talent and great wisdom as chair of the dissertation committee; Ronald Schechter and Kris Lane provided insights that strengthened the final product; and Robert A. Gross of the University of Connecticut, the external reader, identified key issues for me to explore and incorporate into this book. This work would not have been realized without the support of these remarkable scholars and wonderful individuals.
I have received valuable assistance from librarians and support staff at the Earl Gregg Swem Library of the College of William and Mary, the Bishops University Library, the James A. Gibson Library of Brock University, the Massachusetts Historical Society, the Boston Public Library, the St. Catharines Public Library, and the St. Catharines Museum. Bishops University also provided funding for additional research and prepublication expenses. Marjorie Dawson, Wilma Morrison, and Maggie Parnall, who shared with me their interest in imprinting Anthony Burns in our collective memory, provided me with inspiration and strengthened my determination to bring this project to fruition. Cheryl Porter helped me put together the final manuscript. Lastly, without the support of my family, who patiently put up with a scholar who must, at times, have seemed to be living in nineteenth-century America, this project never would have seen the light of day. My brother George listened to me for hours discussing antebellum race relations; my daughter Nadine spent much time doing research with a historian, dusting off old newspapers and other materialshours that she might have spent with friends. Christiane, the love of my life, shared all my ups and downs throughout this project. To her I dedicate this work.
Prologue
Remembering Anthony Burns
Boston never before was so deeply moved [as during the Burns rendition].... In all her revolutionary experience she never presented such a spectacle.
Boston Daily Evening Transcript, June 2, 1854
Faneuil Hall is the purlieus of the Court House... where the children of Adams and Hancock may prove that they are not bastards. Let us prove that we are worthy of liberty.
Wendell Phillips
I may show the world that the work of 1854 is not in vain.
Anthony Burns
O n a beautiful but cold, windy day in Boston in the spring of 2005, I found myself alone with the two historical interpreters on duty in the Visitor Information Center adjacent to Faneuil Hall. In that venerable building, known also as the cradle of liberty, Bostons leading antislavery activists harangued a boisterous crowd in 1854 two days after the capture of Anthony Burns, soon to be Virginias most famous fugitive slave. Denouncing the Souths peculiar institution and the Fugitive Slave Law of 1850, the abolitionists called for the rescue of Burns from the iron house of bondage. They asked Bostonians to remember their heritage of 1776 and demonstrate their commitment to the principles that had been so valiantly defended by their forefathers.
Having just visited the Great Hall, imagining the excitement that must have filled the air as the likes of Theodore Parker, Wendell Phillips, and Samuel Gridley Howe called for the extension of American liberties to Burns, I asked the first interpreter, an efficient-looking woman busily organizing pamphlets on the counter, Could you tell me about Anthony Burns and what happened here in 1854? She gave me a blank, how-dare-you stare; motioned toward her colleague; and said to me, You will have to ask him. I dont know anything about Anthony Burns. Somewhat taken aback, I hesitantly turned to her serious-looking middle-aged colleague, also white, and said, I would like information on Anthony Burns. He responded curtly, We have no printed material on Burns; the only information on him that we have here is in my head, and about all I know is that Burns was a fugitive slave returned from Boston.
Recognizing my disappointment and obviously seeing a need to put me on the right path, the interpreters immediately told me about the Freedom Trail. They politely advised me to forget about Burns. The Freedom Trail, they stressed, was much more important. They told me that Paul Revere was a particularly interesting figure and said that I should follow the trail of red bricks, which would lead me to the legendary night riders house in the North End. I knew about Paul Reverehis story was one that even my high school history teacher, a man who always spoke in a monotone, could not make dull. But I kept thinking about Anthony Burns.
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