• Complain
LitArk » Books » Home and family

- - The Canterbury Sound in Popular Music:Scene, Identity and Myth (Emerald Studies in Popular Music and Place)

Here you can read online - - The Canterbury Sound in Popular Music:Scene, Identity and Myth (Emerald Studies in Popular Music and Place) full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2021, publisher: Emerald Publishing, genre: Home and family. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover

The Canterbury Sound in Popular Music:Scene, Identity and Myth (Emerald Studies in Popular Music and Place): summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "The Canterbury Sound in Popular Music:Scene, Identity and Myth (Emerald Studies in Popular Music and Place)" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

This collection is a unique exploration of the heritage and legacy of the Canterbury Sound: a signature style emerging in the 1960s that draws upon psychedelic music, progressive rock, jazz and pop to capture the real and imagined interactions between people, place and music.
The volume recounts the stories, and explores the significance, of the Canterbury Sound as heritage, ongoing legacy and scene. Originating from the experiences and ethnographic research of the three editors, all of whom have lived and worked in Canterbury, the book brings together reflections, stories, and critical insights from well-known musicians, researchers, DIY archivists and fans to explore the Canterbury Sound as an inter-generational phenomenon and a source of cultural identity. Associated with acts like Caravan, Soft Machine, Gong, Robert Wyatt and Kevin Ayers, this romanticised scene has a special place in popular music culture.
Chapters examine the emergence of the Canterbury Sound and the associated scene, including the legacies of key figures in forming the Canterbury Sound aesthetic, the documentation of the scene (online and off) and contemporary scenes within the city, which continues to attract and inspire young people.

The Canterbury Sound in Popular Music:Scene, Identity and Myth (Emerald Studies in Popular Music and Place) — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "The Canterbury Sound in Popular Music:Scene, Identity and Myth (Emerald Studies in Popular Music and Place)" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

↓
↑
Reset

Interval:

↓
↑

Bookmark:

Make
1234567...99
The Canterbury Sound in Popular Music
EMERALD STUDIES IN POPULAR MUSIC AND PLACE
Series Editors:
Brett Lashua, University College London, UK
Stephen Wagg, De Montfort University, UK
Series Description:
Studies of the relations between popular music and place offer rich conceptual and empirical terrain. This interdisciplinary book series publishes research on popular music and its geo-spatial relations by scholars working in the wider disciplines and subject fields of popular music studies, cultural geography, cultural studies, sociology, urban studies, youth studies, leisure studies, and beyond.
Titles in the series focus not only on specific cities, but also rural and suburban places, alternative or marginal spaces, online spaces, and other music geographies, for example, histories of vanished or erased places, music tourist attractions, thanatological spaces (e.g., cemeteries and other memorializations for deceased musicians), music museums, and so on. The series promotes work by scholars interested in popular music, place and space, cultural identities, globalisation, history, and cultural heritage. In turn, the book series offers a critical space for scholars to theorise about the changing place of popular music where it is encountered, enjoyed, and contested.
Previously published titles in the series
Popular Music, Popular Myth and Cultural Heritage in Cleveland Brett Lashua
The Canterbury Sound in Popular Music: Scene, Identity and Myth
EDITED BY
ASYA DRAGANOVA, SHANE BLACKMAN AND ANDY BENNETT
United Kingdom North America Japan India Malaysia China Emerald Publishing - photo 1
United Kingdom North America Japan India Malaysia China
Emerald Publishing Limited
Howard House, Wagon Lane, Bingley BD16 1WA, UK
First edition 2021
Copyright 2021 Emerald Publishing Limited
Cover Image by L T Hopper, September 1951
Reprints and permissions service
Contact: permissions@emeraldinsight.com
No part of this book may be reproduced, stored in a retrieval system, transmitted in any form or by any means electronic, mechanical, photocopying, recording or otherwise without either the prior written permission of the publisher or a licence permitting restricted copying issued in the UK by The Copyright Licensing Agency and in the USA by The Copyright Clearance Center. Any opinions expressed in the chapters are those of the authors. Whilst Emerald makes every effort to ensure the quality and accuracy of its content, Emerald makes no representation implied or otherwise, as to the chapters suitability and application and disclaims any warranties, express or implied, to their use.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
ISBN: 978-1-78769-490-3 (Print)
ISBN: 978-1-78769-489-7 (Online)
ISBN: 978-1-78769-491-0 (Epub)
To Canterbury Contents List of Figures About the Authors Trying to Remember - photo 2
To Canterbury
Contents
List of Figures
About the Authors
Trying to Remember the Good Stuff: An Extended Foreword
Asya Draganova with Robert Wyattxix
Acknowledgements
Asya Draganova, Shane Blackman and Andy Bennett
Andy Bennett
Brian Hopper
Murray Smith
Dave Sinclair
Jack Hues
Rick Chafen
Richard Dove
Marcus ODair
David Woolgar
Billie Bottle
Neil Saunders
Curated by Asya Draganova and Shane Blackman
Aymeric Leroy
Phil Howitt
Alan Stumpenhuson-Payne
Mengyao Jiang
Sam Bailey
Adam Brodigan
Shane Blackman and Asya Draganova
Asya Draganova, Shane Blackman and Andy Bennett
Index
List of Figures
Poster for The Canterbury Sound: Place, Music and Myth 2017 Event Which Led to the Publication of this Book
Richard John Sinclair at a running race
Valentine Sinclairs Antique Shop in Canterbury
Richard Frederick Sinclair, my grandfather
Poster for a show where both my grandfather - Dick Sinclair, and my grandmother - Gertie Greenman, performed
My Grandmother
Me and My Elder Brother on Grandmas Lawn
My Grandfather with Great War Soldiers Billeted at the Kings Head, Canterbury
One of the letters sent to my Grandfather at the Kings Headfrom Lord Astor
Motorbike Family: Along the Seafront in Tankerton, Whitstable, my Father and Sister Joan, and Dick Sinclair, Early 1930s
My Aunt Girlie
St Dunstans Skiffle Group Formed by the Choir. Myself 3rd from left, brother John 4th from right back row
St Dunstans Choir. Myself 2nd from right, John 3rd from right
My Brother John Sinclair at the Canterbury Cathedral Organ
Spencer Payne, head of music, the choir, and me (far right)
The Hoppers house Tanglewood, a central place for the Canterbury Sound
Hammond A100 Organ-Bill of Sale
St Elmo, Stodmarsh Rd 1969
Brinsmead Piano Now
Recording in the Night at the Gulbenkian Theatre 1976
Taking a Break from Rehearsals, Working with Neil Merryweather, a US Recording Artist
Billboard LIVE Tokyo 12th May 2015 with Japanese band Clammbon
The Farewell Party for Me and My Wife Mika at the Bar Matching Mole in Kyoto 2016
Moments from My Music Career in Japan
Moments from My Music Career in Japan
Moments from My Music Career in Japan
Moments from My Music Career in Japan
An Original Drawing by Daevid Allen for Rick Chafen
A box set of Facelifts, publishied 19891998.
Pete Frames Canterbury Sound family tree called Soft Machinery. It was originally published as part of a booklet accompanying Triple Echo, a Soft Machine compilation released in 1977.
About the Authors
Sam Bailey holds a PhD and is an improvising pianist, composer, teacher, promotercurator, and founderdirector of the experimental music and poetry charity Free Range (http://freerangecanterbury.org/). His work as a musician includes: playing as a soloist with choir and orchestra in Canterbury Cathedral, as a soloist and conductor with local orchestras, classical recitals, cabaret punk bands, salsa bands, afro-beat bands, jazz bands, folk bands, organising two Summer of Jazz festivals and the Listen and Play Jazz Jam series, co-founding Jack Hues and the Quartet, and a year-long project called Piano in the Woods, a three-year project called Eating Sound (in which food was used as a way of connecting with experimental music). He currently teaches at Canterbury Christ Church University, Simon Langton Grammar School for Boys, and privately alongside running Free Range and working freelance as a musician and composer.
Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University. He has written and edited numerous books including
Next page
1234567...99
Light

