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Rodanthi Tzanelli - Socio-Cultural Mobility and Mega-Events

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Interest around the world has been growing regarding the Brazil 2014 World Cup, not only because of the performances in arts and sports we are accustomed to watching these types of events but the riots raging in the streets against the Government. Because in many senses this event was unique, Tzanellis book deserves our attention and recognition. After McLuhans legacy, this is one of the smartest arguments that explores the connection of arts, globalization and cross national identities.
Maximiliano E. Korstanje, University of Palermo, Argentina.
In her spectacular deconstruction of the Football World Cup in Brazil, Tzanelli demonstrates the designs and disconnections behind the scenes in terms of moving systems of power, culture and chrono-spatiality. Socio-Cultural Mobility and Mega-Events is the first full length, mobilities informed theoretical analysis of a significant mega-event and Tzanelli offers us a subtle and sophisticated account of the ethics and aesthetics of the life-worlds of football.
Kevin Hannam, Leeds Beckett University, UK.
Socio-Cultural Mobility and Mega-Events
In June 2014, Brazil opened the 20th FIFA World Cup with a spectacular ceremony. Hosting the World Cup was a strategic developmental priority for Brazil: mega-events such as these allow the country to be ranked amongst the worlds political and economic leaders, and are supposed to propel the country to its own unique modernity. However, alongside the increased media attention and publicity came accusations of governmental corruption and overspending.
In Socio-Cultural Mobility and Mega-Events, Tzanelli uses Brazils 2014 World Cup to explore how mega-events articulate socio-cultural problems. Critically examining the aesthetics and ethics of mobilities in the mega-event, this book explores these socio-cultural issues and controversies:
the background of staging mega-events, including the bidding process and the hosts expectations for returns;
ceremonial staging and communications between artistic representations and national symbolism;
the clear reaction mega-events almost always generate in national, regional and global activist circles, including accusations of overspending and human rights violations.
This interdisciplinary study will appeal to scholars and students of the sociology of mobility, sociology of globalisation, cultural sociology, social and anthropological theory, as well as the sociology of sport, human and cultural geography, and leisure and tourism studies.
Rodanthi Tzanelli is Associate Professor of Cultural Sociology at the University of Leeds, UK.
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