Andy Bennett - Popular Music, Cultural Memory, and Heritage

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Popular Music, Cultural Memory,
and Heritage

Popular music is increasingly being represented and celebrated as an aspect of contemporary cultural history and heritage. In many places across the world, popular music heritage sites including museums, archives, commemorative plaques adorning buildings, and what could be referred to as DIY music heritage initiatives constitute some of the key ways in which popular music artists, scenes, and events are being remembered. Bringing together a selection of wide-ranging contributions, the purpose of this book is to present a number of case studies from Europe and Australia that demonstrate the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years.

This book was originally published as a special issue of Popular Music and Society.

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Queensland, Australia. He has authored and edited over 20 books including Popular Music and Youth Culture, Music, Style and Aging, and Music Scenes (with Richard A. Peterson).

Susanne Janssen is Professor of Sociology of Media and Culture, and Chair of the Department of Media and Communication at the Erasmus University Rotterdam, the Netherlands. She is also the Academic Director of the Erasmus Research Centre in Media, Communication and Culture. She has published widely on the agents and institutions involved in the creation, dissemination, and valuation of popular music, literature and other art forms.

Popular Music, Cultural Memory,
and Heritage

Popular music is increasingly being represented and celebrated as an aspect of contemporary cultural history and heritage. In many places across the world, popular music heritage sites including museums, archives, commemorative plaques adorning buildings, and what could be referred to as DIY music heritage initiatives constitute some of the key ways in which popular music artists, scenes, and events are being remembered. Bringing together a selection of wide-ranging contributions, the purpose of this book is to present a number of case studies from Europe and Australia that demonstrate the variety of ways in which popular music is being cast as cultural heritage and as a medium that invokes the collective memory of successive generations whose identity and sense of cultural belonging have often been indelibly inscribed by the musical soundscapes of their teen and early adult years.

This book was originally published as a special issue of Popular Music and Society.

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University, Queensland, Australia. He has authored and edited over 20 books including Popular Music and Youth Culture, Music, Style and Aging, and Music Scenes (with Richard A. Peterson).

Susanne Janssen is Professor of Sociology of Media and Culture, and Chair of the Department of Media and Communication at the Erasmus University Rotterdam, the Netherlands. She is also the Academic Director of the Erasmus Research Centre in Media, Communication and Culture. She has published widely on the agents and institutions involved in the creation, dissemination, and valuation of popular music, literature and other art forms.

First published 2017

by Routledge

2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN, UK

and by Routledge

711 Third Avenue, New York, NY 10017, USA

Routledge is an imprint of the Taylor & Francis Group, an informa business

2017 Taylor & Francis

All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing in Publication Data

A catalogue record for this book is available from the British Library

ISBN 13: 978-1-138-70135-9

Typeset in Minion Pro

by RefineCatch Limited, Bungay, Suffolk

Publishers Note

The publisher accepts responsibility for any inconsistencies that may have arisen during the conversion of this book from journal articles to book chapters, namely the possible inclusion of journal terminology.

Disclaimer

Every effort has been made to contact copyright holders for their permission to reprint material in this book. The publishers would be grateful to hear from any copyright holder who is not here acknowledged and will undertake to rectify any errors or omissions in future editions of this book.

Contents

1. i
2. iii
3. iv
4. v

Citation Information

The chapters in this book were originally published in Popular Music and Society, volume 39, issue 1 (February 2016). When citing this material, please use the original page numbering for each article, as follows:

Introduction

Popular Music, Cultural Memory, and Heritage

Andy Bennett and Susanne Janssen

Popular Music and Society, volume 39, issue 1 (February 2016), pp. 17

Chapter 1

Historical Records, National Constructions: The Contemporary Popular Music Archive

Sarah Baker, Peter Doyle and Shane Homan

Popular Music and Society, volume 39, issue 1 (February 2016), pp. 827

Chapter 2

Popular Music and Materiality: Memorabilia and Memory Traces

Andy Bennett and Ian Rogers

Popular Music and Society, volume 39, issue 1 (February 2016), pp. 2842

Chapter 3

Articulations of Identity and Distinction: The Meanings of Language in Dutch Popular Music

Arno van der Hoeven, Susanne Janssen and Simone Driessen

Popular Music and Society, volume 39, issue 1 (February 2016), pp. 4358

Chapter 4

Not Singing in Tune: The Hor 29 Novembar Choir and the Invention of a Translocal Do-It-Yourself Popular Music Heritage in Austria

Rosa Reitsamer

Popular Music and Society, volume 39, issue 1 (February 2016), pp. 5975

Chapter 5

The Aesthetics of Slovene Popular Music for Different Generations of Slovene Listeners: The Contribution of Audience Research

Natalija Majsova

Popular Music and Society, volume 39, issue 1 (February 2016), pp. 7696

Chapter 6

Talk of Heritage: Critical Benchmarks and DIY Preservationism in Progressive Rock

Timothy J. Dowd, Trent Ryan and Yun Tai

Popular Music and Society, volume 39, issue 1 (February 2016), pp. 97125

For any permission-related enquiries please visit:
http://www.tandfonline.com/page/help/permissions

Notes on Contributors

Sarah Baker is Associate Professor and Researcher in Popular Music Studies and Popular Music Heritage at Griffith University, Australia. She is the editor of

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