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Andrew Taylor - Bleeding Heart Square

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Andrew Taylor has written over 25 crime novels, and won many awards for his books. His best selling historical crime novel THE AMERICAN BOY was selected by Richard and Judys book club. This new story is set in Bleeding Heart Square in the 1930s. In case you were wondering, there is no Bleeding Heart Square in London, but there is a Bleeding Heart Yard. It is apparently named after Elizabeth Hatton, a 17th century society beauty who was murdered one night in 1626 after a ball, and her body found in the Yard torn limb from limb and with her heart still bleeding on the cobblestones, a story that is used in this book to describe the origins of Bleeding Heart Square. At the start of the book, Lydia has a violent argument with her husband, Marcus. She decides to leave him and her life of privilege to take refuge with her father in his rooms at 7 Bleeding Heart Square, to live in much reduced circumstances. She does not know her father well, as her mother divorced him when she was young. But she is determined to stay with him, and not to give in to her mother (re-married and now Lady Cassington) and return to live with Marcus, to keep up appearances. The current owner of the house is a shady character called Serridge. Narton, a policeman, suspects Serridge of murdering the previous owner, Phillipa Penhow, about four years ago. Ms Penhow, a rich spinster, had become smitten with Serridge. He persuaded her to buy a remote farmhouse in Essex, and to move there to live with him, until she disappeared shortly afterwards. When questioned, Serridge claimed that she met an old boyfriend and moved away to America with him, but no-one has heard from her since. Narton recruits Rory, a young man he sees hanging about the square, to help him find evidence that Serridge is to blame. Rory wants to find out what happened to Ms Penhow, because she is the aunt of his girlfriend Fenella. It also turns out that Lydias father is somehow connected to Serridge, not only through their time together in the army during the First World War, but also because he used to own the farm in Essex that Serridge persuaded Ms Penhow to buy. The main mystery to be solved in the book is whether Serridge murdered Ms Penhow for her money, or whether she really did move to America. However, in true Dickensian fashion, there is a whole host of characters, and many subplots that contribute to the main story. Ms Penhows infatuation with Serridge, and the consequences of that, are gradually revealed through excerpts from her diary, read by an unknown person, who has somehow acquired the diary. These convey her initial optimism and subsequent slide into despair, and raise the hope that perhaps she did just run away after all. Meanwhile, with the help of Narton, Rory starts to find out what really happened to Ms Penhow, while gradually realising that Fenella no longer wants to marry him, and struggling to find himself a job as a journalist. A third subplot describes how Lydia starts to make a new life for herself, her growing friendship with Rory after he also moves into 7 Bleeding Heart Square, and her own part in discovering what happened to Ms Penhow. The book evokes the period partly through its descriptions of the British Fascist movement, and Marcuss involvement in it, and through the stark differences between the lives of the wealthy and those of the poor. It is a hugely enjoyable book, in which the many different threads, and rich detail, are skilfully woven together. It was an exciting read, and I had to restrain myself from turning to the ending to find out what happened before finishing the book. But, Im afraid when I finally did get there, I was a bit underwhelmed by the final unveiling of the fate of Ms Penhow, and I dont think this was just because I hadnt been paying enough attention to the clues dotted through the story. Despite this, and because the story of Ms Penhow is in some ways almost incidental, mostly serving as a means to throw the various characters together, one can just about forgive the ending, and simply enjoy the rest of the book. One to recommend, but I dont think its going to make my top five of the year.

Andrew Taylor: author's other books


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Andrew Taylor Bleeding Heart Square For Ann and Christopher dont go of a - photo 1

Andrew Taylor

Bleeding Heart Square

For Ann and Christopher

dont go of a night into Bleeding Heart Square, Its a dark, little, dirty, black, ill-looking yard, With queer people about -Extracted with modest modifications from The Housewarming!!: A Legend of Bleedingheart Yard (The Revd Richard Harris Barham: The Ingoldsby Legends, or Mirth and Marvels, Third Series, 1847)

1

SOMETIMES you frighten yourself. So what is it, exactly? A punishment? A distraction? A relief? Youre not sure. You tell yourself that it happened more than four years ago, that it doesnt matter anymore and nothing you can do can change a thing. But you dont listen, do you? All you do is go back to that nasty little green book.

Thursday, 2 January 1930 Tomorrow I shall go to Bleeding Heart Square for the first time. It was young Mr. Orburns idea. I always think of him as young Mr. Orburn, though he must be 35 or 40 if hes a day. He is young compared with his father, who used to call at my aunts, and she would give him Madeira and seed cake. All those years ago-how time flies. This is my first entry in the diary, and I feel rather awkward as though I were talking to someone I had only just met. My niece gave me the diary when I spent Christmas Day with my brother and his family. I suppose it was kind of them to ask me, and it was certainly better than having to eat my Christmas dinner at the Rushmere Hotel with the other residents who dont have a family to ask them elsewhere. All the same, it was a little awkward. Anyway, this is the beginning of a new year and Im going to put my best foot forward. I have made several resolutions-I shall be cheerful, I shall think of others less fortunate than myself and try to help them, I shall reread every book in the New Testament and make notes as I go. I shall keep this diary. I shall record in it interesting impressions, conversations, thoughts, etc. that come my way. I need to keep active because we all know who finds work for idle hands! So-back to Bleeding Heart Square. Its such a strange name. I asked Mr. Orburn where it came from but he didnt know. Memo to myself: find out what the name means.

