Tiffany Reisz - The Red: An Erotic Fantasy (The Godwicks)

I t had always been called The Red Gallery, even before the gallery was red.

Originally it was called Reds because a man named Red owned the place and for no other reason. Monas mother, however, said the name came from the 1920s when The Red was a speakeasy. So many people were killed during bloody gangster shootouts, she said, that the place had been nicknamed The Little Red Shooting Gallery. None of that was true, of course, but Monas mother had been the sort of woman who valued beauty over truth. She loved The Red Gallery and thought it deserved the very best origin story. Mona never passed on that fiction herself, but she never denied it either. She also kept the brick painted crimson and her own brown hair colored candy apple red.

Its what her mother would have wanted.

Her mother had loved The Red Gallery so very much that her last words to Mona had been, Do anything you have to, but save The Red. And for that reason alone Mona sat at her desk in The Red Gallery long past closing time, adding up numbers again and again in the hopes of finding a misplaced zero somewhere, a zero that would turn assets of fifty thousand dollars into five hundred thousand dollars. Shed robbed Peter to pay Paul and now Peter was at the door and pounding. There was no one left to rob to pay him.

Unless she sold the gallery.

Why her mother loved this place so much Mona might never know. Oh, Mona loved The Red too, their little gallery on Savoy Street. She loved its painted red brick and glass storefront, the ebony-stained hardwood, the red velvet curtains along the walls that made the colors of the canvases pop like balloons. She loved the little office off the main gallery that had once been her mothers but was now hers. She loved the storage room in the back where all the paintings and sculptures not currently on display were safely kepta second private art gallery. What she didnt love was the debt. If her mother had died a quick death, Mona might have been able to save the gallery. But she hadnt. Shed been sick and had lingered for two years, getting a little better and then a little worse, better, then worse, a step forward, a fall back. In the end, all she could leave Mona was the deed to the gallery and a fortune in medical debt that her mothers life insurance barely touched.

And no one gave a damn about art anymore.

She knew that wasnt true, but all attempts to revitalize the gallery had failed. Up and coming artists had drawn young hip crowds. But while the hip young crowds were happy to drink the free wine and eat the free crackers and cheese, they didnt buy the paintings. Older artists had flooded the markets with their works and were selling for peanuts, if they were selling at all. Shed tried to entice the estate of a recently deceased painter to give her the exhibition of his collection, but theyd gone with a bigger gallery uptown. She didnt blame them. She might not have picked The Red Gallery either.

Today, shed let go the very last member of her staff.

Except for Tou-Tou, of course. Shed never let go of Tou-Tou.

Dont worry, she said to the little black cat curled up in the corner of her office in his bed. If I sell the gallery, you wont be homeless. You can come live with me.

Tou-Toushort for Toulouse-Lautrecmerely glanced in her direction, blinking his luminescent green eyes before returning to the task at hand, namely licking his right paw for the next ten minutes. Tou-Tou had been the gallery cat for ten years. Her mother had found the malnourished black kitten in an alley two streets away and had brought him here to nurse him back to health. Hed never gotten very big, but his coat was glossy and soft, his eyes bright, and his purrs loud enough to wake the dead. She wasnt allowed pets in her apartment, but what her landlady didnt know wouldnt hurt her. Ten years. Mona had been fifteen when they found Tou-Tou. Ten years. Ten years ago the gallery had been the apple of Savoy Street, the darling of the art district. But rents had gotten too high and the galleries, one by one, had shut their doors or moved. Only The Red was left behind.

And now it would close its doors too.

Mona rose from her desk and walked to Tou-Tous bed. She stroked his head, his chin, pressed her hand to his side to feel that marvelous diesel engine purr. It comforted her. She whispered promises to Tou-Tou, that he would like it at her apartment. That she wasnt firing him, she was selling the gallery. She told him to tell her motherher mother had been certain cats could communicate with the deadthat Mona had done all she could to save The Red. No banks would loan her money. The credit cards were maxed. Bankruptcy was imminent. Art for arts sake was a lovely idea in theory.

But art alone couldnt pay the bills.

Mona stood up straight and squared her shoulders. The wall clock said it was almost midnight. Sometime in the last hour shed made up her mind to sell. She felt better now that shed acknowledged she had no choice but to sell. The numbers werent going to magically multiply no matter how long she stared at them. Might as well give up, go home, and sleep. She slung her black bag over her shoulder, took her red coat off the hook and laid it over her arm, slipped her feet back into her black heels and blew a goodnight kiss at Tou-Tou. Time to lock up. Time to give up. Except

There was a man standing in the gallery.

Mona gasped, her hand over her mouth. It didnt seem he had heard her gasp. He didnt even turn to look at her. She swallowed hard, her heart running like the White Rabbit. He was tall and broad-shouldered and wore a three-piece black suit. He had one hand on his hip, one hand on his chin. Although his clothes were modern and he looked about forty years old, there was something about him that lookedold. No, not old. Old World, perhaps. Yes, that. Old World. She could think of no other way to describe him. It was the hair. That was it. He wore his hair in a style that would have best belonged on a Regency-era lord. Black and tousled, rakish even, he reminded her of Eugene Delacroixs dashing self-portraits. Dark eyes, black heart. To Mona he looked like the devil gone courting.