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Marco Martiniello - Multiculturalism and the Arts in European Cities

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This book discusses the tension, or even the contradiction, between ethno-cultural segregation and ethno-cultural mixing in the field of the arts. It focuses on the local artistic sphere in the multicultural EU cities of Amsterdam, Antwerp, Brussels, Cologne, Malm and Vienna. The chapters show a variety of local experiences by exploring in each city discourses, policies and practices in the local artistic field and by addressing one or more of the following questions: How do cities construct diversity discourses and policies? How do migrants and subsequent generations mobilise in the local artistic scene? What type of collective identities and ethnicities are publicly expressed and constructed in the arts? Are immigrant and ethnic artists and productions supported by official cultural institutions? Are local cultural policies becoming multicultural? How do migrant and ethnic artist mobilise in order to change cultural policies?

The contributors combine top-down and bottom-up perspectives from a variety of large, mid-size and small European cities to make sense of the links between migrants and ethnic groups and artistic change at the local level. They examine how the city as an artistic space is changed by minority artistic expression and also how local cultural institutions change minority artistic expressions. The chapter authors are drawn from broad variety of disciplines, including anthropology, cultural studies, political science, sociology, urban studies and planning, offering the reader a broad variety of perspectives and insights into this area.

This book was originally published as a special issue of Identities: Global Studies in Culture and Power.

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Multiculturalism and the Arts in European Cities
This book discusses the tension, or even the contradiction, between ethno-cultural segregation and ethno-cultural mixing in the field of the arts. It focuses on the local artistic sphere in the multicultural EU cities of Amsterdam, Antwerp, Brussels, Cologne, Malm and Vienna. The chapters show a variety of local experiences by exploring in each city discourses, policies and practices in the local artistic field and by addressing one or more of the following questions: How do cities construct diversity discourses and policies? How do migrants and subsequent generations mobilise in the local artistic scene? What type of collective identities and ethnicities are publicly expressed and constructed in the arts? Are immigrant and ethnic artists and productions supported by official cultural institutions? Are local cultural policies becoming multicultural?
The contributors combine top-down and bottom-up perspectives from a variety of large, mid-size and small European cities to make sense of the links between migrants and ethnic groups and artistic change at the local level. They examine how the city as an artistic space is changed by minority artistic expression and also how local cultural institutions change minority artistic expressions. Contributors are drawn from broad variety of disciplines, including anthropology, cultural studies, political science, sociology, urban studies and planning, offering the reader a broad variety of perspectives and insights into this area.
This book was originally published as a special issue of Identities: Global Studies in Culture and Power.
Marco Martiniello is Research Director at the Belgian National Fund for Scientific Research (FRS-FNRS) and a Professor of Sociology at the University of Lige, Belgium. He is the director of the Center for Ethnic and Migration Studies, CEDEM-University of Lige, Belgium.
First published 2014
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN, UK
and by Routledge
711 Third Avenue, New York, NY 10017, USA
Routledge is an imprint of the Taylor & Francis Group, an informa business
2014 Taylor & Francis
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
ISBN13: 978-1-138-79552-5
Typeset in Times New Roman
by Taylor & Francis Books
Publishers Note
The publisher accepts responsibility for any inconsistencies that may have arisen during the conversion of this book from journal articles to book chapters, namely the possible inclusion of journal terminology.
Disclaimer
Every effort has been made to contact copyright holders for their permission to reprint material in this book. The publishers would be grateful to hear from any copyright holder who is not here acknowledged and will undertake to rectify any errors or omissions in future editions of this book.
Contents
Marco Martiniello
Berndt Clavier and Asko Kauppinen
Wiebke Sievers
Joseph Costanzo and Fatima Zibouh
Els Vanderwaeren
Christine Delhaye and Victor van de Ven
Monika Salzbrunn
The chapters in this book were originally published in the Identities: Global Studies in Culture and Power , volume 21, issue 1 (February 2014). When citing this material, please use the original page numbering for each article, as follows:
Chapter 1
Artistic separation versus artistic mixing in European multicultural cities
Marco Martiniello
Identities: Global Studies in Culture and Power , volume 21, issue 1
(February 2014) pp. 1-9
Chapter 2
Art for integration: political rationalities and technologies of governmentalisation in the city of Malm
Berndt Clavier and Asko Kauppinen
Identities: Global Studies in Culture and Power , volume 21, issue 1
(February 2014) pp. 10-25
Chapter 3
A contested terrain: immigrants and their descendants in Viennese culture
Wiebke Sievers
Identities: Global Studies in Culture and Power , volume 21, issue 1
(February 2014) pp. 26-41
Chapter 4
Mobilisation strategies of individual and institutional actors in Brussels artistic and cultural scenes
Joseph Costanzo and Fatima Zibouh
Identities: Global Studies in Culture and Power , volume 21, issue 1
(February 2014) pp. 42-59
Chapter 5
Integrating by means of art? Expressions of cultural hybridisations in the city of Antwerp
Els Vanderwaeren
Identities: Global Studies in Culture and Power , volume 21, issue 1
(February 2014) pp. 60-74
Chapter 6
A commitment to cultural pluralism. Diversity practices in two Amsterdam venues: Paradiso and De Meervaart
Christine Delhaye and Victor van de Ven
Identities: Global Studies in Culture and Power , volume 21, issue 1
(February 2014) pp. 75-91
Chapter 7
How diverse is Cologne carnival? How migrants appropriate popular art spaces
Monika Salzbrunn
Identities: Global Studies in Culture and Power , volume 21, issue 1
(February 2014) pp. 92-106
Please direct any queries you may have about the citations to clsuk.permissions@cengage.com
Berndt Clavier is Associate Professor in the School of Arts and Communication at the Malm University, Sweden.
Joseph Costanzo is Postdoctoral Fellow in the Institute for Immigration Research at George Mason University, USA.
Christine Delhaye is Assistant Professor in the Department of Art, Religion and Cultural Sciences at the University of Amsterdam, the Netherlands.
Asko Kauppinen is Associate Professor in the School of Arts and Communication at the Malm University, Sweden.
Monika Salzbrunn is Full Professor of Religion, Migration, Diaspora Studies and Director of the Institute for Social Sciences of Contemporary Religions at Lausanne University, Switzerland.
Wiebke Sievers is a researcher at the Institute for Urban and Regional Research at the Austrian Academy of Sciences in Vienna, Austria.
Els Vanderwaeren PhD, is an independent researcher in Belgium.
Victor van de Ven is Research Assistant in the Department of Art, Religion and Cultural Sciences at the University of Amsterdam, the Netherlands.
Fatima Zibouh is a Doctoral Candidate in the Center for Ethnic and Migration Studies at the Universit de Lige, Belgium.
Marco Martiniello
This introductory article discusses the diversification of diversity in Europe. It then looks at the tension between ethnic separation and ethnic mixing in urban Europe in general terms. The next section elaborates on a similar tension in the field of popular arts. Finally, the article presents the main insights of the contributions to the special issue.
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