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Rodanthi Tzanelli - Cinematic Tourist Mobilities and the Plight of Development: On Atmospheres, Affects, and Environments

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Book:
Cinematic Tourist Mobilities and the Plight of Development: On Atmospheres, Affects, and Environments
Author:
Rodanthi Tzanelli
Publisher:
Routledge
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Books / Romance novel
Year:
2018
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It is said that movies have encroached upon social realities creating tourism enclaves based on distortions of history and heritage, or simulations that disregard both. What localities and nation-states value are discarded, suppressed, or modified beyond recognition in neoliberal markets; thus flattening out human experience, destroying natural habitats in the name of development, and putting the future of whole ecosystems at risk.

Without disregarding such developmental risks Cinematic Tourist Mobilities and the Plight of Development explores how, en route to any beneficial or eco-destructive development, film tourist industries co-produce atmospheres of place and culture with tourists/film fans, local activists, and nation-states. Drawing on international examples of cinematically-induced tourism and tourismophobic activism, Tzanelli demonstrates how the allegedly unilateral industry-driven design of location stands at a crossroads between political structures, systems of capitalist development, and resurgent localised agency.

With an interdisciplinary methodological and epistemological portfolio connected to the new mobilities paradigm, this volume will appeal to scholars, students, and practitioners interested in tourism, migration, and urban studies in sociology, anthropology, geography, and international relations.

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Cinematic Tourist Mobilities and the Plight of Development

Without disregarding such developmental risks Cinematic Tourist Mobilities and the Plight of Development explores how, en route to any beneficial or eco-destructive development, film tourist industries co-produce atmospheres of place and culture with tourists/film fans, local activists, and nation-states. Drawing on international examples of cinematically-induced tourism and tourismophobic activism, Tzanelli demonstrates how the allegedly unilateral industry-driven design of location stands at a crossroads between political structures, systems of capitalist development, and resurgent localised agency.

Rodanthi Tzanelli is Associate Professor of Cultural Sociology at the University of Leeds, UK.

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Cinematic Tourist Mobilities and the Plight of Development

On Atmospheres, Affects, and Environments

Rodanthi Tzanelli

For more information about this series, please visit: www.routledge.com/Routledge-Advances-in-Sociology/book-series/SE0511

Cinematic Tourist Mobilities and the Plight of Development

On Atmospheres, Affects, and Environments

Rodanthi Tzanelli

First published 2019

by Routledge

2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

and by Routledge

52 Vanderbilt Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2019 Rodanthi Tzanelli

The right of Rodanthi Tzanelli to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library

Library of Congress Cataloging-in-Publication Data

A catalog record has been requested for this book

ISBN: 978-1-138-38867-3 (hbk)

ISBN: 978-0-429-42442-7 (ebk)

Typeset in Times New Roman

by Wearset Ltd, Boldon, Tyne and Wear

For Majid: sine qua, non sequitur

True genesis is not at the beginning but at the end, and it starts to begin only when society and existence become radical, i.e. grasp their roots.

(Bloch [1986] 1995: 1376)

Each attains its harmony. This harmony is not apart from balance. This stage is referred to by the saying Knowing the white, keep the black, and the illumination of the spirit will come of itself.

(Alchemy for Women, a practical manual on Taoist self-refinement c.1800s)

Contents

NB The maps in this book use the following symbols:

Affective geographies: situating responses

World Heritage Sites and sites of relevant resident/local or national/institutional significance

Filmed sites and/or local cinematically-inspired tourist business

The book drew on particular case studies used in my previous sole-authored publications, often modifying and/or updating findings to address subsequent developments: (2007) The Cinematic Tourist: Explorations in Globalisation, Culture and Resistance, London and New York: Routledge (4849, 5051, 52, 107108, 110); (2013) Heritage in the Digital Era: Cinematic Tourism and the Activist Cause, London and New York: Routledge (42, 5455, 56, 6667, 75, 7879); (2014) Heritage entropy and tourist pilgrimage in Braves Scotland, Hospitality & Society, 4 (2): 155177; (2015) On Avatars (2009) touring semiotechnologies: From cinematic utopias to Chinese heritage tourism, Tourism Analysis, 20 (3): 269282; (2015) Mobility, Modernity and the Slum: The Real and Virtual Journeys of Slumdog Millionaire, New York and Abingdon: Routledge (167); (2016) Game of Thrones to games of sites/sights: Framing events through cinematic transformations in Northern Ireland, in K. Hannam, M. Mostafanezhad and J.M. Rickly-Boyd, Event Mobilities: The Politics of the Everyday and the Extraordinary. London: Routledge, 5267 (5557, 6062); (2016) Thanatourism and Cinematic Representations of Risk: Screening the End of Tourism, New York and Abingdon: Routledge (9899). Permissions were granted by Intellect, Cognizant Communication and Routledge (Taylor & Francis) to reproduce this material in the present book. The maps and the photograph used in the book belong to various Wikimedia users and featured in specific map entries under Creative Commons Licensing.

Dialogues (online and onsite/in person) with Apostolos Ziakas, Maximiliano Korstanje, Adrian Favell, and Nick Emmel, as well as supervision sessions with my doctoral student, Gauthami Kamalika Jayathilaka, helped me improve the books argument. The Routledge teams (especially Emily Briggs and Elena Chius) and the Wearset teams (especially Jonathan Merretts) support in bringing this project to completion has also been invaluable. As always, I am grateful to my partner in life, critical proof reading and cheat days (pizza, curry, and pudding), Majid Yar.

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