John Tulloch - Performing Culture: Stories of Expertise and the Everyday (Published in association with Theory, Culture & Society)
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Performing Culture: Stories of Expertise and the Everyday (Published in association with Theory, Culture & Society)
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Performing Culture presents a detailed and probing account of cultural studies changing fixations with theory, method, policy, text, production, audience and the micro-politics of the everyday. John Tulloch encourages academics and students to take seriously the need to break down the separation between high and low cultural studies. Tullochs case studies show that the performance of cultural meanings occurs in forms as diverse as The Royal Shakespeare Companys Shakespeare and Chekhov productions and our everyday work and leisure encounters. Drawing upon anthropological and dramatic studies of performance, the book emphasizes that academic research also performs cultural meaning. A central feature of the book is i
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Performing Culture : Stories of Expertise and the Everyday Theory, Culture & Society
author
:
Tulloch, John.
publisher
:
Sage Publications, Inc.
isbn10 | asin
:
0761956077
print isbn13
:
9780761956075
ebook isbn13
:
9780585333311
language
:
English
subject
Culture and communication, Culture--Theory.
publication date
:
2000
lcc
:
HM621.T85 2000eb
ddc
:
306.01
subject
:
Culture and communication, Culture--Theory.
Page i
Performing Culture
Page ii
Theory, Culture & Society
Theory, Culture & Society caters for the resurgence of interest in culture within contemporary social science and the humanities. Building on the heritage of classical social theory, the book series examines ways in which this tradition has been reshaped by a new generation of theorists. It also publishes theoretically informed analyses of everyday life, popular culture, and new intellectual movements.
EDITOR: Mike Featherstone, Nottingham Trent University
SERIES EDITORIAL BOARD Roy Boyne, University of Durham Mike Hepworth, University of Aberdeen Scott Lash, Goldsmiths College, University of London Roland Robertson, University of Pittsburgh Bryan S. Turner, University of Cambridge
THE TCS CENTRE The Theory, Culture & Society book series, the journals Theory, Culture & Society and Body & Society, and related conference, seminar and postgraduate programmes operate from the TCS Centre at Nottingham Trent University. For further details of the TCS Centre's activities please contact:
Centre Administrator The TCS Centre, Room 175 Faculty of Humanities Nottingham Trent University Clifton Lane, Nottingham, NG11 8NS, UK e-mail: tcs@ntu.ac.uk web: http//tcs@ntu.ac.uk
Recent volumes include:
Deleuze and Guattari An Introduction to the Politics of Desire Philip Goodchild
Undoing Aesthetics Wolfgang Welsch
The Consumer Society Myths and Structures Jean Baudrillard
Culture as Praxis Zygmunt Bauman
Spaces of Culture City, Nation, World Mike Featherstone and Scott Lash
Love and Eroticism edited by Mike Featherstone
Sociology of Giving Helmuth Berking
Page iii
Performing Culture
Stories of Expertise and the Everyday
John Tulloch
Page iv
John Tulloch 1999
First published 1999
Published in association with Theory, Culture & Society, Nottingham Trent University
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, transmitted or utilized in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission in writing from the Publishers.
SAGE Publications Ltd 6 Bonhill Street London EC2A 4PU
SAGE Publications Inc. 2455 Teller Road Thousand Oaks, California 91320
SAGE Publications India Pvt Ltd 32, M-Block Market Greater Kailash I New Delhi 110 048
British Library Cataloguing in Publication data
A catalogue record for this book is available from the British Library
ISBN 0 7619 5607 7 ISBN 0 7619 5608 5 (pbk)
Library of Congress catalog card number available
Typeset by Photoprint, Torquay, Devon Printed and bound in Great Britain by Athenaeum Press, Gateshead
Page v
Contents
Introduction: Performing Culture
1
1 Cultural Theory
20
2 Cultural Policy
39
3 (High-) Cultural Framing
70
4 (High-) Cultural Re-Framing
85
5 Cultural Reading
106
6 Cultural Methods
138
7 Conclusion: Understanding Situated Performance
159
References
178
Index
183
Page vi
[T]he metaphor of performativity has emerged to focus attention on the subject's (compulsory) performance of gender and the possibilities for performing gender differently.... The source of textual meaning has been relocated in negotiations between readers, writers and texts. That has necessitated a theorisation of the subjects who read and write, first a deconstruction of the humanist knowing subject... then a gendering and sexing of the subject, and finally a recognition of the importance of her colour.... It is now both a feminist and a poststructuralist/postmodernist catchcry, in some places, that one does not analyse texts, one rewrites them, one does not have an objective metalanguage, one does not use a theory, one
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