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Paul W. Goldschmidt - Pornography And Democratization: Legislating Obscenity In Post-communist Russia

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Explores the politics of pornography and censorship in Russia today as a facet of the overall process of creating a liberal democracy in the Former Soviet Union. In this book, Paul Goldschmidt explores the politics of pornography in Russia today as a facet of the overall process of creating a liberal democracy in the Former Soviet Union. He clarifi

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Pornography and Democratization Pornography and Democratization Legislating - photo 1
Pornography and Democratization
Pornography and Democratization
Legislating Obscenity in Post-Communist Russia
Paul W. Goldschmidt
First published 1999 by Westview Press Inc Published 2019 by Routledge 52 - photo 2
First published 1999 by Westview Press, Inc.
Published 2019 by Routledge
52 Vanderbilt Avenue, New York, NY 10017
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
Copyright 1999 Taylor & Francis
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Notice:
Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
A CIP catalog record for this book is available from the Library of Congress.
ISBN 13 978-0-367-28391-9 (hbk)
Contents
  1. ix
Guide
This project was helped by the cooperation of the following archives and institutes: the State Archives of the Russian Federation (GARF), the Russian State Archives of Literature and Art (RGALI), the Russian Center for the Preservation and Study of Documents of Recent History (RTsKh-IDNI), the library of the Institute of Scientific Information and Social Sciences (INION), the Russian State Library (RGB), and the All-Russia State Library of Foreign Literature (VGBIL). I am particularly indebted to Tarda Feoktist-ova (VGBIL), Evgeniia Rosinskaia (VGBIL), and Ol'ga Anatol'eva (GARF) for helping me find materials. Ol'ga Kuchkina (Komsomol'skaia pravda) dug up resources, encouraged me, and fed me. Oleg Aliakrinskii (Institute of USA and Canada - RAN) shared his contacts with me. My American compatriots in Moscow (David Whipple, Craig O'Neill, Deborah Fields, Scott Palmer, Fran Bernstein, Michael Fox, and Christine Kaier) kept their eyes open for useful material. I thank the people who generously donated their time and granted me interviews: Igor' Kon, Vladimir Solodin, Georgii Andzhaparidze, Leonid Masonov, Iurii Arakcheev, Vladimir Borev, and Natal'ia Krymova. Borev's staffai Video Ass opened their archives to me.
Various other people have provided input over the years on this project. My dissertation committee (Beiden Fields, Roger Kanet, and Marianna Tax Choldin) provided lots of input and encouragement and, moreover, believed in the work. Tania Goriaeva, F. L. Watkins, William Hopkins, Stephen Hill, Natal'ia Pervukhin, Melissa Orlie, Sheila Fitzpatrick, Laura Engelstein, Laurie Bernstein, Andrea Schwartz, Becky Mabry, Andrei Zainouldinov, Otto Boele, Helena Goscilo, and many others gave me useful leads. Larry Miller, Robert Burger, and the other staff at the University of Illinois Slavic Reading Room found some of the most unique sources. Deborah Fields, Ralph Fisher, Sabrina P. Ramet and several anonymous reviewers provided criticism on earlier drafts. Rob Williams and the editorial staff at Westview Press held my hand through the final steps.
Early fieldwork in the Spring of 1994 would not have been possible without the financial assistance of my grandparents and parents (Dorothy Robb; Amb. Arthur E. Goldschmidt, Sr.; Elizabeth Wickenden Gold-schmidt; Arthur E. Goldschmidt, Jr.; and Louise Robb Goldschmidt). The trip itself was made under an exchange between the Russian and East European Center of the University of Illinois and the Russian State University for the Humanities in Moscow. I was also able to make good use of several visits to the University of Illinois library through the Summer Research Lab and the United States Department of Education.
Finally, my family's support, faith in my work, and understand mg went a long way to make this all happen.
Paul W. Goldschmidt
Pornography and Democratization
In the "bad old days" of the Soviet regime, there was allegedly no sex in Russia, but for at least the past decade, there has been sex and in great abundance. Naked bodies adorn even the most mainstream journals and newspapers, movies (both domestic and imported) regularly feature sex scenes, television portrays explicit sex in regular prime time hours, and all of these developments do not even begin to get at the vibrant pornography industry. Pornographic videos (mostly pirated copies of Western-produced films), magazines, newspapers, and live sex-shows can be found in Russia today. There are even pornographic webpages on the Internet that are created and maintained in Russia. Yet, for all this proliferation, there is little official understanding.
In January 1994, Nina Vasil'eva of Moscow stood accused in criminal court of seeking to "propagandize the cult of cruelty and pornography." The prosecution cited as its evidence a latex phallus found in the display case of her street-side kiosk. By having the object out in full public view, argued the prosecutor, she was deliberately trying to corrupt public mores. The court, however, had its doubts. Did the display of a marital aid constitute "pornography" or was this woman merely engaged in legitimate commercial activity? To resolve the issue, the court sought the advice of an art historian, who in turn reasoned that the public display of an imitation phallus was not pornography, nor was it even "erotic" for that matter. The sale of such items was a medical matter and the display of them for the purposes of such sale could no more be forbidden than the display of aspirin or fitness books. The case was far from atypical. On average, Moscow-based art historian Vladimir Borev (whose specific labors we will look at in ) gets 300-400 requests annually from the militsiia to help them figure out what is (illegal) pornography and what is (legal) erotica. Obviously, Russian law enforcement is having trouble with this issue. Why?
The growing visibility of the issue can certainly be blamed on the quantity of pornography in the former Soviet Union (both imported and home-grown), but the problem of controlling it cannot be fully attributed to increasing scale. Russia, as it emerges out of its authoritarian past, has to come to grips with the problems that any democracy faces. One of these problems is pornography. In the old days, the Soviet Union censored obscenity and pornography as a matter of course, along with a large number of other types of speech. As we shall see, such behavior was not unique to the Soviet period but, as we shall see, was a continuation of Russian political behavior that can be traced back to Peter the Great and before.
Since democratization began in Russia, the situation has grown distinctly more complicated. Post-Soviet reforms in the press laws have stressed the importance of rejecting censorship in order to pursue democracy. But rather than promoting actual reform, the relaxation of censorship often seems like an unintended consequence. While there are obscenity statutes, pornography flourishes on the streets. The laws are simply not enforced. Although the lack of enforcement can be attributed to a matter of priorities (i.e., that the militsiia have better things to do than enforce an obscenity statute), part of the problem is the Russian government's difficulty in defining the limits of democratic freedom and the meaning of democracy itself.
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