Its as if you hear her talking, as if shes standing at your shoulder. When its really bad, you imagine you smell her perfume. You think her thoughts, you dream her dreams.

Now theres a thought: Miss Philippa May Penhow is not dead, only sleeping.

At ten past three on Tuesday, 6 November 1934, Lydia Langstone fumbled in her handbag for the latchkey. The house loomed over her like a dirty wedding cake. A cold wind, flecked with rain, nipped at her ankles. In her haste, she dropped the key and found herself laughing with a sort of idiot joy as she stooped to pick it up.

Leaves shuffled along the pavement. The taxi pulled away from the curb and she glanced over her shoulder at the sound of its engine. The front door was several feet above the level of the pavement and framed by a pair of white pillars.

But this, she thought, will make everything all right. Now. At last.

The key turned in the lock. She pushed open the door. The house was silent, wrapped in the calm that descended on it between lunch and tea when for an hour or two the servants became invisible, wrapped in the mystery of their own lives.

Marcuss hat lay on the polished chest at the foot of the stairs. For once she was pleased to see it. He had been lunching at his club and had said nothing about when he would return. She registered the presence of a second hat, one she did not recognize, but failed in her absorption to draw the obvious conclusion that its owner must be in the house too.

Marcus would be upstairs in his study or the drawing room. Still in her hat and coat, Lydia went in search of him. She ran up the stairs, which were far too large and imposing for the hall below and the landing above. It was that sort of house-it strove to impress and succeeded in sacrificing comfort and convenience.

On the landing, she hesitated a moment and then tried the drawing-room door. The room was empty, the fire unlit. She darted across to the study and opened the door without knocking. Marcus was sitting in one of the armchairs in front of the fire with a cigar in his hand and a glass of whisky at his elbow. He looked up at her and she stopped in the doorway. He stared at her, his face flushed and his eyes wide open.

The visitor stood up and turned toward her. He was slim and dark, with a small moustache and a face like a determined seals. Marcus, too, rose to his feet, though without enthusiasm, as if reluctantly obeying the dictates of a higher power.

Ah, Lydia, my dear, he said, articulating his words with the precision of the almost drunk. I dont think you know Rex Fisher. He turned to his guest. Rex, this is my wife.

Fisher limped toward her, holding out his hand and smiling. Indeed, we have met, Mrs. Langstone.

Of course we have, Sir Rex, Lydia said. You came down to Monkshill for a weekend. It must have been just after the war.

They shook hands. Fisher had a trick of looking very keenly at you as if you were, for the moment, the most interesting thing in the world. It was at once flattering and alarming.

And how are Lord and Lady Cassington? he asked.

Very well, thank you. She smiled at him. I know it must sound awfully rude, but would you mind if I took Marcus away for a moment? Theres something I need to tell him.

Fisher stood back, the smile still in place. Of course not, Mrs. Langstone.

Marcus made an inarticulate sound that might have been a murmur of protest. But she gave him no time to think. She left the room and crossed the landing to the drawing room. She heard her husband apologizing to his guest, the closing of the study door and his footsteps behind her.

Once they were both in the drawing room, he shut the door. Irritation made him puff out his lips in what was almost a pout, and his eyes looked larger than ever. When they were children she had thought of it as his angry frog face, though of course she had never told him that. She realized with dismay that he was drunker than she had thought.

You bloody little fool, he said. What the hell do you think youre playing at?

Marcus, theres something I-

Do you realize what youve done? he interrupted in a low voice. Youve probably scuppered my political career before its even begun.

Thats nonsense, you know-

Rex has got Mosleys ear. But hes prickly as hell, always ready to take offense. And he was about to offer me-

She took a step toward him, her hands outstretched. You dont understand, she began. I-

I understand only too well, he snapped. Marrying you was the worst thing I ever did in my life.

It was as if her mind was seized by a sudden frost. She felt nothing but cold. She could not think, let alone move. She stared blankly at her husband. Something about her passivity seemed to enrage him further. He lunged forward and slapped her cheek with the palm of his right hand. It was a relatively light blow that made her head jerk to one side. She gasped and lifted her left hand to cover the spot where his blow had fallen.

Dear Christ, he said. Youre such a silly little bitch.

As he was speaking, she knew he was going to hit her again. It was in a sense a continuation of the first blow. Having slapped her cheek with the palm of his right hand, he reversed the thrust of his arm and increased the impetus of the swing. The back of his hand smashed into her cheekbone. The force of the blow was enough to drive her against a chair. The top of its seat caught her just below the knee. She lost her balance and fell inelegantly so her body sprawled partly on the floor and partly on the chair. A jolt ran through her. She cried out with the snaking pain it brought in its wake. She was dimly aware of Marcus standing over her.

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