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Abby McDonald - The Liberation of Alice Love

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Abby McDonald The Liberation of Alice Love
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Copyright Copyright 2011 by Abby McDonald Cover and internal design 2011 by - photo 1
Copyright Copyright 2011 by Abby McDonald Cover and internal design 2011 by - photo 2
Copyright

Copyright 2011 by Abby McDonald

Cover and internal design 2011 by Sourcebooks, Inc.

Cover design by The Book Designers

Cover images Elena Yakusheva/Shutterstock.com; Roi Brooks/Shutterstock.com

Sourcebooks and the colophon are registered trademarks of Sourcebooks, Inc.

All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systemsexcept in the case of brief quotations embodied in critical articles or reviewswithout permission in writing from its publisher, Sourcebooks, Inc.

The characters and events portrayed in this book are fictitious or are used fictitiously. Any similarity to real persons, living or dead, is purely coincidental and not intended by the author.

All brand names and product names used in this book are trademarks, registered trademarks, or trade names of their respective holders. Sourcebooks, Inc., is not associated with any product or vendor in this book.

Published by Sourcebooks Landmark, an imprint of Sourcebooks, Inc.

P.O. Box 4410, Naperville, Illinois 60567-4410

(630) 961-3900

Fax: (630) 961-2168

www.sourcebooks.com

Originally published in the UK by Arrow in 2010.

Library of Congress Cataloging-in-Publication Data

McDonald, Abby.

The liberation of Alice Love / by Abby McDonald.

p. cm.

1. Theatrical agents--Fiction. 2. Identity theft--Fiction. 3. Identity (Psychology)--Fiction. 4. London (England)--Fiction. 5. Rome (Italy)--Fiction. 6. Los Angeles (Calif.)--Fiction 7. Psychological fiction. I. Title.

PS3613.C38696L53 2011

812.6--dc22

2010048510

Contents

For my mother, Annfor everything.

Chapter One

It began with a vibrator. A smooth, stainless steel, jewel-encrusted vibrator thataccording to the ribbon-trimmed user manualcost over seven hundred pounds. Even Alice, who valued her orgasms as much as the next woman, had to wonder what delirious pleasures it could possibly deliver to justify that kind of expense.

Yes, is that customer service? She blinked awake, almost surprised by the sound of a real, human voice. With the soothing hold music and afternoon sunlight spilling through the attic windows, Alice had been lulled into a daze, tracing the embossed script on the heavy cream box, back and forth, back and forth. She sat up. Theres been some kind of mistake, she explained. One of yourproducts was delivered today, but I didnt orderNo, I dont Je ne parle pasanglais ? Parlez-vous anglais ? The bored-sounding French voice on the other end of the line gave way to another surge of Schubert. Alice let out a long sigh of defeat.

It had arrived that morning: the inconspicuous brown box addressed to her in neat lettering from a company in Paris. Already late, Alice had stuffed it into her bag with a handful of other post; now the boxs luxurious contents sat in the middle of her antique desk, utterly out of place surrounded by ordered stacks of contracts and her mug of chamomile tea.

It was a mystery.

Whats that? A familiar head appeared around her open door, blond hair falling in a floppy fringe over warm blue eyes.

Alice jumped. Sweeping the box into a drawer, she quickly leaped up. Rupert! Her voice was strangled with embarrassment. Oh, nothing, justa mix-up. What are you doing here?

Ive got some things to signthought Id come down in person. Besides, Rupert added, moving closer to kiss her on both cheeks, I think Im due another lunch.

They shared a rueful smile. Viviennes lunches were notorious. Whenever one of her clients had been going through a dry spelland might otherwise start questioning the wisdom of their illustrious agentAlices boss would whisk them out for a three-hour session of compliments, champagne, and star-studded visions of international acting success. Alice had seen them wander back to the old, Soho office a hundred times, dazed and delirious with future promise, their faith completely restored.

Arbutus?

No, LEscargot, he replied, gloomy, naming an even more expensive restaurant. Alice tried not to wince. Things must really be slow.

Well, good luck, she offered. Few clients bothered to acknowledge her, let alone brave the perilous winding staircase to say hello, but Rupert had always been the nice one. Too nice. His promising string of period drama parts had slowed to a trickle, and personally, Alice thought his gallant enthusiasm was the problem. The ones who made it as leading men came equipped with brash arrogance, not boyish good looks and a sweet devotion to their wives.

If you want, your tax declaration is around somewhere, she suggested, not wanting him to have ventured up there for nothing. She began to click through her files on the screen. Are you all right waiting? She glanced up. Do you want tea, or something?

Oh, Im fine. Rupert moved aside a stack of books and took a seat on the battered leather couch. The girl at reception is getting me a coffee. Shes, uh, very eager to help.

Im sure she is, Alice murmured. Fresh from drama school, the new assistant, Saskia, was especially accommodating to clients. The attractive, male ones, that was. Ah, got it! Let me just print you a The words died on her lips as the computer let out a strangled bleep. Suddenly, her screen began to blur into a sequence of binary code and hieroglyphics.

No, no! Alice cried, but it was no use: her mouse was frozen, her keyboard, dead.

Whats wrong? Rupert hurried to look over her shoulder as Alice stared at the angry-looking symbols. Oh. That doesnt look good.

No, it doesnt. She swallowed, not wanting to think about all the client data in peril. I wonder if its just me, oran angry cry echoed up from downstairsnot.

She found everyone crammed into the reception area, arguing loudly. Vivienne refused to let The Grayson Wells Agency inhabit anything as ordinary as an office block; instead, Alice worked in a narrow, three-story townhouse on a cobbled Soho backstreet. The agents operated out of low-ceilinged nooks, visitors were greeted by a checker-floored cloakroom, and Vivienne herself held court from the second-floor drawing room, complete with damask wallpaper and a Georgian-style chaise lounge. After years spent wilting under fluorescent lights in a gray cubicle at a corporate firm in the city, Alice adored her attic hideaway. She could play Radio 3 in uninterrupted calm, grow pansies in the window box, and never be bothered by the daily dramas of everyone else.

Well, usually.

Ducking to avoid the low-slung ceiling, Alice edged into the room. Vivienne was fluttering her hands as if she were having a fainting fit, the agents were milling about in panic, and Saskia was proclaiming her innocence in between dramatic gasps of dismay. Yes, it was business as usual at Grayson Wells.

Whats happening? Alice asked. Are everyones computers?

Fucked. Tyrell answered shortly, folding his arms across a spotless white shirt. A new agent from the States, he sauntered around in designer tailoring and box-fresh Converse sneakers, wooing prospective clients with talk about taking their careers to the next level, touching bases, and leveraging their brand potential. Im waiting on an email

My client needs his contracts and

My BlackBerrys down and I cant function

Alice maneuvered to the front of the room. I know this is a stupid question, she said. But has anyone called the technician yet?

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