Font size:

↓
↑
Reset

Interval:

↓
↑

Bookmark:

Make

Similar books «The Canterbury Sound in Popular Music:Scene, Identity and Myth (Emerald Studies in Popular Music and Place)»

Look at similar books to The Canterbury Sound in Popular Music:Scene, Identity and Myth (Emerald Studies in Popular Music and Place). We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


No cover
No cover
Andy Bennett
Popular Music, Cultural Memory, and Heritage
No cover
No cover
Robert Webber
Evangelicals on the Canterbury Trail: Why Evangelicals Are Attracted to the Liturgical Church
Dudley Clendinen - A Place Called Canterbury: Tales of the New Old Age in America
A Place Called Canterbury: Tales of the New Old Age in America
Dudley Clendinen
A Place Called Canterbury: Tales of the New Old Age in America
Ken Haigh - On Foot to Canterbury: A Sons Pilgrimage
On Foot to Canterbury: A Sons Pilgrimage
Ken Haigh
On Foot to Canterbury: A Sons Pilgrimage
Pirkko Moisala - Musical Encounters with Deleuze and Guattari
Musical Encounters with Deleuze and Guattari
Pirkko Moisala
Musical Encounters with Deleuze and Guattari
Lauren Istvandity (editor) - Remembering Popular Music’s Past: Memory-Heritage-History
Remembering Popular Music’s Past: Memory-Heritage-History
Lauren Istvandity (editor)
Remembering Popular Music’s Past: Memory-Heritage-History
Geoffrey Chaucer - The Canterbury Tales
The Canterbury Tales
Geoffrey Chaucer
The Canterbury Tales
Robin Mackintosh - Augustine of Canterbury: Leadership, Mission and Legacy
Augustine of Canterbury: Leadership, Mission and Legacy
Robin Mackintosh
Augustine of Canterbury: Leadership, Mission and Legacy
No cover
No cover
Robert W. Dye
Memphis: Birthplace of Rock and Roll
Mark Brend - The Sound of Tomorrow: How Electronic Music Was Smuggled into the Mainstream
The Sound of Tomorrow: How Electronic Music Was Smuggled into the Mainstream
Mark Brend
The Sound of Tomorrow: How Electronic Music Was Smuggled into the Mainstream
No cover
No cover
Salazkina Masha
Sound, Speech, Music in Soviet and Post-Soviet Cinema
No cover
No cover
Joli Jensen
The Nashville sound: authenticity, commercialization, and country music
Reviews about «The Canterbury Sound in Popular Music:Scene, Identity and Myth (Emerald Studies in Popular Music and Place)»

Discussion, reviews of the book The Canterbury Sound in Popular Music:Scene, Identity and Myth (Emerald Studies in Popular Music and Place) and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.